Artist Spotlight

BOSCOBABYY: HOW THE RISING STAR IS CONTRIBUTING A FRESH TAKE TO THE MUSIC INDUSTRY

Bosco Babyy (a.k.a. Myles Austin), was forced to alter his artistic direction, as the world hovered on the brink of change. Distancing, he immersed himself in his music to record 15 tracks, and 3 skits in just 28 hours to deliver his debut album, DAYS WE FORGET. Bosco Babyy is no stranger to change. The 23-year old who was raised on a military base for the early years of his life, by his father who spoke fluent Japanese and his mother who wrote stage plays that he’d perform in at the church his family attended, was born into the arts. DAYS WE FORGET is only Part I of a trilogy of story-telling concepts that tap into places old and new, tackling life’s revelations. We had the opportunity to interview Boscobabyy.

Hello Boscobabyy, Thanks for coming to Honk Magazine to talk about your career.

Tell us a little more about when you first got into music?

I first got into music in highschool, I wasn’t taking music seriously just releasing a couple songs on soundcloud. A few of my friends found it and word started spreading around school. Years later in my sophomore year of college I picked it back up and started taking it seriously.

If you could describe your sound/style in one word, what would it be and why?

I would describe my style as versatile, all my songs sound different and have their own spirit. I aim to create new sounds and genres as my career progresses.

What would you say to any aspiring recording artists who look up to your work?

I would tell them to always stay creative and most important stay on your business.

What quote or mantra do you live by?

To lift myself up when I’m down i live by the mantra “Many are called,few are chosen”.

What is your hobby outside of music?

My hobbies outside of music are working out, creative writing, and traveling.

Where do you see yourself in 5 years?

In five years I see my brand being a household name and multifaceted business.

What are your “5 things I wish someone told me when I first started” and why.

Advice I wished I recieved is the importance of business and marketing. Personally when I first started I only focused on the art and wondered why I wasn’t getting more traction.;

Which tips would you recommend to your colleagues in your industry to help them to thrive and not “burn out”?

I’d recommend having a trustworthy team and flexible plan.

Do you have anything new or upcoming we can expect to see from you?

You can expect more shows, new singles, and my next music video in november.

What is the inspiration behind your latest song?

DAYS WE FORGET is Part II of an ongoing series of story-telling concepts that tap into places old and new, tackling life’s revelationsThe inspiration behind my latest project “Days We Forget” is a look at the outside world and how life has changed for everyone. I believe we are entering a new era brought upon us by forces and battles unseen. I live by the principle that what happens in nature is a result of what’s happening in the spiritual. As these things change I made this project to comfort and reflect on days passed..the days we forget.

How can our readers follow you online?

Follow me on platforms at Boscobabyy

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Artist Spotlight

“Call It” by Sunset Salore stirs an anthemic tapestry of self-worth

The Melbourne-based artist, singer, and songwriter Sunset Salore, known for her enchanting alternative pop sound, returns with “Call It,” a compelling declaration of self-worth that’s both a breath of fresh air and a sonic revelation. This track, the first sneak peek into her upcoming EP, ‘Love Kills the Monsters,’ draws clear inspiration from the charismatic styles of Florence & The Machine, Meg Mac, and Baker Boy musical influences. It’s a unique blend of haunting melodies and profound lyrics that addresses the frustrations and disappointments of leaving that often go unnoticed but collectively signal that it’s time to make a change or reclaim sanity.

“Call It” doesn’t tiptoe around the issue with anyone ever feeling undervalued in relationships. It dives headfirst into the micro-moments of relationship dynamics that wear down one’s spirit, capturing the decisive moment when one realizes one deserves more and demands better for oneself. Sunset Salore’s assertive vocals soar over an alternative pop soundscape, making it impossible not to feel the empowerment in her words. What makes “Call It” stand out is its ability to convey a universal sentiment through deeply personal reflections that channel vulnerability into strength.

Musically, “Call It” is a shining example of her sophisticated artistry in production. It was written during a crucial stage in Salore’s creative and introspective period, allowing her to dissect those critical life-changing moments. This makes the song relatable and impactful, enhancing the emotional journey without overshadowing the poignant message.

Sunset Salore challenges the societal tendency to shy away from labeling relationships, emphasizing that how we treat each other holds more weight than any label ever could. Her bold assertion, coupled with her enchanting vibes, make “Call It” a sonic anthem for anyone navigating the crossroads of their self-respect and relationship expectations. It simplifies the equation and raises the bar for what we should demand in our relationships and from ourselves.

For more information about Sunset Salore, please visit [website].
CLICK HERE TO STREAM Sunset Salore’s “Call It“ on Spotify.
CONNECT WITH Sunset Salore | Instagram | Facebook |

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Artist Spotlight

Plasma Chasms sparks a cosmic love affair with “Interstellar Baby”

Produced, mixed, and mastered by Electric Rabbit Studios, Plasma Chasms’ masterfully crafted latest single, “Interstellar Baby,” is an auditory odyssey that flawlessly blends the timeless charm of vintage soul with modern psychedelic twists. Formed in 2020 by the dynamic duo of Australian Jane Drewett and American Adrian Guerrero, Plasma Chasms have steadily carved out a niche in the indie-pop scene with their retro, gritty, and rhythmic garage sound, and this track feels like a dream, with shimmering, otherworldly sounds a testament to their evolving artistry.

From the first note, “Interstellar Baby” envelops the audience in a cosmic embrace reminiscent of the golden era of Motown. The interplay of Jane Drewett and Guerrero’s vocals stands out, dripping with soulful intensity and complemented by lush strings and horns that evoke the spirit of Marvin Gaye. This sonic adventure through time and space, guided by the rhythmic heartbeat of Latin percussion and R&B grooves, creates a harmonious balance that’s soothing yet invigorating.

The track’s impeccable production quality allows each element to shine while maintaining a cohesive, immersive sound. The new layers of psychedelic rock subtly interwoven into the fabric of classic Soul/R&B create a familiar and refreshingly new soundscape that transports listeners on a cosmic elevator ride through each floor, revealing a different flavor of psychedelia, from blissful reverie to rhythmic euphoria.

“Interstellar Baby” is a stellar example of their innovative fusion, the third single from their much-anticipated debut album, ‘Chrysalis.’ This song promises to leave listeners eagerly anticipating what’s next, with catchy hooks and soulful delivery. Take the ride into Plasma Chasms’ world, and let “Interstellar Baby” transport you to a place where vintage soul and modern psychedelia meet in perfect harmony. By the end, you’re left humming the tune.

For more information about Plasma Chasms, please visit [website].
CLICK HERE TO STREAM Plasma Chasms’ “Interstellar Baby“ on Spotify.
CONNECT WITH Plasma Chasms | Instagram | Facebook |