Album Review
“Every Rain” by Luke Borchelt evokes a soulful tapestry of nostalgic life with introspective memories
Emerging singer-songwriter Luke Borchelt steps into the spotlight, making waves with his highly anticipated debut album, “Every Rain,” a heartfelt ode to life’s quiet moments, comprises a nine-track odyssey that bridges the intimate charm of the Chesapeake Bay roots with the universal resonance of timeless authenticity. This collection demonstrates Borchelt’s unique blend of country upbringing and modern soundscapes, creating nostalgically grounded and refreshingly innovative music.
Spanning just over 32 minutes, the album “Every Rain” is a masterful exploration of life’s imperfections, love’s intricacies, and the enduring impact of personal history. It begins with “Same Old Square,” Borchelt immerses listeners into a euphoric country classic drenched in youthful memory love, capturing the unassuming joy of revisiting familiar places with someone special, driven by heartfelt lyrics and strumming guitars and small-town life with his signature lyrical authenticity. The title track, “Every Rain,” follows with soulful yet melancholic undertones co-written with producer Warren Russell. This centerpiece delivers a vivid mosaic of imagery of life’s imperfections, malfunctioning trucks, and overgrown gutters, embracing the therapeutic warmth of resilience through life’s storms.
Subsequent tracks such as “Itchin’” and “Frostbit Hands“ further broaden the album’s emotional spectrum. The former ventures into unexplored realms with folk-pop soulfulness, while the latter is a modern acoustic classic work reflecting on lost friendships and the reconciliation of past errors with hopeful renewal in personal growth. “Victoria“ shifts the focus to a romantic-soaked ballad influenced by dreamy organ strums, catchy beats, and an uplifting soundscape to paint vivid snapshots of budding memories of romance, evoke late-night calls, and sweet red wine, rendering it an undeniable highlight of the album.
Borchelt’s artistic versatility is manifested in blending enchanting lyrical narrative with sonic sophistication shines in “Accent,” a nostalgic acoustic vibe co-written with Jordan Rager and Mark Irwin. Meanwhile, “Maryland Life“ and “Car Heat“ are poignant tributes to Borchelt’s upbringing and childhood memories, encapsulating his roots with soul-stirring melodies. The album concludes on a hauntingly beautiful note with “Orland, ME,” a heart-wrenching portrayal of heartbreak. Borchelt’s trembling vibrato leaves an indelible mark, lingering long after the final note fades.
Crafted meticulously, “Every Rain” constitutes an intimate adventure through Borchelt’s world. It traverses a landscape of memories characterized by shimmering melodies and genuine authenticity. Each track provides a glimpse into his creative vision, cementing his place as a compelling new voice in modern folk and soul. Luke Borchelt’s “Every Rain” promises to be a valuable addition to diverse musical playlists, appealing to listeners craving introspection and emotionally evocative depth. Don’t miss the chance to experience this profoundly remarkable debut.
CLICK HERE TO STREAM Luke Borchelt’s Album “Every Rain“ on Spotify.
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Album Review
“Big Colored Lights” EP Premier by Katie Curley delivers a sonic snow globe of heartfelt holiday memories
Brooklyn-based singer-songwriter Katie Curley brings a fresh glow to the holiday season with her new EP, “Big Colored Lights.” This spellbinding collection comprises seven original tracks that seamlessly integrate Curley’s honky-tonk personal sensibilities with sophisticated sonic artistry, characterized by her gift for evocative storytelling. Recorded at Cowboy Technical Services under the skillful production expertise of Eric “Roscoe” Ambel (known for his work with Sarah Borges and the Bottle Rockets), the EP is a testament to Curley’s decade-long commitment to creating one Christmas-inspired song yearly. The resultant work offers a kaleidoscope of nostalgia, resilience, and the transformative power of music that extends beyond conventional holiday cheer.
“Big Colored Lights” invites listeners on an emotional odyssey, commencing with the poignant opener, “Christmastime Therapy,” which artfully navigates the bittersweet realities of family gatherings complemented by Curley’s crystalline vocals. The expressive piano work accompaniment by Rob Clores sets the stage for a heartfelt meditation on holiday complexities.
Subsequently, the soulful track “Closing In On December“ follows, featuring Mark Spencer’s pedal steel, which infuses the song with a timeless warmth. Meanwhile, the title track, “Big Colored Lights,” paints a vivid tribute to Curley’s childhood memories of her grandfather’s dazzling holiday decorations in the woods of Washington.
Curley’s versatility is evident in “A Very Texas Christmas,” a modern take on classic holiday melodies that blends emotive guitar strumming with rhythmic piano chords. “Extra Happy Holidays“ delivers a buoyant exploration of new relationships, celebrating the optimism intrinsic to joyful festivities.
Infusing a touch of country flair, “Shotgun Wedding In Bethlehem“ reimagines the nativity narrative, enhanced by the gorgeous angelic harmonies from fellow artists Drina Seay and Shanelle Jenkins. The EP closes on a high note with “New Year’s Too,” a soul-stirring duet with powerhouse vocalist Lizzie Edwards that profoundly impacts the listener.
Katie Curley’s “Big Colored Lights” transcends the limitations of typical holiday tunes, offering deep reflections on shifting landscapes, cherished traditions, and the unyielding pursuit of light in life’s darker moments. Supported by her core band, including her husband Brendan Curley on guitar, Max Newland on bass, and Kenny Soule on drums, the EP resonates with authenticity and warmth. This EP is essential listening for those seeking revelatory holiday charm with meaningful and uplifting music that promises to light up the heart and soul. Set to become a treasured addition to festive playlists, “Big Colored Lights” solidifies Katie Curley’s emerging status as an enchanting voice within Brooklyn’s music scene.
For more information about Katie Curley, please visit [website].
CLICK HERE TO STREAM Katie Curley’s EP “Big Colored Lights“ on Spotify.
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Album Review
Gitkin unveils an afro-latin blues with sonic psychedelia in his recent Album “Golden Age”
The undisputed king of modern cumbia and master of genre fusion, Brian J. Gitkin, unveils his latest 10-track masterpiece, “Golden Age,” released under Wonderwheel Recordings. This wordless sonic adventure transcends borders, featuring a guest appearance by multi-instrumentalist and producer Assaf Spector, delivering thrilling depths of Afro-Latin, desert rock, and blues with heavy doses of psychedelia. Rooted in the musical heartbeat of New Orleans, “Golden Age” offers a mesmerizing exploration of culture, rhythm, and electric guitar brilliance. This primarily instrumental experience enthralls audiences from start to finish.
Gitkin, a New Orleans-based multi-instrumentalist, channels the rhythmic soul of the Crescent City through the hypnotic twang of his signature Silvertone guitar. The album commences with the dynamic title track, “High Noon,” setting the tone for its adventurous spirit, a far-reaching sound exploration. Fans are treated to a dazzling mix of intoxicating African and Latin American influences, spiced with the desert rock of Mali and the electrified chicha style of Peru.
The second track, “Cumbia-ya,” exudes celebration with its infectious beats as the album continues to break boundaries with “Delta Mystic,” along with “Iced Coffee” and “Go Time,” the 5th composition featuring the expertise of Simon Moushabeck on the keyboard and Washington Duke on drums, which seamlessly blends jazz, funk, and Afro-American Mardi Gras roots into a jubilant groove.
Subsequently, “The One,” the eighth track, presents a hypnotic blend of classic Sudanese influences, Tuareg-style guitars, and Black Sabbath-inspired heaviness. The composition is propelled forward by a Giorgio Moroder-esque bassline, combining ’70s disco energy with soulful guitar motifs, showcasing Gitkin’s versatility and fearless approach to creating fresh, boundary-pushing music. The album’s standout track, “Tall Oaks Drive,” takes listeners on a cosmic ride with its psychedelic sitar riffs and melodic cinematic atmosphere reminiscent of a vintage spy thriller. The album concludes with the soul-stirring final track, “Golden Age,” providing a sense of closure and triumph.
Throughout “Golden Age,” Gitkin’s guitar melodies convey stories without words, evoking emotions of contemplation, joy, and spiritual upliftment. His ability to weave together global sounds with New Orleans’ rich musical heritage establishes him as a visionary in the global music scene. This album is essential for fans seeking adventurous, deeply reflective, and genre-defying sonic experiences.
For more information about Gitkin, please visit [website].
CLICK HERE TO STREAM Gitkin’s Album “Golden Age“ on Spotify.
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