Music
Beyonce’s New Wax Figure Sparks Outrage, ‘That’s Not Queen Bey, That’s Becky
Replicating the queen of pop, Beyonce, in wax is no small feat. Yet, the Grévin Museum in Paris has found itself at the center of a social media storm over their latest attempt. Unveiled earlier today, the new wax figure has fans in an uproar, accusing the museum of whitewashing the global icon.
“Baby, that’s Addison Rae,” one Instagram user quipped in the comments on The Neighborhood Talk’s post. Another chimed in, “That’s Becky, not Beyonce.” Critics are questioning why the wax figure’s skin tone is noticeably lighter than Beyonce’s, echoing concerns raised in the past about similar representations of other celebrities. Just last year, the same museum faced backlash for a wax figure of Dwayne “The Rock” Johnson, which many felt resembled Mr. Clean more than the actor himself.
The Rock responded to the controversy by announcing that his team would reach out to the museum to correct “important details,” including his skin color. The museum acknowledged the mistake, attributing it to the reference photo and challenging lighting conditions, and they made the necessary adjustments. Whether Beyonce will take similar steps remains to be seen, as she has yet to address the situation publicly.
This isn’t the first time a wax figure of Beyonce has caused an uproar. In 2017, Madame Tussauds faced a wave of criticism for a figure that fans felt didn’t accurately capture her features or skin tone. The museum eventually promised to adjust the figure’s styling and lighting in response to the outcry.
What do you think of the Grévin Museum’s new Beyonce wax figure? Do you agree with social media users’ reactions? Share your thoughts in the comments section below and stay tuned to Honk Magazine for more updates on this unfolding controversy.
Artist Spotlight
The trapheaux gracefully glides over in new release “Marble Floors”
Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.
The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.
When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.
Connect with Trapheauxly on Spotify || Instagram || Soundcloud
Artist Spotlight
NIHLNØTHING unleashes increased tides on new release “ocean” Power
NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.
A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.
Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.
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