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Artist Spotlight

Exclusive Interview with Megmafia, an independent South-African female rapper from Johannesburg

Megmafia

Today, we are going to introduce one of the finest and hottest south African female rappers on the radar you need to know in 2022. Megan King, better known as Megmafia is an independent South African rapper and singer from Johannesburg, South Africa. She has a music background joining choirs and entering music competitions at the age of 7.

We had the opportunity to interview Megmafia to talk about her music career, inspiration, and the latest in her life so far in the music industry.

Can you tell our readers about what really inspired you to write music?

Megmafia – Inspiring the masses has always been one of my greatest purposes in this realm and being able to vocalize my beliefs through the means of music was a blessing in every possible way. I’ve always wanted to bring forth a narrative that will impact the minds of tomorrow and lead them towards greener pastures with humble hearts. Aside from that, music has always been a part of who I am. It makes me happy and when I’m able to impact people with a domino effect of genuine happiness, I believe my duty here is fulfilled through something I love.

 

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When did you realize you were going to make music professionally?

Megmafia –  I don’t like to think of music as a profession but rather as my way of life. It’s been embedded in me since birth although I must have been around the age of 15 when I first realised people enjoyed my sound and what my music represented.

 

Tell us what is so unique about you and your music?

Megmafia – What’s unique about my music is that it doesn’t cater to one specific genre. I’m extremely versatile as both a person and as an artist. R&B has and always will be my first love and then of course what I’m most renowned for, which is Hip Hop. Being able to infuse my vocal range with rap is the coolest thing I think I’m capable of. I’ve also explored avenues like Afro-pop which is something I’m still trying to perfect.

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Can you tell us about your latest releases and what inspired you to create them?

Megmafia – My latest singles were both R&B. “Distance” & “Good Girl, Bad Habits” was simply made out of genuine emotion and not for the purposes of creating a “banger” I just wanted to create something relatable. Each single represented a major part of my recent history that I’m blessed to have experienced. It helped me understand myself in so many ways but as of lately releasing projects hasn’t been my main priority but rather taking my 20s to understand the business logistics of the industry before taking major strides musically.

Can you give us a brief insight into your upcoming projects?

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Megmafia –  An E.P consisting of 4 gems seems to be on the horizon if my will permits it to be. It’ll be my first full body of work in 5 years. I’m excited and anxious all in one breath. Music has changed so drastically and the pressure of “keeping up with the wave” tends to change artists and their true sounds an awful lot. I’m simply just trying to preserve who I am and deliver my old soul to this new age.

 

What do you wish you were told when you first started making music that you think would help artists just starting out?

Megmafia – I wish I was told and encouraged to be self-reliant and teach myself how to do all the things that every artist requires. Like producing my own material. That’s the key to unlocking your own doors without having any glitches or setbacks. Starting young would’ve leveraged me greatly.

 

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What do you do when you don’t do music (creative or otherwise) that you are passionate about?

Megmafia – I’m really passionate about watching documentaries that withhold facts about the world, humanity, and cryptocurrencies  – other than that you can catch me watching soccer, in the gym, or in bed. I love sleeping, super passionate about that!

 

Any last piece of advice for those artists who just started making music?

Megmafia – The same advice I wish I was given will be the same advice I’ll provide. Artists who are reading this, learn how to produce their own music. Sacrifice those hours of playtime and focus on your legacy. Spend less time in the club and more time educating yourself about this business because it has a dark side to it and doesn’t forget to surround yourself with a team that has your best intentions at heart. Keep your third eye open, always.

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How can our readers follow you online?

Megmafia – You can follow me @megmafia on all platforms.

 

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Artist Spotlight

“Hell has frozen over” finds Sarina choosing peace over being understood

Sarina

Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.

“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.

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“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.

Photo Credit: Andrea Hunter

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Artist Spotlight

Girlhood finds summer warmth and quiet freedom on “Lemon Aid”

Girlhood

“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.

Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.

The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.

The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.

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