Entertainment
BOSSIP Exclusive: Elle Lorraine Talks Justin Simien’s Songwriting Skills And Bonding With ‘Bad Hair’ Co-Star Vanessa L. Williams [VIDEO]
BOSSIP interviewed newcomer Elle Lorraine about starring in “Bad Hair”and befriending, then attending the US Open with Vanessa Williams . She also talked about how she injured herself on set but was afraid to tell anyone….
Have you watched ‘Bad Hair’ on HULU yet?
Source: Courtesy HULU / hulu
BOSSIP’s Sr. Content Director Janeé Bolden interviewed newcomer Elle Lorraine about starring in “Bad Hair” and bonding over tennis with Vanessa L. Williams, then attending the US Open with her. For those of you who haven’t seen the film yet (it’s out on HULU now) it’s a mixture of satire, horror and comedy and it’s a period piece (set in 1989) but the young star admitted she was too young to remember the 80’s! She also revealed that Justin Simien wrote original music for the film. Since the movie is all about a murderous sew-in, we also had to ask Elle about her favorite natural styles. Check out the full interview below:
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While the movie is Lorraine’s first starring feature role, she has previously co-wrote and produced a short film “Sugar” with her production partner Dime Davis. For those of y’all who have seen “Bad Hair” what did you think? What were your favorite parts? Did it make you think twice about your next weave or nah? Just playing. We do love the film for its many cameos — besides co-stars Jay Pharoah and Vanessa L. Williams, other actors featured included Kelly Rowland, Usher, Blair Underwood, Chanté Adams and Lena Waithe.
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Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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