Entertainment
Eva Longoria Downplays Black Women’s Key Role In 2020 Election, Gets DRAGGED
Twitter reacts to Eva Longoria diminishing Black women’s country-saving role in the 2020 Election during an interview with Ari Melber on MSNBC …
Eva, you in trouble girl!
Years from now we’ll look back on the 2020 Election and remember that over 90% of Black women showed up, showed out and saved the country in a truly iconic outpouring of support that won key states and ultimately the White House for Joe & Kamala.
Why anyone would attempt to downplay this, we don’t know, but Eva Longoria (who appeared to be an ally) was that person who pushed Black women aside to gush over Latinas during her now infamous MSNBC interview.
“Of course, you saw in Georgia what Black women have done but Latina women were the real heroines here, beating men in turnout in every state and voting for Biden-Harris at an average rate of 3:1,” she claimed.
Naturally, this stirred up outrage across social media that prompted Longoria’s shaky attempt to clear things up followed by a Notepad apology that failed to smooth things over.
“I’m so sorry and sad to hear that my comments on MSNBC could be perceived as taking credit from Black women,” she wrote in a statement.
“When I said that Latinas were heroines in this election, I simply meant that they turned out in greater numbers and voted more progressively than LATINO MEN.”
“My wording was not clear and I deeply regret that,” she continued. “There is such a history in our community of anti-Blackness in our community and I would never want to contribute to that, so let me be very clear: Black women have long been the backbone of the Democratic Party, something we have seen played out in this election as well as previous ones.
Finally, Black women don’t have to do it alone any longer. Latinas (many who identify as Afro-Latina), indigenous women, AAPI women and other women of color are standing with them so we can grow our collective voice and power.”
Should she be canceled for her comments? Do you think her apology is sincere? Tell us in the comments and peep her well-deserved dragging on the flip.
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Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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