Music
Chloe Bailey, “I’m More Than Just R&B – It’s Time to Break the Genre Mold!”

Chloe Bailey has been a star for most of her life. Breaking out as half of the duo Chloe x Halle in 2016, she achieved major success alongside her sister before going solo in 2021. Her debut album garnered praise from fans and critics alike for its musical ambition and eclectic blend of sounds. Despite her efforts to defy easy categorization with her art, Bailey finds herself repeatedly tagged with the label of R&B. She discussed this frustrating situation during a recent interview with Nylon.
Bailey explained that her R&B categorization stems from the color of her skin, not her sound. “Any music I do will easily and quickly be categorized as R&B because I’m a Black woman,” she noted. “If someone who didn’t have my skin tone made the same music, it would be in the pop categories. That’s just the way it’s always been in life.” As Bailey has grown older, her desire to break out of genre constraints has intensified. While she has found chart success, she is now seeking artistic success on her own terms. Bailey cited two singers who managed to shed the R&B label, one of whom is her mentor.
Chloe Bailey admired Beyoncé’s album “Cowboy Carter.” Having signed to the icon’s label in 2016, Bailey had a front-row seat to Beyoncé’s genre experimentation. “I was really proud of Beyoncé doing ‘Cowboy Carter’,” she asserted. “Because Black people originated country music. It’s just showing that possibilities are endless.” Bailey also mentioned Whitney Houston as a Black, female singer who proved that true crossover success is attainable.
However, Bailey isn’t aiming for Houston’s pop or Beyoncé’s country on her new album. She told Nylon that she’s carving out her own genre and musical path, inspired by the sounds of the Caribbean. The outlet cites “calypso, gospel, Afrobeats, and Carnival band music” as influences on her upcoming album, “Trouble In Paradise.” Bailey agreed, describing an overarching theme for the album as “[a] coming-of-age celebration of being a woman and having fun. Not taking life too seriously.” We can’t wait to hear it.
Album Review
Jangus Kangus shatters melodic boundaries with her debut album “Fortune Cookie”

Jangus Kangus, the intriguing musical force helmed by Jasmine Sankaran, has just cracked open her most audacious project to date, “Fortune Cookie,” an album that intricately weaves genre fluidity and emotional resonances. This collection of eight tracks serves as both a sonic manifesto and a significant milestone in contemporary indie-pop, characterized by unvarnished lyricism and engaging, jangly hooks.
The album commences with “You Only Love Me When,” a seemingly serene acoustic-pop track that establishes the thematic groundwork for a narrative exploration of desires, internal conflicts, and acts of defiance. It poignantly laments love that manifests only through revealed strength, portraying love as a timeless entity, even when entangled with the vices of broken individuals intoxicated by addictive substances. After this introduction, Kangus transitions into the introspective “Double Lives,” a shimmering soul-infused piece that methodically dissects the paradoxes inherent in love and the subdued anguish that frequently accompanies the double lives.
Progressing to “No Future In This,” the album’s melancholic yet assertive dive into romantic realism presents bold lyrical insights. This sentiment escalates into the heartbreak elegy “Our Love Is Dead,” here, rhythmic piano chords evoke a mournful grace that encapsulates the heaviness of lost love, distrust, and betrayal. The track underscores the necessity of relinquishing specific attachments to pivot away from unsafe circumstances, echoing the fortune teller’s chilling proclamation: our love is, indeed, dead. Then comes the wild card “Janakita Kirakita,” an intoxicating burst of sonic dynamism and gleeful experimental composition that injects curiosity and electric charm into the auditory tapestry, boldly challenging convention with every note.
Listeners will find “Goldilocks” particularly captivating; this genre-defying number draws from stylistic influences reminiscent of St. Vincent and The Smiths, skillfully merging nostalgia with contemporary innovation. It conveys an urgent yearning to reclaim lost love during periods of solitude. The penultimate track, “Honeymooners in Venice,” narrates a cinematic experience rich in post-modern nuances. Finally, the concluding piece, “High Rise,” offers a deep plunge into Sankaran’s introspections, leaving a reverberating and haunting impact.
Meticulously crafted with the dexterity of a seasoned lyricist and the fervor of a punk priestess, “Fortune Cookie” commands attention as a contemporary coming-of-age narrative rich with lo-fi grit and artistic ambition, all presented through a unique lens.
Featuring an outstanding lineup that highlights the intricate interplay of Steph Anderson on keys and backing vocals, Antonio White on lead guitar, Dan Perdomo on drums, and Ryan Kellis on bass, Jangus Kangus delivers a performance that harmonizes technical proficiency with emotional transcendence. The music constitutes a distinctive addition to diverse playlists, serving as an ideal backdrop for a heartbreak soundtrack or late-night contemplation, thereby ensuring its relevance and recurrence among discerning audiences.
CLICK HERE TO STREAM Jangus Kangus’s Album “Fortune Cookie“ on Spotify.
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Artist Spotlight
Kayla Marque lights a fire with “Slow Burn”

Kayla Marque has returned with a new single, “Slow Burn,” a simmering, soul-passionate affair that holds you well past when the last notes die out. True to her endlessly evolving artistry, Marque serves up something future-facing and thoughtful, stitching together a grunge-adjacent bassline with ethereal melodies and haunting vocal dynamics.
Right from the outset, “Slow Burn” sucks you into its smoky milieu. The measured bassline sounds plucked from the ‘90s alt-rock golden age and dunked in modern, velvety skin. But Marque’s voice brings center stage, fluent, forceful, and emotionally detailed. She doesn’t only sing; she tells stories, whispers, and wails, and her approach lends the music an astonishing contrast between restraint and release.
As the song progresses, there’s something undeniably mesmerizing about how the instrumentation interacts with the vocals. The melodies shimmer like heat off the pavement, entrapping listeners in a hypnotic haze that feels at once intimate and cinematic. Marque displays not only her vocal range but also her emotional depth. Every note feels deliberate, and every word feels lived-in.
What’s so exciting about “Slow Burn” is how it feels like another chapter in a broader story. Kayla Marque has consistently refused to settle into a single groove, and this track demonstrates that she’s continuing to push limits and defy expectations. There’s a rawness here, an audacity that doesn’t plead for attention but commands it regardless. It’s a song that reveals more textures and emotions after every listen. “Slow Burn” is a vibe, a feeling, a statement. It’s another step in Kayla Marque’s evolution as an artist, and if this is what’s to come, we’re in for something special.
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