Music
Beyonce’s New Wax Figure Sparks Outrage, ‘That’s Not Queen Bey, That’s Becky
Replicating the queen of pop, Beyonce, in wax is no small feat. Yet, the Grévin Museum in Paris has found itself at the center of a social media storm over their latest attempt. Unveiled earlier today, the new wax figure has fans in an uproar, accusing the museum of whitewashing the global icon.
“Baby, that’s Addison Rae,” one Instagram user quipped in the comments on The Neighborhood Talk’s post. Another chimed in, “That’s Becky, not Beyonce.” Critics are questioning why the wax figure’s skin tone is noticeably lighter than Beyonce’s, echoing concerns raised in the past about similar representations of other celebrities. Just last year, the same museum faced backlash for a wax figure of Dwayne “The Rock” Johnson, which many felt resembled Mr. Clean more than the actor himself.
The Rock responded to the controversy by announcing that his team would reach out to the museum to correct “important details,” including his skin color. The museum acknowledged the mistake, attributing it to the reference photo and challenging lighting conditions, and they made the necessary adjustments. Whether Beyonce will take similar steps remains to be seen, as she has yet to address the situation publicly.
This isn’t the first time a wax figure of Beyonce has caused an uproar. In 2017, Madame Tussauds faced a wave of criticism for a figure that fans felt didn’t accurately capture her features or skin tone. The museum eventually promised to adjust the figure’s styling and lighting in response to the outcry.
What do you think of the Grévin Museum’s new Beyonce wax figure? Do you agree with social media users’ reactions? Share your thoughts in the comments section below and stay tuned to Honk Magazine for more updates on this unfolding controversy.
Artist Spotlight
“Make America” by Charlotte Morris explores patriotism, compassion, and change through storytelling
In the midst of ongoing conversations about identity, values, and the future of society impacting everyday life, Charlotte Morris responds with “Make America,” a thoughtful release of Americana and folk rooted in reflection, responsibility, and hope. There is only space to think about what patriotism really is and where compassion and accountability fit into the idea of a better nation.
“Make America” is rooted in the rich tradition of American protest folk, infused with the emotional weight of classic storytelling, and still tied to the modern moment. The song talks about national ideals, collective choices, and the gap between the image we have of our country and the reality we experience.
Charlotte Morris has a real vocal presence that fits well in the Americana landscape. She delivers the song with a personal, expressive touch that allows the themes to come through honestly. “Make America,” the first song from a new two-song protest project, points to a new and powerful direction in Morris’ latest artistic chapter. The song speaks to folk music’s power to freeze a moment in time, to challenge our points of view, and to spark dialogue. Charlotte Morris handles a powerful subject and gives a heartfelt performance that makes you think deeply, yet still leaves a door open for hope.
Artist Spotlight
Karen Salicath Jamali unveils “Marys Song,” a soulful journey of faith and love
Karen Salicath Jamali’s acoustic folk track “Marys Song” is a message beyond the artist, but the artistic expression is deeply personal. Built around a rare moment of clarity in the early morning hours, the song has an easy sincerity that makes it feel like every note was played just as it was meant to be.
The production is understated, giving each musical element room to breathe. The approach puts the song’s soothing atmosphere front and center, inviting you into a space of reflection, hope, and quiet reassurance. The song has an artistic identity, born of Karen Salicath Jamali’s decades-long relationship with the figure of Mary. After 30 years of exploring this inspiration through paintings and bronze sculptures, she is taking her creativity to the world of songwriting.
The cover art, taken from one of her original bronze sculptures, further connects her visual and musical worlds, making it a full artistic statement. “Marys Song” by Karen Salicath Jamali is a reminder of comfort, faith, and unconditional love. It’s the kind of song that makes you want to slow down and think and find a peace that’s so hard to find. The result is a beautifully crafted folk offering that shows Karen Salicath Jamali is capable of moving audiences with music and art.
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