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“Dead Summer,” A Nostalgic Yet Contemporary Take On The Struggles During The Pandemic

The sun is shining, but people aren’t outside trying to take it all in. Everyone is confined to their homes. Crows are circling in the distance; something must be dead. If you ask Levi Zadoff and Dead Hendrix, it must be the summer. 

“Dead Summer” is a joint EP by these two artists about the psychological effects of COVID, which can still be felt even today. “Dead Summer” represents a time when everything slowed down, and what would have been an enjoyable, fun time was anything but that. 

Levi Zadoff is a pop-punk musician based in Los Angeles who believes in maintaining a sense of freedom in his artistry. His inspiration comes from pop-punk artists like My Chemical Romance and Nirvana. Dead Hendrix, whose name also fittingly represents his psychedelic sound, is a punk artist based in Canada. He covers true-to-life topics such as drug abuse, heartbreak, insecurities, and trauma in his music. 

With a fusion of punk, pop, and rock, Dead Summer takes us through Zadoff’s and Hendrix’s thoughts as they process the pandemic. Love Game and Alone talk about the rabbit hole that has been sitting in your thoughts for too long. Love Game leans towards hard rock. It is loud and aggressive, and the drum chops used at the end give it a strong finish. 

Alone is mellower with heavier lyrics; “Yea, I am numb to the core… I’m getting kinda tired of getting stoned and kinda tired of being home.” It is that gnawing feeling of no longer enjoying things that used to make you happy. The song also has some hints of EDM to it, especially with the bass drops and looping in the chorus. 

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Cant Be God has the most summer feel in the EP. It sounds easy and light. The instruments are muted and alternate between a subtle guitar riff and simple piano chords. They sing, “If I make my bed, I lie in it,” a willingness to accept whatever comes your way.

Dont Think It Could Get Much Better takes a satirical perspective of Dead Summer. Of course, things will get much better, but before they do, Hendrix and Zadoff allow us to wallow in the feelings of things worsening. 

Hendrix and Zadoff have added the song Teenage Dirtbag as a bonus track. The sound is nostalgic, with guitar melodies that sound like they were made over ten years ago. The song is about missing someone, but you decide to stab them since you can’t have them.

With Zadoff and Dead Hendrix based in different countries, Dead Summer was created virtually. However, it’s hard to tell. The two bounce off each other’s sound well, making for a cohesive sound. Furthermore, the transition between different song styles is smooth, making for a trippy and enjoyable listen.

Listen on Spotify:

https://open.spotify.com/album/7v9FFhJrHoLLDiuNOIXy1H?si=vCrWap8nS8S6zM4iOJHFpg

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Distrokid:
https://distrokid.com/hyperfollow/deadhendrixandlevizadoff/dead-summer-ep

 

Levi Zadoff Instagram:
https://www.instagram.com/levizadoff

 

Levi Zadoff Website:

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https://www.levizadoffmusic.com/

 

Dead Hendrix Instagram: 

http://www.instagram.com/talk2thedead

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Album Review

Brynja Rán finds clarity in complicated relationships on “Unblurred” [album]

Brynja Rán

It can be hard to see when a relationship no longer meets your emotional needs, especially when affection, uncertainty, and repeated disappointment are hard to untangle. “Unblurred,” an album built on the bedrock of emotional unavailability, recurring conflict, and the slow dawning that a relationship might need to end, is where Brynja Rán unpacks that difficult process.

The ten songs follow the arc of attachment and frustration, weaving together the story of someone trying to figure out what they deserve. The focus track, “Unblurred Lines,” hits on the album’s central concept. This is when the veils begin to fall, and the person is more ready to see the partner’s behavior for what it is. The song is musically rich, with an acoustic and electric guitar soundscape, synthesizers, bass guitar, drums, and additional instrumentation.

The surrounding songs view the same emotional landscape from different angles. “Cowboy Wannabe” explores a partner masking insecurity with a detached personality, and “Deja Vu” captures the frustration of arguments that go round and round without changing anything. “Adore” is about ignoring red flags when you’re that into something, and “Cherry” is about the temporary comfort of being in a relationship that just isn’t right.

The album opens up by looking at borders and the need for real connection. “Make Me Feel” is about wanting to be loved, and “Until” is about how long you should stay in the twilight zone. “Still Stuck Waiting” captures the frustration of waiting for communication and commitment. “Don’t You Leave” begins with fear of abandonment and moves toward healing, while “What Else” ends the record with emotional exhaustion and a desire to move on.

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Rather than treating every experience as a one-off event, the tracklist of “Unblurred” attempts to create a single image of relationship troubles. With this release, Brynja Rán explores unhealthy patterns, boundaries, and getting the clarity to choose a different path.

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Album Review

Legends of the Seven Golden Vampires explore healing and personal growth on “The Pumphouse of Broken Dreams” [album]

Legends of the Seven Golden Vampires

Albums often have a strong sense of identity, with songs linking to a broader emotional and musical direction. The nine-song album “The Pumphouse of Broken Dreams” by Legends of the Seven Golden Vampires, featuring Dutch vocalist Ilse Van Der Linden front and center, is more cohesive.

The band’s melodic psychedelic pop offers a welcome counterpoint to a project that explores recovery, longing, uncertainty, and personal growth. The tracklist is an emotional journey. “To Think, To Heal” starts with the idea of mental healing and moving on from the past. “Flying” is more of an escapist wish to escape the pressures of day-to-day life. “Come Home” is about finding comfort and belonging.

“Here I Am” is about self-awareness and openness. Together, these early songs form an album about finding stability and processing difficult experiences. The middle ground is more emotionally layered. “Hopelessly Devoted To You” is about being attached all the time, and “Lost & Burned” is about being worn out and the results of hard experiences. Then there is “In My Dreams,” which turns into memory and unfulfilled wishes. Later, “AIR” brings the need for freedom, air, space, and a new start.

It ends with “BLEND,” a combination of psychedelic, shoegaze, and electronic influences. The release also includes another visual element from Gareth Halliday, who also worked on Noel Gallagher’s High Flying Birds Who Built The Moon. “The Pumphouse of Broken Dreams” has softer vocals and a range of emotions. This album is deliberately constructed, moving from reflection to acceptance without losing the variety of experiences it tackles.

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