Music
Blake Morgan – Violent Delights

Indie-music iconoclast Blake Morgan’s highly-anticipated fifth album Violent Delights is out now on ECR Music Group. The native New Yorker, artist, producer, multi-instrumentalist, label owner, and activist is riding high from the critical and commercial successes of his breakthrough singles and music videos of recent months. The New York Times calls Morgan “Disarmingly unselfconscious.” Billboard proclaims, “Morgan has a voice that was made to be heard on the radio…inspired songwriting and passionate performances.” The Washington Post writes, “He’s got killer pop-rock instincts, something that leaps out at you…as well as a flair for recalling the days of pre-digital sound mixes. A natural when it comes to fashioning sharp melodies and catchy choruses.”
“I wanted to make a new record that would evoke a time in music when melodic Rock-’n-Roll hooks weren’t a vice, when optimistic, triumphant love songs with bite poured out of the car stereo,” says Morgan. “If The Police’s album ‘Ghost in the Machine’ and AC/DC’s ‘Back In Black’ had a kid together, that ‘kid’ would be my new record.”
The album gets its title from a line in Act 2, Scene 6 of Romeo and Juliet (“These violent delights have violent ends”), when the young couple is warned by Friar Lawrence that their passions may cost them. This is Morgan’s first record primarily comprised of love songs, and a departure for the artist. “I’ve written breakup records before, but never a ‘love’ record. I’ve never even used the words ‘love’ or ‘heart’ in a song before. Perhaps it helped to be in love, finally, for me to use those words convincingly.”
The reaction to previews of the new album has been clear: The Aquarian, “Mesmerizing.” Post-Punk, “Uplifting power-pop. Striking.” Glam Glare, “Instant classic. An exhilarating, almost spiritual experience.” Pop Passion, “Joyfully defiant.” Vents Magazine, “Great lyrics. Urgently flowing music.” Music Injection, “Brilliant.” Culture Catch proclaims Morgan’s style as, “Pop-rock noir. A much-needed antidote.”
The release of Violent Delights follows multiple successes for the artist including his record-breaking concert series in New York (a six-year run of sold-out concerts at New York City’s Rockwood Music Hall), over 200 performances across 160,000 miles of touring with sold-out shows on both sides of the Atlantic, and 20 albums he’s produced and recorded with A-list artists since his own last solo-artist album release.
In the studio, Morgan has recorded and produced music’s brightest luminaries, from Lenny Kravitz to Lesley Gore. Morgan sings and performs all the instruments on this new record except for the drum kit, and he produced, recorded, mixed, and mastered the album at Valiant Recording NYC, the Greenwich Village recording studio he’s owned and operated since 2002.
Morgan is also the founder and President of independent global-music company ECR Music Group. His ideas, opinions, and editorials on music have been published regularly by The New York Times, Billboard Magazine, CNN, Newsweek, Variety, The Hill, NME, The Huffington Post, and The Guardian.
He lectures frequently, including at The Georgetown University Law Center, California State University, Syracuse University, NYU’s Clive Davis Institute of Recorded Music, American University, and at his alma mater, Berklee College of Music. His music advocacy has taken him to Capitol Hill numerous times where, as the founder of the #IRespectMusic movement, he continues to fight for music makers’ rights in the digital age.
Blake Morgan’s new record Violent Delights is now available on all platforms.
Artist Spotlight
“We Will Overcome” by Ooberfuse evokes a revolutionary anthem of solidarity

Ooberfuse, the British Filipino duo comprising Hal St John and Cherrie Anderson, has never shied away from tackling significant issues, whether teaming up with Snoop Dogg to highlight homelessness or gaining the admiration of the Pope. In their latest single, “We Will Overcome,” Ooberfuse delivers an electrifying call to join the activism, urging listeners to stand united and overcome social injustices. With their signature blend of emotive vocals, evocative instrumentation, and pulsating electronic beats, they craft a powerful and profoundly moving anthem.
The track’s message couldn’t be more timely. In a world where the voices of the oppressed and vulnerable communities often go unheard, Ooberfuse shines a spotlight on the urgent need for solidarity. Their work with the People’s Recovery, Empowerment, and Development Assistance Foundation (PREDA) in the Philippines proves their commitment goes beyond music; it’s activism set to melody.
“We Will Overcome” carries an uplifting, almost defiant energy, weaving hope through its soaring synths and heartfelt lyrics. It amplifies their advocacy, shedding light on the devastating impact of the USAID cuts and the tireless efforts of Father Shay Cullen’s PREDA Foundation in rescuing and rehabilitating abused children in the Philippines. Cherrie’s ethereal voice glides effortlessly over the production, balancing raw emotion with unwavering strength. Hal’s dynamic presence complements the track’s urgency, creating a soundscape that refuses to be ignored.
This latest release strengthens their reputation as artists who don’t just create music but also strive to make a difference, inviting listeners to be part of the solution. “We Will Overcome” is not just inspiring; it is essential for reflection, a revolution wrapped in melody. If you are looking for a song that stirs the soul and sparks action, “We Will Overcome” is the perfect choice. Play it loud, let it resonate, and most importantly, embrace its meaning.
For more information about Ooberfuse, please visit [website].
CONNECT WITH Ooberfuse | Instagram | Twitter | TikTok | Facebook |
Artist Spotlight
D. Edge drops irresistible new single “GO T.S.F.G.”

D. Edge is back with a bang! With his latest release, “GO T.S.F.G.,” the dynamic artist continues to impress with a catchy melody, infectious rhythm, and a living and breathing sound evolution that gives us plenty of reasons to keep an ear out. This track proves how D. Edge is a rising force in the new music scene, presenting a perfect balance of addictive beats with outstanding vocal flow.
The music has a driving energy but a laid-back feel, allowing the track to breathe and groove effortlessly. The hypnotic cadence of the melody keeps listeners moving and numbers vibrating at the same time. It’s a perfect demonstration of how D. Edge understands how to combine energy with ease, making every moment feel seamless and effortless.
But this is not only about the beat. But what makes “GO T.S.F.G.” stand out is D. Edge’s flawless melodic flow. His delivery rides effortlessly over the instrumental, carving every phrase easily and in style. It’s a performance with a sense of freedom throughout a single song. His voice hits sweet, almost ethereal notes and confident, nearly commanding ones, and he captures in his notes every turn.
Regarding lyrics, it sounds like an invitation to a unique sonic experience. MDOT D. Edge provides an atmosphere for the audience to jump into the unexplored world of the track, breaking free of the everyday to lose themselves in the soundscape truly. The song title, “GO T.S.F.G.,” raises a question, adding to the song’s allure as fans ponder its meaning.
This is an incredible song, and if you have been listening to his music for years or if you’re thinking about listening to it for the first time, Go T.S.F is a must. It highlights the evolution of someone like D. Edge. With this release, he has cemented himself as an artist to follow in the constantly changing music landscape.
-
News3 days ago
Jennifer Lopez Returns as Host for the 2025 American Music Awards
-
News2 days ago
Jenna Ortega Confirms ‘Wednesday’ Season 2 Release Date with Teaser Clip
-
Artist Spotlight6 days ago
Wabi Sabi turns shadows into soundscapes with hauntingly beautiful “Nightmares”
-
Entertainment6 days ago
Spice Delivers a Ruthless Blow in Ongoing Feud with Bambi
-
Entertainment6 days ago
Lil Scrappy Claps Back at Bambi’s Diss Track “Eleven” in Fiery Social Media Response
-
Artist Spotlight2 days ago
Peter Wilson breathes melody into Utah Phillips’ legacy with haunting new single “Old Man”
-
Artist Spotlight5 days ago
Johanna Linnea Jakobsson delivers a wake-up call with genre-blending anthem ‘Work’
-
Interview5 days ago
Corey Holcomb Ignites Controversy with Claims About Will Smith’s Sexuality on “Funky Friday”