Artist Spotlight

BOSCOBABYY: HOW THE RISING STAR IS CONTRIBUTING A FRESH TAKE TO THE MUSIC INDUSTRY

Bosco Babyy (a.k.a. Myles Austin), was forced to alter his artistic direction, as the world hovered on the brink of change. Distancing, he immersed himself in his music to record 15 tracks, and 3 skits in just 28 hours to deliver his debut album, DAYS WE FORGET. Bosco Babyy is no stranger to change. The 23-year old who was raised on a military base for the early years of his life, by his father who spoke fluent Japanese and his mother who wrote stage plays that he’d perform in at the church his family attended, was born into the arts. DAYS WE FORGET is only Part I of a trilogy of story-telling concepts that tap into places old and new, tackling life’s revelations. We had the opportunity to interview Boscobabyy.

Hello Boscobabyy, Thanks for coming to Honk Magazine to talk about your career.

Tell us a little more about when you first got into music?

I first got into music in highschool, I wasn’t taking music seriously just releasing a couple songs on soundcloud. A few of my friends found it and word started spreading around school. Years later in my sophomore year of college I picked it back up and started taking it seriously.

If you could describe your sound/style in one word, what would it be and why?

I would describe my style as versatile, all my songs sound different and have their own spirit. I aim to create new sounds and genres as my career progresses.

What would you say to any aspiring recording artists who look up to your work?

I would tell them to always stay creative and most important stay on your business.

What quote or mantra do you live by?

To lift myself up when I’m down i live by the mantra “Many are called,few are chosen”.

What is your hobby outside of music?

My hobbies outside of music are working out, creative writing, and traveling.

Where do you see yourself in 5 years?

In five years I see my brand being a household name and multifaceted business.

What are your “5 things I wish someone told me when I first started” and why.

Advice I wished I recieved is the importance of business and marketing. Personally when I first started I only focused on the art and wondered why I wasn’t getting more traction.;

Which tips would you recommend to your colleagues in your industry to help them to thrive and not “burn out”?

I’d recommend having a trustworthy team and flexible plan.

Do you have anything new or upcoming we can expect to see from you?

You can expect more shows, new singles, and my next music video in november.

What is the inspiration behind your latest song?

DAYS WE FORGET is Part II of an ongoing series of story-telling concepts that tap into places old and new, tackling life’s revelationsThe inspiration behind my latest project “Days We Forget” is a look at the outside world and how life has changed for everyone. I believe we are entering a new era brought upon us by forces and battles unseen. I live by the principle that what happens in nature is a result of what’s happening in the spiritual. As these things change I made this project to comfort and reflect on days passed..the days we forget.

How can our readers follow you online?

Follow me on platforms at Boscobabyy

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Artist Spotlight

Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”

Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.

The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.

Alwyn Morrison

The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.

Alwyn Morrison

The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.

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Artist Spotlight

Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”

Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.

“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.

Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.

It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.

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