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Jaguar Wright Claims Diddy Forced Male Artist To Perform Oral Sex On Him

Jaguar Wright has been out to expose the entire music industry lately, publicly airing out Alicia Keys, Mary J. Blige, Common, and The Roots on social media. 

Now she’s coming for Diddy.

The singer posted a lengthy video on Instagram to address the executive, promising to tell “the truth the whole truth and nothing but the truth.”

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the truth the whole truth and nothing but the truth 💯 🙌 😌

A post shared by Jaguar Wright (@jaguarwright) on Sep 26, 2020 at 6:16am PDT

She said that she had hired an entertainment lawyer around 2003 who had just left Bad Boy, withholding the attorney’s name for fear of retaliation. The lawyer confided in Wright and shared an unsettling story about her time at the label. 

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Wright said that Diddy had a meeting with singer and New Jack City actor Christopher Williams about possibly signing a demo deal. The attorney needed to get approval for some paperwork and went to Diddy’s office.

“The door wasn’t locked so she didn’t think twice about just walking in,” Wright said. “When she walked in, she saw Christopher Williams performing fellatio on Puff.”

That was surely a surprising sight but it didn’t bother the lawyer so much as it embarrassed her. She played it cool until Diddy brought it up the next day. He was allegedly aggressive, asking her if she intended on telling anyone.

When she politely asked him why he hadn’t locked the door, he reportedly replied “I’ll do whatever the f*ck I want to do in my building.”

“It’s power, see,” Diddy purportedly told the lawyer. “If I could make a man suck my d*ck, I could make people do anything for money.”

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“That’s what you said, Puff, about Christopher Williams, sucking your d*ck for a demo deal and you cut him a check,” Wright said in the video. “And you chased that young woman out of New York just like you tried to chase Wendy Williams out of New York. And she came to work for me.”

“She was a wonderful woman and she was a brilliant attorney and she thought she was signing up for the ride of her life,” she continued. “You know, she was gonna be head of legal at Bad Boy Entertainment and be a female, like that was a big deal. Until she accidentally walked in on her boss’s office and caught him getting head from a movie star which he said was done for nothing more than an exercise of power.”

Wright was adamant that Diddy had threatened “to ruin [the attorney’s] life if she ever told anyone.”

“You better not try to do nothing to her either,” Wright said. “She ain’t had nothing to do with you being no sodomite, forcing men to do degrading acts just so you could prove how f*cking powerful you are.”

Diddy has yet to respond to Wright’s allegations.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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