Artist Spotlight
Everything You Need To Know About Dror Marko, an international Guitarist
Israel born and raised, Dror Marko is an international guitarist, arranger, and studio musician. He is a graduate of both Starling Academy of Music (Rio de Janeiro) and the Musicians Institute in Hollywood, where he was granted three scholarships while taking his bachelor’s degree in Music (mentored by Scott Henderson, Dean Brown, Kiko Loureiro, Allen Hinds, Oz Noy, Andre Nieri, Carl Verheyen, among others).
Dror Marko focuses on creating real music. During his career, he got the chance to live in Israel, Brazil, and the US, gaining vast experience performing, touring, and co-producing with significant artists such as Jessica Sanchez (Runner-up of American Idol), hit R&B-band Surface, legendary drummer Marvin Smitty Smith (Sting, Sonny Rollins; Tonight Show with Jay Leno band), pianist Mahesh Balasooriya (Stanley Clarke, Natalie Cole), Ryan Gallagher (The Voice), Jerry Leoni (Drummer of The Lettermen), Lucio Vieira (Larry Coryell, Frank Gambale, Gilberto Gil), Francisco Fattoruso (Milton Nascimento, Ivan Lins, Derek Trucks), American Idol-Vocal Coach Peggi Blu, ‘Filhes da Martins’ (official Carnival band from Rio de Janeiro)and opening act for Israeli singer Lior Narkis.
His unique background led him to become a versatile artist and to develop a distinctive musical universe with exotic flavor, crossing middle eastern music, Brazilian, R&B, and Jazz. While living in the U.S. Dror had a remarkable experience within the local Filipino music scene in LA and collaborated with top Filipino artists such as Janice Javier (finalist of The Voice of the Philippines), Bryan Termulo (runner-up in Pinoy Pop Superstar), Geneva Cruz (Smokey Mountain) and Dessa Salazar. He has performed at distinguished performance venues such as Aratani Theatre, Envision Center LA, PYLUSD Performing Arts Center, as well as some legendary jazz-fusion venues like The Baked Potato, The Blue Whale, Vitello’s, and Townhouse Venice. In the rock-pop scene, he played at House of Blues, Whisky a Go-Go, Troubadour, Rainbow, Silverlake Lounge, The Mint, Molly Malone’s, The Viper Room, The Study, and more, in addition to major U.S. festivals like Levitt Pavilions and LACMA’s. As a studio musician, among countless projects, he recorded the guitars for the 1st Place winner of both categories of “Best song” and “Best Production” at the prestigious 2019 European Intercontinental Music Awards. As musical director, he instructed Janice Javier’s band and assisted in directing the giant official Carnival band ‘Filhes da Martins’. As an arranger and transcriber, he prepared professional charts and transcriptions (all instruments) for top artists like Jessica Sanchez, Janice Javier, the hit band Surface, Bryan Termulo, Ryan Gallagher, and Dessa.
Currently, in addition to his work as a session musician and guitar instructor, Dror is writing his solo album, and together with Mikael Mutti (Jamie Foxx, Will. I.Am, Carlos Santana, Sergio Mendes, The Scorpions) and Fabio Rocha (Moraes Moreira, the band Eva), working on his original instrumental world music band ‘One Globe Radio’ (a mix of jazz, electronic, Brazilian, and African music). In order to check out Dror Marko, you can find him on Youtube, and he is always posting news surrounding his up-and-coming projects on Instagram, Facebook, and Youtube.
Album Review
Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.
Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.
Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.
On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.
“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.
Artist Spotlight
Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”
Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.
“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.
Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.
Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.
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