Music
“Dead Summer,” A Nostalgic Yet Contemporary Take On The Struggles During The Pandemic
The sun is shining, but people aren’t outside trying to take it all in. Everyone is confined to their homes. Crows are circling in the distance; something must be dead. If you ask Levi Zadoff and Dead Hendrix, it must be the summer.
“Dead Summer” is a joint EP by these two artists about the psychological effects of COVID, which can still be felt even today. “Dead Summer” represents a time when everything slowed down, and what would have been an enjoyable, fun time was anything but that.
Levi Zadoff is a pop-punk musician based in Los Angeles who believes in maintaining a sense of freedom in his artistry. His inspiration comes from pop-punk artists like My Chemical Romance and Nirvana. Dead Hendrix, whose name also fittingly represents his psychedelic sound, is a punk artist based in Canada. He covers true-to-life topics such as drug abuse, heartbreak, insecurities, and trauma in his music.
With a fusion of punk, pop, and rock, Dead Summer takes us through Zadoff’s and Hendrix’s thoughts as they process the pandemic. Love Game and Alone talk about the rabbit hole that has been sitting in your thoughts for too long. Love Game leans towards hard rock. It is loud and aggressive, and the drum chops used at the end give it a strong finish.
Alone is mellower with heavier lyrics; “Yea, I am numb to the core… I’m getting kinda tired of getting stoned and kinda tired of being home.” It is that gnawing feeling of no longer enjoying things that used to make you happy. The song also has some hints of EDM to it, especially with the bass drops and looping in the chorus.
Cant Be God has the most summer feel in the EP. It sounds easy and light. The instruments are muted and alternate between a subtle guitar riff and simple piano chords. They sing, “If I make my bed, I lie in it,” a willingness to accept whatever comes your way.
Dont Think It Could Get Much Better takes a satirical perspective of Dead Summer. Of course, things will get much better, but before they do, Hendrix and Zadoff allow us to wallow in the feelings of things worsening.
Hendrix and Zadoff have added the song Teenage Dirtbag as a bonus track. The sound is nostalgic, with guitar melodies that sound like they were made over ten years ago. The song is about missing someone, but you decide to stab them since you can’t have them.
With Zadoff and Dead Hendrix based in different countries, Dead Summer was created virtually. However, it’s hard to tell. The two bounce off each other’s sound well, making for a cohesive sound. Furthermore, the transition between different song styles is smooth, making for a trippy and enjoyable listen.
Listen on Spotify:
https://open.spotify.com/album/7v9FFhJrHoLLDiuNOIXy1H?si=vCrWap8nS8S6zM4iOJHFpg
Distrokid:
https://distrokid.com/hyperfollow/deadhendrixandlevizadoff/dead-summer-ep
Levi Zadoff Instagram:
https://www.instagram.com/levizadoff
Levi Zadoff Website:
https://www.levizadoffmusic.com/
Dead Hendrix Instagram:
Artist Spotlight
“Empatia” by Aurien & Jab Vix set the tone for an atmospheric new era
“Empatia,“ the stunning electronic debut of Aurien, in collaboration with Jab Vix, is the start of a new creative universe under Aurien’s newly launched imprint Château Bonheur Musique. The track feels like a doorway into a curated emotional space, built from atmosphere, storytelling, and immersive sound design.
“Empatia” is founded upon a contemporary electronic aesthetics that favors texture. The production is sleek and considered, offering up soft rhythmic pulses within roomy layers that breathe. Working with Jab Vix gives texture and dynamics to Aurien’s perspective and sets the sound for the song. It’s more about feeling the music than looking for peaks of high energy. It builds slowly and invites you to sit in the mood.
A highlight is the “Elegant Mix,” which takes the original and gives it a more subdued, slicker makeover. It allows the heart of the composition to come through more intimately, and this duality reinforces the idea behind Château Bonheur Musique as environment, experience, and feeling. “Empatia” is a debut statement and manifesto for the immersive, emotionally intelligent electronic music that works as effortlessly as it does in shared spaces. It’s a thoughtful direction for Aurien, where sound is not just heard, but lived in.
Artist Spotlight
Saint Escape injects an attitude into a classic for a new generation on latest release “Everybody Wants To Rule The World”
SAINT ESCAPE takes a classic favorite, “Everybody Wants To Rule The World,” and gives it a new twist, transforming the iconic hit into an alternative rock statement full of personality and modern flair.
Rather than just repeating a familiar song, Saint Escape offers a bold vision to the track. There’s a touch of “baddiecore-lite” attitude, married with alt-rock vibes, a feeling that seems tailor-made for those who love nostalgia but want something that speaks to today. The result is familiar, yet refreshingly different.
The track establishes its own identity right from the first moments. The alternative rock styling provides a sharper edge to the song’s timeless themes, making for a dynamic listening experience that feels vibrant and contemporary. With confidence in every note, the performance can stand on its own but still respect the legacy of the original.
While acknowledging the song’s emotional and cultural significance, Saint Escape also celebrates a more rebellious aesthetic. The “baddiecore-lite” influence adds an interesting attitude to the track, making it feel fun, confident and effortlessly cool.
Connect with SAINT ESCAPE on Spotify || Instagram || Youtube
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