Artist Spotlight
dichotomi – “STF 17”

Introducing Toronto-based alternative rap newcomer dichotomi with their brand new single titled ‘STF 17’. The soulful and infectious lo-fi rap track comes just in time to take over our summer playlists and is the lead single for dichotomi’s upcoming debut EP that is set for release later this year. ‘STF 17’ is the anticipated follow-up to last year’s fan-favourite ‘plush’, which was a massive radio hit with the likes of CBC Music in Toronto, and Wave Of The Bay in Florida, to mention a few.
Produced by fellow Toronto musician Frizzy Astro, ‘STF 17’ is a catchy melodic rap offering, which sees dichotomi – who wrote the song when they were sick during the pandemic and couldn’t be outside – in a very hopeful mood, as they imagine better times and fantasize about being able to enjoy summertime in Toronto once again. Over lush synth keys and sparse lo-fi instrumentation, dichotomi showcases their infectious flow, clever lyricism, and carefree energy, to great effect.
Speaking about the inspiration behind ‘STF 17’, dichotomi says, “It was the first pandemic winter, and I was really sick… I couldn’t go outside because the weather, and I had no energy or motivation to make life inside more enjoyable because of the mental and physical effects of the pandemic. At a real low point, I started fantasizing about summers in Toronto and told myself that ‘everything will be better in the summer’ – as soon as I said it aloud, I felt compelled to write a song on that theme.
The track quickly took a political lean as I began to ruminate on the social, political, and economic forces that forced me into such a fragile position in the first place. ‘STF 17’ is most definitely a critique of our capitalist society, but with the added goal of offering some levity — allowing us to hope for a more equitable future. Be critical, be angry, be sad, but don’t let the state of this world keep you from turning your face to the sun every chance you get, and tirelessly seek the tiniest moments of joy”.
Highly recommended if you like the sounds of Noname, Tierra Whack or Chance The Rapper, dichotomi is for listeners that like to discover new things every time you listen to a track – they are for fans of lyricism, authenticity and exploring new sounds. Born in Florida and now living in Toronto, dichotomi burst onto the scene in 2019 with resounding music, led by good vibes and wholesome themes that are intended to inspire hope and validate their listeners.
Listen to dichotomi – “STF 17”
What do you think about this song? Drop a comment below…
Artist Spotlight
Kayla Marque lights a fire with “Slow Burn”

Kayla Marque has returned with a new single, “Slow Burn,” a simmering, soul-passionate affair that holds you well past when the last notes die out. True to her endlessly evolving artistry, Marque serves up something future-facing and thoughtful, stitching together a grunge-adjacent bassline with ethereal melodies and haunting vocal dynamics.
Right from the outset, “Slow Burn” sucks you into its smoky milieu. The measured bassline sounds plucked from the ‘90s alt-rock golden age and dunked in modern, velvety skin. But Marque’s voice brings center stage, fluent, forceful, and emotionally detailed. She doesn’t only sing; she tells stories, whispers, and wails, and her approach lends the music an astonishing contrast between restraint and release.
As the song progresses, there’s something undeniably mesmerizing about how the instrumentation interacts with the vocals. The melodies shimmer like heat off the pavement, entrapping listeners in a hypnotic haze that feels at once intimate and cinematic. Marque displays not only her vocal range but also her emotional depth. Every note feels deliberate, and every word feels lived-in.
What’s so exciting about “Slow Burn” is how it feels like another chapter in a broader story. Kayla Marque has consistently refused to settle into a single groove, and this track demonstrates that she’s continuing to push limits and defy expectations. There’s a rawness here, an audacity that doesn’t plead for attention but commands it regardless. It’s a song that reveals more textures and emotions after every listen. “Slow Burn” is a vibe, a feeling, a statement. It’s another step in Kayla Marque’s evolution as an artist, and if this is what’s to come, we’re in for something special.
Artist Spotlight
Michael Gungor shares a beam of light in a noisy world for “Same Sky”

Michael Gungor is back with a bright new offering in “Same Sky,” a song that brims with hope, heart, and harmony. Famed for pushing musical boundaries and weaving soul-stirring messages into his work, Gungor once again taps into something universal, but this time, it feels even more personal.
“Same Sky” is quietly earning it. From the opening couple of seconds, Gungor’s earnest vocals draw you into a dramatic pop arrangement that swells with elegance instead of aggression. It’s uplifting without being preachy, powerful without overwhelming, and an emotional sweet spot that only an artist as seasoned as Gungor could easily manage. What really lodges, though, is the chorus. It is an anthemic quality, the kind you pause mid-scroll or mid-thought to take a breath during. It’s as if to remind you that we still live under the same sky, however divided the world feels. That simple but profound message feels like a quiet awakening in an era of turmoil.
The production is clean and warm, imbued with a modern pop sensibility that never overwhelms the emotion at the center of the song. Every element, the soft percussion, the delicate synth layers, the melodies that tilt toward the sky like a beam of sunlight breaking after a storm, feels carefully placed as an accompaniment to Gungor’s voice, which wavers between tender and assertive.
It’s a timely song. “Same Sky” takes note of our common humanity without getting preachy in a world that can feel like splintering apart at the seams. Whether you’re a longtime fan or just discovering his music, “Same Sky” is a lovely entry into Gungor’s world, one marked by purpose, artistry, and the kind of emotional honesty we could all stand to listen to more.
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