Hip-Hop

Dax finds clarity and redemption in his newest single “Man I Used To Be”

In a bold and deeply personal turn, Dax returns with his newest single, “Man I Used To Be,” a track born from inspiration and a hard-earned clarity that only comes with true self-discipline. After vowing not to release new music in 2025 until hitting six months sober from alcohol, Dax honors that commitment in the most powerful way possible: with a record that feels like a soul laid bare. “Man I Used To Be” is a reckoning, a reflection, and a declaration of transformation.

The production allows Dax’s voice to take center stage. There’s just a man processing who he was and who he’s becoming. Every bar hits with conviction, not in arrogance, but in honesty. This is about progress. The strength of this single lies in its vulnerability. Dax opens the door to his internal battles, the crutches he leaned on, the ways he coped, and ultimately, the strength it took to face those habits head-on and walk away. There’s a heavy beauty in his words; pain revisited not for pity, but for healing. “Man I Used To Be” is an invitation.

Whether you’re wrestling with your own past or trying to navigate toward a better future, Dax’s latest track offers a raw kind of companionship that says, “You’re not alone, and change is possible.” For longtime fans, this might be Dax at his most honest yet. For new listeners, it’s an unforgettable introduction to an artist unafraid to evolve in real time. This is a turning point. With “Man I Used To Be,” Dax is redefined. And if this is what six months of clarity sounds like, we can’t wait to hear what’s next.

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Artist Spotlight

iLLLACAT brings sharp bars and catchy production with latest release “Like Dat”

iLLLACAT drops “Like Dat,” a Hip-Hop cut with punchy production, percussion, and synths that give the record movement. Bookie comes on the track and sets the tone immediately with the hard lines, “Get out of my face with the gas, we’re on the chase for the cash, if you’re moving fake I’ll pass, I’ll pack it, and I’ll put it in a bag.” The delivery is right there in the money, the movement, and staying away from anything fake.

The production leaves plenty of space to land those words. Percussion powers the track with synths adding another layer to the beat, a backdrop for the straight-up vocal approach. “Like Dat” maintains tight energy and, instead of overcomplicating its message, lets the verses do the work in terms of personality.

The line, “Steady making money while smoking a pain killer” provides another memorable moment and an insight into the attitude that runs throughout the record. iLLLACAT brings us “Like Dat”, a pure hip-hop joint with Bookie on the track. A catchy production that stays sharp, an assertive voice, memorable lines, and enough rhythmic punch to keep the record moving.

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Artist Spotlight

ALPHA CENTAURI blends hip-hop, funk and afrobeat ambition on latest release “The Future Right Now”

ALPHA CENTAURI introduces his debut album, “The Future Right Now,” with a 10-track project recorded live off the floor with a stacked 8-piece band. The Vancouver, Canada-based hip-hop artist brings together funk, Afrobeat, jazz, and hip-hop across a record produced by Wes Smith and mixed by Justin Hicks. From the opening track, “We Rise,” catchy bass, synths, and drums establish an energetic foundation as Alpha delivers the words, “Okay 1,2,3, here we go, Alpha about to show them who he is,” followed by “Family the air in my wings as i take flight.”

“Get Your Money Up” shifts into cool drums, guitars, and horns, with Alpha’s rap flow remaining catchy as the song focuses on readiness, focus, and turning big dreams into reality. “Grow” follows with horns, catchy drums, and sub-bass, carrying the inviting line, “Baby let me get up in your mind, I think we can grow.” On “I’ll Fly,” light shaker, smooth guitars, toms, and kick create another distinct texture, while Alpha reflects on ambition and resilience with “Headed to the top and they wanna know why” and “what do they want from me, i gave it all, had to pick myself so they’ll never see me fall.”

The album continues through “Evermore,” “Higher Up,” “Never Be,” “Expect Us,” “Rugare,” and “Aria’s Lullaby.” “Higher Up” brings an R&B feel with chilly rap flows, while “Never Be” moves with faster rap delivery. “Rugare” opens with slap bass, muted guitar, and catchy drums, and “Aria’s Lullaby” takes a more personal direction, like a message to a daughter. It opens with “Who we are who we are, Hey there little Aria, got something for your soul,” set against strings holding the melody. Across its ten tracks, “The Future Right Now” presents ALPHA CENTAURI’s blend of live instrumentation, rap, and varied musical textures.

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