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Blake Morgan – Violent Delights

Blake Morgan - Violent Delights

Indie-music iconoclast Blake Morgan’s highly-anticipated fifth album Violent Delights is out now on ECR Music Group. The native New Yorker, artist, producer, multi-instrumentalist, label owner, and activist is riding high from the critical and commercial successes of his breakthrough singles and music videos of recent months. The New York Times calls Morgan “Disarmingly unselfconscious.” Billboard proclaims, “Morgan has a voice that was made to be heard on the radio…inspired songwriting and passionate performances.” The Washington Post writes, “He’s got killer pop-rock instincts, something that leaps out at you…as well as a flair for recalling the days of pre-digital sound mixes. A natural when it comes to fashioning sharp melodies and catchy choruses.”

“I wanted to make a new record that would evoke a time in music when melodic Rock-’n-Roll hooks weren’t a vice, when optimistic, triumphant love songs with bite poured out of the car stereo,” says Morgan. “If The Police’s album ‘Ghost in the Machine’ and AC/DC’s ‘Back In Black’ had a kid together, that ‘kid’ would be my new record.”

The album gets its title from a line in Act 2, Scene 6 of Romeo and Juliet (“These violent delights have violent ends”), when the young couple is warned by Friar Lawrence that their passions may cost them. This is Morgan’s first record primarily comprised of love songs, and a departure for the artist. “I’ve written breakup records before, but never a ‘love’ record. I’ve never even used the words ‘love’ or ‘heart’ in a song before. Perhaps it helped to be in love, finally, for me to use those words convincingly.”

The reaction to previews of the new album has been clear: The Aquarian, “Mesmerizing.” Post-Punk, “Uplifting power-pop. Striking.” Glam Glare, “Instant classic. An exhilarating, almost spiritual experience.” Pop Passion, “Joyfully defiant.” Vents Magazine, “Great lyrics. Urgently flowing music.” Music Injection, “Brilliant.” Culture Catch proclaims Morgan’s style as, “Pop-rock noir. A much-needed antidote.”

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The release of Violent Delights follows multiple successes for the artist including his record-breaking concert series in New York (a six-year run of sold-out concerts at New York City’s Rockwood Music Hall), over 200 performances across 160,000 miles of touring with sold-out shows on both sides of the Atlantic, and 20 albums he’s produced and recorded with A-list artists since his own last solo-artist album release.

In the studio, Morgan has recorded and produced music’s brightest luminaries, from Lenny Kravitz to Lesley Gore. Morgan sings and performs all the instruments on this new record except for the drum kit, and he produced, recorded, mixed, and mastered the album at Valiant Recording NYC, the Greenwich Village recording studio he’s owned and operated since 2002.

Morgan is also the founder and President of independent global-music company ECR Music Group. His ideas, opinions, and editorials on music have been published regularly by The New York Times, Billboard Magazine, CNN, Newsweek, Variety, The Hill, NME, The Huffington Post, and The Guardian.

He lectures frequently, including at The Georgetown University Law Center, California State University, Syracuse University, NYU’s Clive Davis Institute of Recorded Music, American University, and at his alma mater, Berklee College of Music. His music advocacy has taken him to Capitol Hill numerous times where, as the founder of the #IRespectMusic movement, he continues to fight for music makers’ rights in the digital age.

Blake Morgan’s new record Violent Delights is now available on all platforms.

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Artist Spotlight

Boorook creates a hip-hop anthem for change on “Fight For Your Rights”

Boorook

Boorook’s latest release, “Fight For Your Rights,” is both a song and a movement. The Indigenous people have a strong voice, and from the first beat, the song has a strong, urgent, and very human energy. “Fight For Your Rights” is an example of how conscious hip-hop can serve as art activism. The track is about unfair systems, and it’s clear that it supports the Black Lives Matter movement. Clarke’s performance is more than just a show, it’s a call to action that tells people to face hard truths and connect with the pulse of community and defiance.

Thomas Lorenzo’s live guitar adds an unexpected yet beautiful layer, giving the rhythm an emotional depth that makes it feel soulful. The track sounds real because it has real instruments and hip-hop beats. This shows how good Boorook is at mixing styles and still getting the message across.

People feel like they are part of a group when they listen to the song “Fight For Your Rights.” The lyrics are deep, and the music is good. It’s a song that makes people want to get together, think, and do something. Boorook doesn’t just play music; he makes people feel strong by turning every beat into a heartbeat for change.

Boorook’s new release reminds us that music can still be a powerful force for truth and change in a world where trends come and go. “Fight For Your Rights” is a call to action, an anthem, and proof that music can still bring us together, make us think, and motivate us.

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Artist Spotlight

Malammore unveils a new voice rising from portugal’s margins on new album “Aurora”

Capa_Malammore -

Malammore, whose real name is Sandro Feliciano, is a singer, songwriter, and producer from Lisbon, Portugal. “Aurora” is his first album. The album comes out on January 23 and tells the story of his life as a young Black man, his search for belonging, and his country’s cultural resistance. The lyrics talk about love, adoption, thoughts on humanity, and how the artist sees his role in the world. The concept for the album originated from a notebook containing poems, narratives, and my self-perception within this world. It’s a record of the Black experience in Portugal, of belonging and feeling alone, of love and loss.

Sandro, also known as Malammore, was born in 2005 and lived with the Portuguese State for two years until he was adopted in 2008, which was a big change in his life. One of the main ideas in Aurora is to turn the idea of a “black hole” into “the world’s white hole,” which shows a universe that erases identities. He challenges dominant narratives and changes how people see black bodies in society by filling it with the idea of blackness.

The album mixes hip-hop, rap, trap, and spoken word, which is not something that is usually done. Malammore gets the political tone of the project from people like Malcolm X, Muhammad Ali, Angela Davis, and Fela Kuti. No Icon (Rodrigo Fernandes) did the production, mixing, and mastering for the album at Lisbon Sound Society.

Connect with Malammore  on Spotify || Instagram || Youtube

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