Music
James Chelliah x Cam May “i cannot tell, i do not know”
James Chelliah and Cam May are excited to release “I cannot tell, I do not know” on the 2nd of January 2022. “I cannot tell, I do not know” – a follow up to “Hold On, Pt. 2”, James’s highly-acclaimed collaboration with Moses Boyd and DARGZ – is an existential indie rap project accompanied by a graphic diary created by textile designer and illustrator Grace Joyram, which aims to present a detailed composite representing the range of emotions experienced and explored throughout the pandemic and subsequent lockdowns.
The project is a clarion call for those blindly walking through a life lived within the preordained boundaries set by others, and a sonic jolt to those whose bodies and minds are tired of the endless fight against the accepted norm. It explores the odd simultaneous contentment and frustration felt by many over the past two years, juxtaposing the tranquillity of monotony against discomfiting feelings of stagnation and aimlessness brought about by pandemic life.
Cam artfully plays with contrasts of light instrumentation and minor melodies to emphasize James’ scathing lyrics, ensuring that frankness is breathed into each piece. ‘Yaldabaoth’ layers mellow guitars with probing lyrics that question the obsession with social media, the transience of young-adult friendships, and living life through a lens, before slamming the listener into ‘Slurp’, a hypnotic and provoking ode to social proof and the desire to belong. As James notes “I looked at the life I was living and decided that I’d had enough. I reassessed friendship expectations, ambitions, communication norms, wants, needs. I started to make changes to reflect what I wanted: less of everything the world told me was important.”
This theme of contrasts continues with the ripe melancholy of ‘Fullish’ and its considered contemplation of the always-online world, and the mocking sonics and lambasting lyrics of ‘Couch’. The use of interludes and instrumental tracks ‘Alone’ and ‘Emptyish’ serve to tease kernels of the potential for us to live alternate lives, and create a space to digest what has been heard prior. The project concludes with ‘Something, at least drawing the listener to relief in recognizing that there can be a route to peace in the gradual acceptance of the different reality thrust upon us. Of the graphic diary, Grace says, “Initially the imagery is complex, jumbled, and caliginous. However, as the pages turn, the visuals get clearer and more comprehensible, representing the gradual acceptance of a different reality as time passed. The outcome represents a new perspective that we were able to gain from each passing day; a slower world allowing extra contemplation.”
The message of “I cannot tell, I do not know” shines a light on a risk we all face – becoming victims of the machinations of capitalist culture which keep us falsely satiated and unquestioning. James says: “We started writing this project when we realized that we weren’t looking forward to returning to a pre-covid life. Every day feels like a fight against conditioning, a fight against the self. The weight of the old world is heavy, what we’ve learned is light. The usual is returning and I cannot stop it. But I won’t participate. I cannot tell, I do not know.”
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“Pretty Ugly” by Archer Stevens stirs the soul with retro-modern rock vibes
“Pretty Ugly,” the inaugural single by Archer Stevens, represents a compelling homage to the golden age of 70s rock music with a fresh coat of modern vibrancy. From the outset, the track masterfully exudes an irresistible energy that embodies vintage and contemporary influences, acting as a sonic bridge between eras. The Phoenix-based ensemble skillfully weaves their influences into a pronounced, personal narrative.
A noteworthy aspect of the track is its instrumentation. Recorded across three diverse locations, Phoenix, Los Angeles, and even Peru, the song has a global resonance. The incorporation of congas introduces a surprising layer of depth and rhythm, giving “Pretty Ugly” a distinct flair that separates it from cookie-cutter rock releases. This thoughtful musical choice enhances the song’s groove, complementing the shimmering guitar lines and soulful vocal delivery.
Lyrically, “Pretty Ugly” plays on contrasts, embodying the emotional push and pull of life’s dualities. The heartfelt lyrics evoke a sense of intimate admiration and longing to please a partner, while the melodic structure ensures the track remains uplifting despite its introspective qualities.
By drawing inspiration from the enduring spirit of rock legends such as Elton John, Joe Cocker, and the Rolling Stones, Archer Stevens pays tribute to their predecessors without resorting to imitation. The soaring vocals and driving rhythm establish “Pretty Ugly” as a cathartic anthem that appeals to classic and contemporary rock enthusiasts. With this debut, Archer Stevens distinguishes itself as a band unafraid to experiment and honor its musical heritage, thus carving out its unique sonic identity. The result is a richly layered auditory experience that captivates from the first listen, revealing engaging narratives within the music.
For more information about Archer Stevens, please visit [website].
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Artist Spotlight
“Do You Still Remember?” by Khynan Rhys turns heartache loss into soulful harmony
At the age of 18, Khynan Rhy, a solo musician and multi-instrumentalist from Northwich, Cheshire, demonstrates exceptional maturity in his songwriting capabilities, indicating a wisdom that transcends his years. His sophomore single, “Do You Still Remember?” is a heart-stirring attestation to his musical aptitude and emotional profundity. It intricately weaves together a sonic narrative that encapsulates poignant lyricism, authenticity, and evocative melodies, effectively exploring the aching nostalgia of separation and longing.
Drawing on a rich palette of influences like Artemas, Daniel Caesar, and Ocean Alley, Khynan crafts a familiar sound and style that is distinctly his own. The track opens with a delicate interplay of introspective guitar melodies and ethereal synth layers, creating an atmospheric canvas that perfectly frames his soulful vocal delivery. The production, entirely helmed by Khynan and polished by Ben Booker’s mastering touch, feels intimate yet sophisticated without stripping away an ideal balance that lets the emotion shine through the song’s soulful compulsion.
What makes “Do You Still Remember?” so captivating is its ability to resonate profoundly, transforming universal themes into specific, relatable experiences. Whether audiences are reminiscing about lost love, the bittersweet pang of first love, or confronting the emotional void left by bereavement, Khynan’s lyrics indeed hit like a gentle nudge to the heart that refuses to shy away from the deep memories of heartbreak, possessing a poetic resonance that endures long after the song ends.
Through this second release, Khynan Rhys establishes himself as an emerging star poised for lasting impact, building upon the initial success of his debut single, ‘Closed Doors.’ He expresses emotional vulnerability that invites audiences to engage with his work. “Do You Still Remember?” offers a moment of introspective reflection on the sorrow of losing someone once deemed irreplaceable, proving that even in our most solitary experiences, music can make us feel less alone.
For more information about Khynan Rhys, please visit [website].
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