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David Arn’s New Acoustic Vibe “Watershed” Just Released

The long awaited follow-up album to David Arn‘s “Traveler Tales” is finally here. A mix of soft acoustic songs written and recorded during the pandemic, this is music about separation and isolation amid confusing emotions of the time.

The title song “Watershed” is the exception which deals with a soldier’s PTSD, Anguish and Hope. “This is a song written for a friend” Arn said. “If you are of a certain age in this country you have seen war and most likely know those for whom the war never really ended.”

The accompanying dramatic music video is now available on Arn’s YouTube channel.

Arn plays piano, keyboard and rhythm guitar accompanied by lead guitar from Nicky V. Hines, dobro and lead guitar, from Toby Wilson, bass Issar Shulman. Backing vocals are expertly rendered by Tyra Juliette and new London artist, Daisy. Wilson arranged many of the songs.

All songs are composed by Arn with the exception of “We Seemed a Good Idea” which was co-written with J.F. Sobecki.

The album would make an impressive addition to any Soft Rock and Adult Contemporary playlist.

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About David Arn

David Arn is an American singer, songwriter and musician best known for his lyrical style. Over the past ten years he has released four albums: “Postmodern Days”, “Walking to Dreamland”,”Traveler Tales” and “Watershed”.

Among myriad outlets Arn’s music has been featured on NPR stations, BBC radio, and heard on Delta Airlines commercial flights. His award-winning music videos have been screened to live audiences in festivals in London, New York and Los Angeles.

He currently resides in Maryland.

Website: http://www.davidarn.com
Facebook: https://www.facebook.com/DavidArnMusic
Spotify: https://spoti.fi/3TSpjnL
YouTube Channel: https://bit.ly/DavidArnYouTubeChannel

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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