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Blake Morgan – Violent Delights

Blake Morgan - Violent Delights

Indie-music iconoclast Blake Morgan’s highly-anticipated fifth album Violent Delights is out now on ECR Music Group. The native New Yorker, artist, producer, multi-instrumentalist, label owner, and activist is riding high from the critical and commercial successes of his breakthrough singles and music videos of recent months. The New York Times calls Morgan “Disarmingly unselfconscious.” Billboard proclaims, “Morgan has a voice that was made to be heard on the radio…inspired songwriting and passionate performances.” The Washington Post writes, “He’s got killer pop-rock instincts, something that leaps out at you…as well as a flair for recalling the days of pre-digital sound mixes. A natural when it comes to fashioning sharp melodies and catchy choruses.”

“I wanted to make a new record that would evoke a time in music when melodic Rock-’n-Roll hooks weren’t a vice, when optimistic, triumphant love songs with bite poured out of the car stereo,” says Morgan. “If The Police’s album ‘Ghost in the Machine’ and AC/DC’s ‘Back In Black’ had a kid together, that ‘kid’ would be my new record.”

The album gets its title from a line in Act 2, Scene 6 of Romeo and Juliet (“These violent delights have violent ends”), when the young couple is warned by Friar Lawrence that their passions may cost them. This is Morgan’s first record primarily comprised of love songs, and a departure for the artist. “I’ve written breakup records before, but never a ‘love’ record. I’ve never even used the words ‘love’ or ‘heart’ in a song before. Perhaps it helped to be in love, finally, for me to use those words convincingly.”

The reaction to previews of the new album has been clear: The Aquarian, “Mesmerizing.” Post-Punk, “Uplifting power-pop. Striking.” Glam Glare, “Instant classic. An exhilarating, almost spiritual experience.” Pop Passion, “Joyfully defiant.” Vents Magazine, “Great lyrics. Urgently flowing music.” Music Injection, “Brilliant.” Culture Catch proclaims Morgan’s style as, “Pop-rock noir. A much-needed antidote.”

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The release of Violent Delights follows multiple successes for the artist including his record-breaking concert series in New York (a six-year run of sold-out concerts at New York City’s Rockwood Music Hall), over 200 performances across 160,000 miles of touring with sold-out shows on both sides of the Atlantic, and 20 albums he’s produced and recorded with A-list artists since his own last solo-artist album release.

In the studio, Morgan has recorded and produced music’s brightest luminaries, from Lenny Kravitz to Lesley Gore. Morgan sings and performs all the instruments on this new record except for the drum kit, and he produced, recorded, mixed, and mastered the album at Valiant Recording NYC, the Greenwich Village recording studio he’s owned and operated since 2002.

Morgan is also the founder and President of independent global-music company ECR Music Group. His ideas, opinions, and editorials on music have been published regularly by The New York Times, Billboard Magazine, CNN, Newsweek, Variety, The Hill, NME, The Huffington Post, and The Guardian.

He lectures frequently, including at The Georgetown University Law Center, California State University, Syracuse University, NYU’s Clive Davis Institute of Recorded Music, American University, and at his alma mater, Berklee College of Music. His music advocacy has taken him to Capitol Hill numerous times where, as the founder of the #IRespectMusic movement, he continues to fight for music makers’ rights in the digital age.

Blake Morgan’s new record Violent Delights is now available on all platforms.

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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