Entertainment
Gillie Da Kid Earns Backlash For “All Lives Matter” Statement
Yes, all lives do matter. However, that’s not the point. Right now, Black lives are at risk and, by claiming that All Lives Matter, you’re contributing to a massive problem in America. When somebody says that Black Lives Matter, they’re not saying that other lives are any less valuable. They’re just urging the rest of us to start treating Black lives as we would white lives and anybody of another race or ethnicity.
That’s why Gillie Da Kid’s recent statements have pissed off a bunch of people.
The rapper/media personality went on the record as saying that All Lives Matter in response to the current surge in BLM support.

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“I keep getting the same question: Gillie, you always giving up game. Why you ain’t give no game on Black Lives Matter? Because I don’t get to that shit, n***a. All lives matter, n***a,” said Gillie in a new video. “I don’t give a fuck if you white, Black, blue, purple, Brown, tangerine… n***a, all lives matter.”
He went on to speak about Black-on-Black violence, claiming that his life “didn’t matter” when another Black man tried to “execute” him.
Gillie’s comments are problematic, to say the least. The entire point of Black Lives Matter is to get it straight in everybody’s head that all lives do indeed matter. Black lives have been treated as inferior to others for decades and decades. It’s time to change that.
If you’re looking for resources on how you can be more active, check out our list here.
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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