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Jack Harlow Says He Didn’t Remove Tory Lanez From His Upcoming Album Because ‘I Don’t Think I’m God’

The Kentucky rapper also gave his take on ‘cancel culture’ and discussed the criticism that he’s faced in his career. …

At the end of the week, Jack Harlow will share his debut album That’s What They All Say. Its release follows his monster hit “What’s Poppin,” whose remix peaked at No. 2 on the singles chart. That remix will also appear on Harlow’s new album, but there’s one problem: It features, alongside DaBaby and Lil Wayne, Tory Lanez, whose become persona non grata in the music world after shooting Megan Thee Stallion in the foot. After people took umbrage with Harlow not deleting Lanez from the track, Harlow felt compelled to explain his decision.

“I don’t think I’m God,” he replied. “I don’t have no room to judge anybody. I wasn’t there when this and that happened, I don’t know anything.” He also added that there is “a certain integrity you have to keep as an artist” and that there are “three sides to every story.” He also spoke about “cancel culture,” saying he “hate[s] the pack mentality” that’s behind it and it’s “just a lot of judgment and laziness.” He added, “People aren’t perfect bro. I feel like people should be able to recover from their mistakes.”

Harlow also discussed the criticism he’s faced in his career, saying that most of it comes from white people. “I remember saw somebody talking bad about me online, and you know you see that kind of stuff all the time, but I saw somebody really think piece it up,” he said. “Got really analytical and tried to shred me… and you know, it was just another white guy.”

You can watch Harlow’s full interview on Power 106 above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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The trapheaux gracefully glides over in new release “Marble Floors”

Trapheauxly

Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.

The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.

When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.

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NIHLNØTHING unleashes increased tides on new release “ocean” Power

NIHLNØTHING

NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.

A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.

Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.

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