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Benzino Blasts Funk Flex For Shaming T.I. Over “CrimeStoppers” Ad
Funk Flex was on one this week when he decided to randomly target T.I. Though it seems like the root of his issues had to do with music, he decided to bring up T.I.’s CrimeStopper commercial. This was apparently an attempt to discredit T.I. as the King Of The South. “I don’t take you serious. You testified and you make CrimeStoppers videos,” Flex said. “There’s nothing wrong with that but we ain’t the same,” he continued before calling T.I. a clown.
Benzino evidently took issue with the matter and came to T.I.’s defense with a simple message to Flex — “Shut the fuck up and play music.” The rapper shared a nearly 8-minute long video where he aired out Funk Flex for his position on T.I.’s CrimeStoppers video, especially in the midst of so much division in the U.S.
“So in a few days there could be a civil war with the other side and flex would rather another black man @troubleman31 do 15 years rather than him to a 30 sec commercial because of his influence to reach the youth to get a lighter sentence and be home with his family,” Benzino wrote in the caption. In the video, Benzino suggested there are “personal issues” between Flex and Tip from years ago.
Benzino debunked this theory surrounding T.I. being a snitch because of the CrimeStoppers video. Some have said that it encouraging snitching so it’s indirectly ratting while others, like Benzino, regarded it as just a commercial to get him less time. “You don’t think that the n***a that Tip allegedly snitched on would be actually saying something? In outrage, making statements himself?” Benzino asked.
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“We know for a fact Flex ain’t never been involved with no gangsta sh*t. He just runs his gums up in there in that little studio. We know that for a fact. Never been involved in no gangsta shit, ever. He just screams and yells,” Benzino added before clarifying that he doesn’t condone snitching. “We know for a fact if Funk Flex ever got involved in some gangsta shit. We know, for a fact, that if he was offered to do a commercial, that mothafucka would do a whole movie to stay out of jail.”
Ultimately, Benzino explained his grievances stemmed from Funk Flex using his influence, in the current climate of America, to perpetuate negativity. However, he also added that Flex goes on the radio to talk crazy while moving around with security.
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“Flex said out of his own mouth the commercial was okay if it were civilians. Who the fuck you think he did it for? You think he did the commercial for rappers?” Benzino said. “Flex didn’t go that hard on Tekashi and we know the people he snitched on. When there were rumors of 50 being a snitch, Flex didn’t say shit to him because he was aligned with 50. Flex, shut the fuck up. You ain’t no gangsta so you ain’t in no position to talk gangsta shit. You ain’t never been in a position to go to jail other than when you was beatin’ on your wife. When you was puttin’ hands on a woman.”
Check out the full video below.
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Pete Miller Explores Duality on “The Dazzling Kimberly”
Pete Miller’s ‘The Dazzling Kimberly’ is a profound exploration of the intricacies of human emotion and the complexity of our relationships. Through its narrative, the song delves deep into the heart of love, loss, and the paths we choose in life. The protagonist’s journey of self-reflection and contemplation, sparked by the enigmatic Kimberly, serves as a mirror to our own experiences with love and the often painful lessons that come with it.
“The Dazzling Kimberly” is a poignant song that narrates the story of two twins embroiled in conflict, who are brought together and eventually reconciled by their interactions with a mystical figure named Kimberly. This song, with its rich narrative and allusions, particularly to the biblical story of Jacob and Esau, offers a layered exploration of themes such as rivalry, redemption, and the ephemeral nature of life and relationships.
The song opens with a vivid depiction of one twin’s sense of guilt and moral ambiguity, contrasting his own cunning with his twin’s straightforward approach. This internal conflict sets the stage for the entrance of Kimberly, a figure whose very existence seems otherworldly, serving as a catalyst for change and reflection in the twins’ lives.
Kimberly, characterized by her wisdom and almost supernatural presence, challenges the narrator to reconsider his values, suggesting that victories won through cunning lack the essence of true love and fulfillment. Her influence is profound, guiding the twins towards a reconciliation that seemed impossible before her intervention.
The chorus of the song encapsulates the narrator’s deep yearning and the transformative impact Kimberly has had on his life. It questions the value of freedom and the significance of their bond, highlighting the impermanence of life through the metaphor of fading air and shifting sands.
The resolution of the twins’ conflict, prompted by Kimberly’s disappearance (or passing), symbolizes a newfound maturity and understanding. The once-contentious land becomes a symbol of their shared heritage and reconciliation, underscoring the message that love and unity are more valuable than any material possession or victory.
The allusion to Jacob and Esau provides a biblical backdrop to this tale of rivalry and reconciliation, enriching the narrative with layers of meaning and moral questioning. Just as Jacob and Esau reconcile after years of conflict, so do the twins, guided by the ethereal and loving presence of Kimberly.
The song’s melancholic yet hopeful tone captures the duality of human experience—the longing for what was and the hope for what could be. The moods and themes you’ve described, from melancholy and contemplation to love, regret, and redemption, underscore the universal struggle with fate and the desire for moral clarity and closure.
For further thematic exploration, the works of Leonard Cohen, particularly for their spiritual and existential undertones, or the poetic narratives of Bob Dylan, might resonate with the themes of “The Dazzling Kimberly.” Both artists adeptly weave complex human emotions with broader philosophical and spiritual questions, much like Pete Miller does in this song.
–Ralph Grossman
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Yung Miami Unveils Exciting “Yams” Era in a Dazzling Comeback Trail, Are You Ready for the Yams Revolution
Yung Miami Unveils Exciting “Yams” Era in a Dazzling Comeback Trail, Are You Ready for the Yams Revolution