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Artist Spotlight

Everything You Need To Know About Dror Marko, an international Guitarist

Dror Marko

Israel born and raised, Dror Marko is an international guitarist, arranger, and studio musician. He is a graduate of both Starling Academy of Music (Rio de Janeiro) and the Musicians Institute in Hollywood, where he was granted three scholarships while taking his bachelor’s degree in Music (mentored by Scott Henderson, Dean Brown, Kiko Loureiro, Allen Hinds, Oz Noy, Andre Nieri, Carl Verheyen, among others).

Dror Marko focuses on creating real music. During his career, he got the chance to live in Israel, Brazil, and the US, gaining vast experience performing, touring, and co-producing with significant artists such as Jessica Sanchez (Runner-up of American Idol), hit R&B-band Surface, legendary drummer Marvin Smitty Smith (Sting, Sonny Rollins; Tonight Show with Jay Leno band), pianist Mahesh Balasooriya (Stanley Clarke, Natalie Cole), Ryan Gallagher (The Voice), Jerry Leoni (Drummer of The Lettermen), Lucio Vieira (Larry Coryell, Frank Gambale, Gilberto Gil), Francisco Fattoruso (Milton Nascimento, Ivan Lins, Derek Trucks), American Idol-Vocal Coach Peggi Blu, ‘Filhes da Martins’ (official Carnival band from Rio de Janeiro)and opening act for Israeli singer Lior Narkis.

His unique background led him to become a versatile artist and to develop a distinctive musical universe with exotic flavor, crossing middle eastern music, Brazilian, R&B, and Jazz. While living in the U.S. Dror had a remarkable experience within the local Filipino music scene in LA and collaborated with top Filipino artists such as Janice Javier (finalist of The Voice of the Philippines), Bryan Termulo (runner-up in Pinoy Pop Superstar), Geneva Cruz (Smokey Mountain) and Dessa Salazar. He has performed at distinguished performance venues such as Aratani Theatre, Envision Center LA, PYLUSD Performing Arts Center, as well as some legendary jazz-fusion venues like The Baked Potato, The Blue Whale, Vitello’s, and Townhouse Venice. In the rock-pop scene, he played at House of Blues, Whisky a Go-Go, Troubadour, Rainbow, Silverlake Lounge, The Mint, Molly Malone’s, The Viper Room, The Study, and more, in addition to major U.S. festivals like Levitt Pavilions and LACMA’s. As a studio musician, among countless projects, he recorded the guitars for the 1st Place winner of both categories of “Best song” and “Best Production” at the prestigious 2019 European Intercontinental Music Awards. As musical director, he instructed Janice Javier’s band and assisted in directing the giant official Carnival band ‘Filhes da Martins’. As an arranger and transcriber, he prepared professional charts and transcriptions (all instruments) for top artists like Jessica Sanchez, Janice Javier, the hit band Surface, Bryan Termulo, Ryan Gallagher, and Dessa.

Currently, in addition to his work as a session musician and guitar instructor, Dror is writing his solo album, and together with Mikael Mutti (Jamie Foxx, Will. I.Am, Carlos Santana, Sergio Mendes, The Scorpions) and Fabio Rocha (Moraes Moreira, the band Eva), working on his original instrumental world music band ‘One Globe Radio’ (a mix of jazz, electronic, Brazilian, and African music). In order to check out Dror Marko, you can find him on Youtube, and he is always posting news surrounding his up-and-coming projects on Instagram, Facebook, and Youtube.

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

“Hell has frozen over” finds Sarina choosing peace over being understood

Sarina

Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.

“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.

Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.

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“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.

Photo Credit: Andrea Hunter

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Artist Spotlight

Girlhood finds summer warmth and quiet freedom on “Lemon Aid”

Girlhood

“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.

Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.

The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.

The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.

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