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Brooke Josephson Delivers Via New EP
Despite facing a ton of competition from across the underground, I think it would be fair to say that Brooke Josephson delivers one of the most cathartic records of the season in her all-new “Live & Let Live” EP.
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Steeped in positive vibes that transcend lyrics to penetrate both the sonic and melodic realms of every composition it contains, “Live & Let Live” is hardly your standard alternative pop record. In six truly telling songs, Josephson drives home a consistent narrative, reminding listeners that retrospection doesn’t have to mean regret at all. It’s exactly the kind of EP indie pop fans needed this season, and easily one of my personal favorites.
The instrumental parts are as pivotal to the mood of the music as any of the verses are in the progressive “Good Kind of Tired” and sublimely smooth-moving “Burning Journals.” Thanks to the crisp audio quality featured throughout the tracklist, there’s never a moment in which any of the string tonality winds up sacrificed in the name of pop polish, which is always a plus in my book. If Josephson’s ultimate goal was to allow us to feel this material as much as we hear it, saying she offers us a winner in this record might be just a little too much of an understatement.
There’s no bassline overindulgence to behold in this EP, and that’s a pretty big deal when taking into account just how common an issue that’s been in new rock records this year. The Athens-influenced “Eye in the Sky,” “No for an Answer” and the aforementioned “Burning Journals” are excellent examples of clean-cut equalization free of the excesses that frequently plague indie pop numbers, and although it’s not the heaviest EP you’ll hear this season, “Live & Let Live” scarcely sounds anything less than meaty.
You don’t have to be a professional critic like myself to acknowledge how awesome “Burning Journals,” “All We Never Had” and “No for an Answer” would be in a live setting. There’s so much potential still on the table for Brooke Josephson to tap into in future endeavors, but by and large, she produces an extended play here that gives us a wonderful insight into what she can accomplish when there’s nothing present to stifle her creativity. ‘Live & Let Live” feels more like an LP than it ever does a mixtape, and in its class of records, that’s half the battle.
If you need an uplifting melodicism skewed with honest roots rock compositional wit, Josephson’s “Live & Let Live” is an EP that you’ll want to check out before the year ends. Brooke Josephson is on fire from the opening cut “Good Kind of Tired” through to the closing number in “Eye in the Sky,” and while she’s a relatively new face to mainstream listeners, it’s obvious that she’s bringing a lot of industry experience into the studio here. I love what I’ve heard so far, and in the next few years, I think we’re going to see even more intriguing content from this brilliantly talented singer/songwriter.
Brent Musgrave
Artist Spotlight
Little Quirks expose perfectly timed romance on “Game Boy”
If every move is timed perfectly, romance can feel believable. Shiny charm comes from Little Quirks’ new single, “Game Boy,” which makes it a little more playful and a little more edgy. This is a rock-pop song for the smooth-talking romantic, the one who has all the moves down pat, from flowers on cue to moments that feel a little too cinematic.
This tension fuels the “Gameboy,” and Little Quirks balances an immediate hook with a darker undercurrent. That restlessness is key to the song’s appeal, and it gives the release a sense of constant movement, making its playful attitude active rather than passive. Beneath that happy surface is a smart doubt about romantic performances that are clearly designed to attract people.
“Game Boy” also clearly indicates an artistic shift for the New South Wales band. The track offers another glimpse into a bolder, darker chapter and a glimpse of their upcoming album, “She’s Wild.” Little Quirks never loses sight of the accessible qualities that make pop and rock so immediate, and it expresses the desirable ease of someone who always seems to know what to say or do.
The result is a release built on distinction, playful but pointed, catchy, energetic, and more questioning. “Game Boy” suggests Little Quirks is crafting a space between upbeat musical energy and downbeat emotional concepts. This new music comes from a band that is in a more confident, restless phase of their creative life.
Artist Spotlight
Brannen captures life’s fleeting moments on “Keep Dancing With Me”
Moments can be short and to the point, and that’s the idea behind Brannen’s “Keep Dancing With Me,“ a melodic house track that’s more about feeling than function. The track is reflective and dancefloor-ready, and it’s about living in the moment and holding onto the things that make life worth living.
Brannen uses the uplifting qualities of house to create a sense of warmth and connection. The lively, uplifting instrumental firmly puts “Keep Dancing With Me“ in the melodic house category while also exploring the deeper, more emotional side of dance music. That balance has enough energy to get you moving, but the overall direction stays rooted in feeling and atmosphere.
A strong studio team is also on board, with sound engineer Brian Hurren handling recording and Jack Wiles handling mixing and mastering at Moonshift Audio. Built on emotive vocal performance, the track lends human emotion to the slick electronic soundscape. The vocals complement the song’s main message without detracting from its instrumental nature.
“Keep Dancing With Me” positions Brannen as an artist interested in the connection between dance music and real emotion. The uplifting sound, expressive vocal presence, and focus on fleeting but meaningful experiences give the release clear artistic direction. The best thing about the track is that it treats dancing as a way of staying in a moment before it’s gone.
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