Music
I Used To Be Sam Presents a New Single ‘MOUNTAINS’

Internationally acclaimed singer, songwriter and vocal powerhouse I Used To Be Sam (aka Annie Goodchild) returns with their brand new single ‘Mountains’, out now. The track is the latest installment taken from their upcoming debut EP, ‘I Used to be Sam’, set for release this summer.
Previously known for her work as Annie Goodchild and as a featured singer in the musical collective Postmodern Jukebox, I Used To Be Sam steps into a complex journey of transracial adoption and self-discovery on their new EP ‘I Used to Be Sam’ – an explorative new collection of deeply personal, cinematic, left-field pop, all wrapped up in the singers distinctively illustrious voice.
After taking an Ancestry DNA test, I Used To Be Sam learned that before being adopted, she used to be named Samantha. Album cornerstone ‘Mountains’ explores the sensation of emerging up out of ‘the fog’; a term that some adoptees use to describe the way they feel, think, and operate while growing up cloaked in denial, conditioning, and ignorance. Coming out of the fog refers to the organic and non-linear process by which an adoptee begins to unlearn and deconstruct the mythologies taught to them about adoption by their adoptive family and mainstream society at large.
“‘Mountains’ ties into the specific day on which I was adopted,” they explain. “My parents invited loads of people over to the house to welcome this kid to a completely different place, with all these people touching and holding my body and passing me around.” The excited new parents had just intended to welcome their baby to the family but inadvertently created a harmful setting despite their good intentions. “I ended up having a big seizure as a result. I also learned recently that for almost a year afterward I would have these episodes where I would just hardcore disassociate.”
“One of the aspects to my journey and healing process through all this was allowing myself to get angry. We are taught by the act of abandonment that anyone, even those who are meant to love you unconditionally will leave you. So be malleable, be small, please the egos of those who chose you. Don’t be mad when they take your name from you to fit their idea of their own family. I was adopted into privilege – a middle-class family who loves me. So to be told and shown by the wider TRA community that I’m allowed to be mad about my traumas, even though well-intentioned, was truly a gift.”
Read More: An Exclusive interview with Rising Music Star, I Used To Be Sam
Though ‘Mountains’ is rooted in the anger associated with these memories, it also centers hope in its spare and affecting melodies. When I Used To Be Sam disassociates now, “I imagine mountains, they’re free and strong and open” and also represent the sense of grounding and foundation they feel they lack as an adopted person.
After attempts to reconnect with her birth mother were met by re-rejection, I Used To Be Sam recounted this experience to a producer on a writing trip in Berlin. And from that moment, I Used To Be Sam was born. Including other transracial adoptees in this project became increasingly important to I Used To Be Sam the more they educated themself on the adoption narrative. Across films, TV, social media, or conversations at home, adoption is almost solely told through the lens of the adoptive parent. This skews and manipulates a very multi-layered experience for almost all adoptees / TRA’s. She says, “Our voices, our stories, our trauma, and our successes are ours to tell. So I knew early on that even though my platform wasn’t big, it was big enough to share with other TRA’s.”
Eager to learn and share experiences from other TRA’s, I Used To Be Sam reached out to adoptee communities through social media, and those who she spoke to are the voices heard throughout the project – “Adoptees have really created a lush community for each other. And stumbling upon it was shocking but so rewarding. For anyone interested in hearing more about adoption from adoptees I highly recommend respectfully visiting our spaces. I have learned so much from this group of generous people.”
Not only is ‘Mountains’ the bravest, freest, and most confronting music of Annie’s prolific career, it’s also a vessel and safe space to bring people with shared experiences together, and open up the narrative around transracial adoption. Since the birth of the project, I Used To Be Sam has struck up conversations with countless other transracial adoptees (TRAs), and sharing overlapping experiences informed the incredibly personal nature of I Used To Be Sam’s debut EP.
Artist Spotlight
Kelsie Kimberlin drops the redolence of love in her recent single “Perfume”

If love had a perfect scent, Kelsie Kimberlin, a prolific artist and songwriter, has just bottled it in her latest single, “Perfume.” The American pop prodigy returns with her third release of 2025, delivering a glowing and gently intoxicating track that wraps itself around listeners like a breath of fresh, favorite fragrance, lingering beautifully long after it’s gone.
In “Perfume,” Kelsie goes beyond simply singing about love; she embodies it. The song is a metaphorical masterpiece in which perfume symbolizes an irresistible emotional connection. It’s light, hypnotic, and enchanting, just mirroring the invisible yet undeniable attraction she’s portraying. There’s something almost cinematic about how she draws you into the story of a boy so captivated by her essence that he follows her like a whisper in the wind.
The music video brings her cinematic style and signature vocals to life and reveals a poetic journey shot in collaboration with acclaimed director Pavlo Khomiuk. It follows Kelsie silently gliding through romantic cobblestone streets, her presence conveying everything without a single word. The chemistry between her and her partner is quiet, authentic, and utterly magnetic rather than loud or performative.
With industry heavyweights like Liam Noland (Adele) on the mix and Stuart Hawkes (Amy Winehouse) on mastering, the production benefits from an emotive and technically proficient polished finish. Every beat and musical element is meticulously placed with intention, subtle but powerful, and completely unforgettable.
Ultimately, “Perfume” provides an auditory experience that navigates the delicate balance between sensory perception and emotional vulnerability, where love lingers like your cherished fragrance on a lover’s sweater. Just like that scent, it doesn’t scream, ‘I’m in love,’ its understated delivery and intricate production invite deep reflection, compelling the audiences to savor its ephemeral beauty long after the final note fades.
For more information about Kelsie Kimberlin, please visit [website].
CLICK HERE TO STREAM Kelsie Kimberlin’s “Perfume“ on Spotify.
CONNECT WITH Kelsie Kimberlin | Instagram | Twitter | Facebook |
Entertainment
Playboi Carti Feels “Like Weezy” as MUSIC Dominates the Streets

Playboi Carti is known for his unique style and unpredictable nature, but when he celebrates his achievements, he compares himself to one of the biggest names in hip-hop: Lil Wayne. Recently, his album MUSIC sold an impressive 500,000 copies in just two weeks, leading Carti to proclaim on social media, “FEELING LIKE WEEZY WE ALREADY PLATINUM N DA STREETS,” which means he feels as successful as Lil Wayne. Lil Wayne has greatly impacted hip-hop, and Carti has always admired him. You can see this influence in Carti’s music and style.
For example, Carti’s latest release is named after Wayne’s famous mixtape, showing just how much he looks up to the rap legend. Like Wayne, who built a massive following of loyal fans, Carti has also captivated the music scene. Interestingly, the success of MUSIC coincided with the ten-year anniversary of Carti’s first big hit, Broke Boi. A decade ago, he was just starting out, but now he is a well-established artist whose music releases are highly anticipated events. Fans are now looking forward to his upcoming album, BABY BOI. Given Carti’s history of surprising fans, it might take a while before the album drops.
Check out this article: Playboi Carti Throws Shade At Lil Yachty After Breaking Billboard Record
But that excitement is part of what makes being a fan enjoyable. Like his promotional strategies, his previous album, Whole Lotta Red, was filled with surprises. At the same time, Lil Wayne is set to release his new album, Tha Carter VI, this year, creating an interesting parallel between the two artists. While one hip-hop icon continues his legacy, the other is making a name for himself while paying homage to the past. Regardless of when BABY BOI is released, Carti’s influence shows no signs of slowing down, and if he truly is “like Weezy,” the best is yet to come.
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