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Deshaun Watson Has Strong Reaction To New NFL Rules

We live in a brand new world thanks to the Coronavirus. Everyday interactions that used to seem mundane are now not even allowed. Handshakes, hugs, and even fist bumps are looked at with a bit of a side-eye. Simply put, we have to adapt the way we’ve been living, to what is now deemed acceptable. This is all in an effort to make sure we don’t spread the virus and kill innocent people in the process.

Sports have been dealing with this pandemic since it started, and recently, the NFL released new rules with social distancing in mind. One of the more bizarre rules is that players can’t swap jerseys after games and won’t even be able to shake hands. This rule is weird as players will be allowed to tackle each other throughout the game, but can’t even shake hands. Houston Texans quarterback Deshaun Watson is well-aware of just how hypocritical the rule is and took to Twitter to voice his displeasure.

Watson isn’t the only player to think the rules are counterintuitive. Even the fans have been noting just how weird it is that the players can play physically but can’t socialize after games. This is a stark contrast to the NBA who is allowing players to interact in their hotel rooms.

Needless to say, this upcoming NFL season will be an interesting one.

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Marsha Bartenetti reinvents in her own style “New York Minute”

Marsha Bartenetti

Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.

The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.

“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.

Connect with Marsha Bartenetti on Spotify || Facebook

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