Album Review

Jonathan Brenner’s “Instagram Success” LP

Filled with the sort of earthy tonality that some would just as soon come from an uncompromisingly passionate live performance in a quaint venue somewhere, the guitar parts that are fired at us from start to finish in Jonathan Brenner’s Instagram Success are perhaps the most charming element to behold in this second album from the singer/songwriter, but they’re not the only component vital to the creation of the record’s one-of-a-kind harmonies.

With the help of a potent vocal from Brenner, these strings will form a boldly colorful melodicism unmatched in his first album, whether it be in “It’s a Dyin’ Art” and “Key to My Heart” or deeper cuts like “Hangin’ on the Edge over You” and “Silly Little Habit,” it’s as strong an entity as they come. This is a player who makes communication feel like more of an art form than it has for a long time in pop music, and more than a couple of critics are making note of it.

I love the production quality here, especially with regards to intricately melodic songs like “Not Gettin’ Drunk, Not Gettin’ High,” “Ride That Money Train,” and “The Balla of Orson Jones,” but I can’t say that all of these tracks wouldn’t sound even better in a live setting than they do in this capacity. There’s no dispute as to whether or not the bones of the aforementioned compositions could withstand the pressure of a stage environment; contrarily, I get the impression that they were designed specifically with the energy that an audience’s emotional reaction in mind.

Brenner has the energy of an old-fashioned troubadour in Instagram Success, and I for one would love to see and hear how it translates in person sometime. Although he benefits quite significantly from the way everything in this mix was seemingly tailored to his needs as a songwriter and a vocalist, there’s something more unrestrained lying in these poetic verses that makes me yearn to hear what he can do when there aren’t any studio walls around to restrict his output.

Jonathan Brenner isn’t playing by major label rules in his second album; from my assessment, he’s going out of his way to establish himself as an outside of the box-style of songwriter who cares more about making a big harmony than he does forming a familiar but catchy hook riddled with the usual indulgences we hear virtually every five minutes on the FM dial.

His spirit and his dedication are pretty refreshing to come by in 2024, and if he can continue to refine his sound moving into this new chapter in the history of alternative rock and crossover Americana particularly, I think he’s going to make a considerable impact on his scene sooner than some would expect him to. This is a record that lives and dies by the spaciousness of its concept, which, isn’t what a lot of critics are going to be left raving about this April. To me, Brenner is quite the methodical singer/songwriter, but at the end of the day, it is his moxie at the microphone that gives me the biggest thrills in Instagram Success.

Loren Sperry

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Michael Stover

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Album Review

California King unveils its new rock album with “The Last Lovers”

California King, a Brooklyn-based band, has recently launched their new album, “The Last Lovers,” which features 10 tracks that defy genre boundaries. The group, deeply influenced by the Brooklyn Rock scene, has established itself as a critical figure in the Black Rock movement by blending rock, soul, and Afro-Punk elements to create a unique musical fusion.

“The Last Lovers” was recorded at a studio in Flatbush, Brooklyn, and is the brainchild of Mike Mills, the vocalist, guitarist, writer, producer, recording engineer, and album mixer. The album explores the theme of love in various forms, from lost to found, spanning from the energetic rhythms of the opening track, “The Last Lovers,” to the emotive anthem “Something Human” and the haunting “I Think I Like You,” showcasing California King’s emotional depth and artistic prowess.

The album’s lead single, “The Last Lovers,” was conceptualized during the pandemic, capturing the essence of individuals coming together against societal challenges. This track sets the tone for the album as a celebration of unwavering love during difficult times. Notable tracks include “My Desert Heart,” a poignant reflection on yearning, and “Mandala,” an ode to the complex dynamics of love and desire. The album concludes with “Roses,” an advanced single embodying the perseverance required for nurturing enduring relationships.

California King, consisting of Mike Mills, Howard Alper on drums, Ernest G. D’Amaso on bass and backing vocals, and Asim Barnes on guitar, brings their diverse influences to life, drawing inspiration from the likes of Howling Wolf, Jimi Hendrix, and The Black Keys. Their previous performances at prestigious venues such as the Brooklyn Academy of Music, The Whitney Museum, and Afro-Punk events have solidified their image as a vibrant group with a distinct, fiercely DIY ethos.

“The Last Lovers” is a valuable addition to any music collection, offering an essential listen for enthusiasts seeking introspective charm combined with rock and soul swagger. Each track invites listeners into a rich soundscape of shimmering melodies and evocative whispers, culminating in a profoundly immersive sonic experience.

CLICK HERE TO STREAM California King’s Album “The Last Lovers“ on Spotify.
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Album Review

UniversalDice Releases “Slip Away”

UniversalDice’s latest single, “Slip Away,” unveils a lyrical tapestry rich with depth and nuance, inviting listeners to delve into themes of existence, love, and mortality. Crafted by songwriter and frontman Gerry Dantone, these lyrics serve as the beating heart of the band’s musical journey, challenging conventions and prompting introspection.

The opening stanza sets the tone for the introspective journey ahead, with imagery evocative of dawn breaking and the fleeting passage of time. “Wake, for morning’s flung the stone / That put the stars to flight,” beckons the listener to awaken to the transient beauty of existence, reminding us that each day is a precious gift to be cherished.

As the song unfolds, Dantone’s lyrical prowess shines through, weaving a narrative that oscillates between moments of profound melancholy and fleeting euphoria. Lines such as “How sad a heart that cannot ache / Is never drunk with love” resonate with a raw emotional intensity, underscoring the inherent vulnerability of the human experience.

Throughout “Slip Away,” Dantone’s lyricism transcends mere words, offering a poignant meditation on the nature of life and death. The refrain, “Don’t let life slip away,” serves as a rallying cry to seize the moment and embrace the full spectrum of human emotion, even in the face of uncertainty and impermanence.

But it’s not just existential musings that define the lyrical landscape of “Slip Away.” The song also delves into the complexities of love and connection, exploring the transformative power of human relationships amidst the vastness of the universe. “Can you feel the blinding light / That warms us from above?” Dantone asks, juxtaposing the cosmic with the deeply personal in a poignant reflection on the enduring power of love.

One of the most striking aspects of Dantone’s lyricism is its ability to transcend the boundaries of the individual self, offering a universal message that resonates with listeners across cultures and generations. Themes of mortality and meaning permeate the song, reminding us of the interconnectedness of all living beings and the importance of living authentically in the face of uncertainty.

Musically, “Slip Away” serves as the perfect vehicle for Dantone’s lyrical exploration, with its soaring melodies and dynamic instrumentation complementing the emotional depth of the lyrics. The song’s gradual crescendo mirrors the ebb and flow of life itself, building to a climax that is both cathartic and transformative.

“Slip Away” stands as a testament to UniversalDice’s commitment to crafting music that challenges the status quo and prompts reflection. Gerry Dantone’s lyrical prowess shines through, offering a poignant meditation on life, love, and the human condition. As the song fades into the ether, we are left with a lingering sense of wonder and awe, reminded of the beauty and fragility of existence.