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Brian Strand’s “Not Good Enough,” a Nostalgic Reverie with Rock-Pop Modern Twist

Brian Strand

Brian Strand, hailing from the vibrant music scene of Sacramento, has gifted us with his latest sonic creation, “Not Good Enough.” If this single is any indication, we’re in for a musical journey that transcends time and genre boundaries, blending the nostalgia of 90s rock with a contemporary pop-rock twist. As the third single from his debut solo album, released on June 16, this track is a delightful concoction of catchy melodies, introspective lyrics, and a rhythmic groove bound to get you moving.

Recorded and engineered in Brian’s home studio in sunny California, the song’s production is a testament to his craftsmanship. Mastered by Dan Menapace and remastered by Billy Farmer of In A Box Records, “Not Good Enough” is a testament to the collaborative prowess of these skilled professionals.

The song takes you on a sonic rollercoaster, evoking memories of classic pop-rock with its pounding drums and heavy guitar riffs. However, the infusion of modern elements, like electronic rhythms and synths, sets it apart, giving it a unique contemporary edge. This fusion showcases Brian Strand’s versatility as an artist, firmly establishing him as a vibrant gem in today’s music scene.

Brian’s lyrical finesse shines through in “Not Good Enough” as he explores themes of self-doubt and insecurity. In a world where we often seek validation from others, especially in artistry, this song delves into the universal struggle of feeling inadequate. It’s a theme that resonates with many, whether it’s the pursuit of success or simply trying to connect with others on a deeper level.

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Brian’s music is heavily influenced by artists like Nine Inch Nails, Elliott Smith, AJR, and Billie Eilish. However, in his song “Not Good Enough,” you can hear a sound that is distinctly his own. The song’s catchy melody takes you back to the 2000s-era boy bands, adding a charmingly nostalgic touch to the deeper themes of the music. And just when you think you know what to expect, the bass and drums kick in, and you are pleasantly surprised by a subtle hint of Gorillaz that adds a delightful dimension to the track.

In a world where music often feels formulaic, mirroring our innermost thoughts and feelings, “Not Good Enough” is a relatable anthem for anyone grappling with self-doubt. It’s a refreshing gust of creativity that reminds us that, despite our insecurities, we can still find our groove and create something truly exceptional.

Brian Strand’s “Not Good Enough” is a modern take on classic rock-pop that you should definitely check out. With this single, Brian has firmly established himself as a talented artist to watch in his contemporary music, where true artistry has no boundaries. Take advantage of this gem; it’s a perfect addition to your summer playlist.

 

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CLICK HERE TO STREAM Brian Strand’s Not Good Enough on Spotify.

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Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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Artist Spotlight

Glass Mansions turn a possible goodbye into “SUNSETTING”

Glass

Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.

The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.

“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.

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“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.

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