Music

Blake Morgan – Violent Delights

Indie-music iconoclast Blake Morgan’s highly-anticipated fifth album Violent Delights is out now on ECR Music Group. The native New Yorker, artist, producer, multi-instrumentalist, label owner, and activist is riding high from the critical and commercial successes of his breakthrough singles and music videos of recent months. The New York Times calls Morgan “Disarmingly unselfconscious.” Billboard proclaims, “Morgan has a voice that was made to be heard on the radio…inspired songwriting and passionate performances.” The Washington Post writes, “He’s got killer pop-rock instincts, something that leaps out at you…as well as a flair for recalling the days of pre-digital sound mixes. A natural when it comes to fashioning sharp melodies and catchy choruses.”

“I wanted to make a new record that would evoke a time in music when melodic Rock-’n-Roll hooks weren’t a vice, when optimistic, triumphant love songs with bite poured out of the car stereo,” says Morgan. “If The Police’s album ‘Ghost in the Machine’ and AC/DC’s ‘Back In Black’ had a kid together, that ‘kid’ would be my new record.”

The album gets its title from a line in Act 2, Scene 6 of Romeo and Juliet (“These violent delights have violent ends”), when the young couple is warned by Friar Lawrence that their passions may cost them. This is Morgan’s first record primarily comprised of love songs, and a departure for the artist. “I’ve written breakup records before, but never a ‘love’ record. I’ve never even used the words ‘love’ or ‘heart’ in a song before. Perhaps it helped to be in love, finally, for me to use those words convincingly.”

The reaction to previews of the new album has been clear: The Aquarian, “Mesmerizing.” Post-Punk, “Uplifting power-pop. Striking.” Glam Glare, “Instant classic. An exhilarating, almost spiritual experience.” Pop Passion, “Joyfully defiant.” Vents Magazine, “Great lyrics. Urgently flowing music.” Music Injection, “Brilliant.” Culture Catch proclaims Morgan’s style as, “Pop-rock noir. A much-needed antidote.”

The release of Violent Delights follows multiple successes for the artist including his record-breaking concert series in New York (a six-year run of sold-out concerts at New York City’s Rockwood Music Hall), over 200 performances across 160,000 miles of touring with sold-out shows on both sides of the Atlantic, and 20 albums he’s produced and recorded with A-list artists since his own last solo-artist album release.

In the studio, Morgan has recorded and produced music’s brightest luminaries, from Lenny Kravitz to Lesley Gore. Morgan sings and performs all the instruments on this new record except for the drum kit, and he produced, recorded, mixed, and mastered the album at Valiant Recording NYC, the Greenwich Village recording studio he’s owned and operated since 2002.

Morgan is also the founder and President of independent global-music company ECR Music Group. His ideas, opinions, and editorials on music have been published regularly by The New York Times, Billboard Magazine, CNN, Newsweek, Variety, The Hill, NME, The Huffington Post, and The Guardian.

He lectures frequently, including at The Georgetown University Law Center, California State University, Syracuse University, NYU’s Clive Davis Institute of Recorded Music, American University, and at his alma mater, Berklee College of Music. His music advocacy has taken him to Capitol Hill numerous times where, as the founder of the #IRespectMusic movement, he continues to fight for music makers’ rights in the digital age.

Blake Morgan’s new record Violent Delights is now available on all platforms.

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In under four minutes, Jamie Alimorad delivers a melodic punch with his latest single, “Two Wrongs. ” It’s a fiery, energetic-pounding anthem that hits like a sonic jolt of adrenaline to the heart. Alimorad showcases his impressive vocal range and demonstrates that his songwriting radiates with a sense of purpose as a force of evolution that oozes urgency, desire, and pop-rock charm.

Initially penned for another artist, “Two Wrongs” found its true voice when Alimorad stepped into the spotlight himself, a decision that proved pivotal. His vocals soar with remarkable conviction, delivering each lyric a confession that’s been long suppressed. Imagine a blend of Rick Springfield’s gritty, rebellious swagger and the melodic sophistication of The Beatles, all wrapped in a modern vitality that feels fresh and timeless.

The recording process was notably efficient, completed in a mere four-hour session at a Los Angeles studio, capturing that live, in-the-moment electricity. There’s an undeniable spontaneity, like lightning caught in a performance. The production reveals an infectious momentum: the guitar work drives with precise aggression, the drums maintain a steady pulse, and Alimorad rides the wave like a seasoned frontman eager to express something tangible.

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Produced by Jordan Sherman, “Two Wrongs” signifies a critical turning point in Alimorad’s artistic trajectory. It represents a bold, unapologetic, and incisively candid expression that challenges conventional boundaries regarding love and music, hinting at an exciting new direction for Alimorad’s future endeavors.

For more information about Jamie Alimorad, please visit [website].
CLICK HERE TO STREAM Jamie Alimorad’s “Two Wrongs“ on Spotify.
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Mick J. Clark shares a charming serenade with his recent release “My Friend Evonne”

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The song radiates with overly sentimental warmth, layered in nostalgic charm and lyrical sincerity. From the first note, the gentle groove feels like slipping into a treasured memory. Clark’s deep and golden voice carries a kind of lived-in wisdom; it doesn’t just sing about love; it truly understands it.

Evonne, as depicted in the song, isn’t just the object of affection; she’s a magnetic muse, a vivid memory, and a mythical figure wrapped in genuine emotion, the spark that illuminates the entire song. Described as a princess and a devil, she takes on a cinematic quality in Clark’s world, one who’s impossible to replace, forget and even harder not to love. The beauty of the song lies in its simplicity: devoid of flashy production tricks or over-the-top dramatics, it emphasizes pure emotion, elite songwriting, and a melody that lingers like scent on a favorite shirt.