Music
Former Death Row Records Female Rapper “SKG” and Team Performs at SXSW in Austin, Texas
Former Death Row Records – Female Rapper SKG and her team performs at SXSW in Austin, Texas. Promoting her new album “Unfinished Business”
Congratulations are in order for former Death Row Records Westcoast Female Rapper “SKG” ( Helecia Choyce )
Solidifying an official stage at “SXSW” with other female rappers including Atlanta’s own “Omeretta”
SKG also performed on other stages including DJ Holiday and Revolt TV “Hollipalooza”
Futuristic Femme Showcase and the SXSW Powerfest sharing the stage with other artist including Grody DaGrimy1, Tee Tee Zhane, Tumont and a few other artist from her management company “Purple Heart management”
Los Angeles-based female rapper, songwriter, and film producer Helecia Choyce, better known as SKG has started the year 2022 with something different. After receiving her plaques this month for previous work at the Legendary “Death Row Records” Now releasing a new project with a new album called “Unfinished Business” followed by her latest single “Bad Azz Bitch”, featuring Boosie BadAzz and Juvenile available on all digital streaming platforms, it’s safe to say fans are very happy about that. “Unfinished Business”, is a dedicated cover to her late brother “Trayveon Choyce” who introduced her to music at a young age.

Click the link now to preview the “SKG” full album “Unfinished Business” –
https://music.apple.com/us/album/unfinished-business/1606482394
Her album consists of 16 solid tracks with features from Boosie BadAzz, Paul Wall, Juvenile, Mistah F.A.B and Beenie Man, Mr. Capone-E, AD, Compton AV just to name a few. Her energetic, diverse, and raw sound give people something to relate to as her music and performing have shaped her into who she is today.
SKG has overcome many challenges in order to attain a reputed place in the music industry. She has worked exceptionally hard since she dived into the world of music at a young age and has attracted a lot of attention from many in the music industry. Being discovered by Suge Knight and signing a deal with Death Row Records at a young age. Featuring on Albums such as Tupac Shakur “Until The End Of Time” and The Doggpound Pound 2002. With years in the game and contributing new content be sure to stay on the lookout for SKG’s name as it is bound to be everywhere in the coming years.
photos by rsinclaireproductions: Sinclaire Hobson
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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