Album Review

Jonathan Brenner’s “Instagram Success” LP

Filled with the sort of earthy tonality that some would just as soon come from an uncompromisingly passionate live performance in a quaint venue somewhere, the guitar parts that are fired at us from start to finish in Jonathan Brenner’s Instagram Success are perhaps the most charming element to behold in this second album from the singer/songwriter, but they’re not the only component vital to the creation of the record’s one-of-a-kind harmonies.

With the help of a potent vocal from Brenner, these strings will form a boldly colorful melodicism unmatched in his first album, whether it be in “It’s a Dyin’ Art” and “Key to My Heart” or deeper cuts like “Hangin’ on the Edge over You” and “Silly Little Habit,” it’s as strong an entity as they come. This is a player who makes communication feel like more of an art form than it has for a long time in pop music, and more than a couple of critics are making note of it.

I love the production quality here, especially with regards to intricately melodic songs like “Not Gettin’ Drunk, Not Gettin’ High,” “Ride That Money Train,” and “The Balla of Orson Jones,” but I can’t say that all of these tracks wouldn’t sound even better in a live setting than they do in this capacity. There’s no dispute as to whether or not the bones of the aforementioned compositions could withstand the pressure of a stage environment; contrarily, I get the impression that they were designed specifically with the energy that an audience’s emotional reaction in mind.

Brenner has the energy of an old-fashioned troubadour in Instagram Success, and I for one would love to see and hear how it translates in person sometime. Although he benefits quite significantly from the way everything in this mix was seemingly tailored to his needs as a songwriter and a vocalist, there’s something more unrestrained lying in these poetic verses that makes me yearn to hear what he can do when there aren’t any studio walls around to restrict his output.

Jonathan Brenner isn’t playing by major label rules in his second album; from my assessment, he’s going out of his way to establish himself as an outside of the box-style of songwriter who cares more about making a big harmony than he does forming a familiar but catchy hook riddled with the usual indulgences we hear virtually every five minutes on the FM dial.

His spirit and his dedication are pretty refreshing to come by in 2024, and if he can continue to refine his sound moving into this new chapter in the history of alternative rock and crossover Americana particularly, I think he’s going to make a considerable impact on his scene sooner than some would expect him to. This is a record that lives and dies by the spaciousness of its concept, which, isn’t what a lot of critics are going to be left raving about this April. To me, Brenner is quite the methodical singer/songwriter, but at the end of the day, it is his moxie at the microphone that gives me the biggest thrills in Instagram Success.

Loren Sperry

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Album Review

Artificial Incline unveils its emotionally charged new album premiere, “Used to Be”

The premiere of Artificial Incline’s latest album, “Used to Be,” enriches the musical landscape of Strathmore, Canada. This four-track masterpiece explores the complexities of romantic relationships, emotional resilience, and self-identity, offering a cathartic listening experience that transcends genre boundaries. The album showcases sophisticated lyrical craftsmanship while adhering to classic pop sensibilities, marking a significant evolution in Artificial Incline’s journey as an artist and songwriter.

Thematically, “Used to Be” draws inspiration from personal experiences of relationship discord, delving into topics such as infidelity, betrayal, emotional volatility, and verbal conflicts, all while seeking healing. Artificial Incline utilizes music to process trauma and achieve transformative catharsis. Reflecting on their artistic growth, they emphasize that “good things take time,” a sentiment echoed throughout the album’s dynamic and evocative tracks.

Opening with “King Without a Crown,” which explores existential loneliness alongside the quest for self-actualization. This classic pop anthem highlights the tension of navigating a life or ambition where recognition remains elusive. It captures the haunting reality of feeling lost while striving for greatness, embodying the paradox of “living the nightmare as a king without a crown.” Through enchanting vocal performances, Artificial Incline vividly conveys both regret and aspiration.

The title track, “Used to Be,” follows and provides a passionate, candid portrayal of yearning for clarity within failing relationships. Its stirring melodies and melancholic undertones reflect on past emotional frameworks, advocating for compassion and understanding during difficult times. This piece encourages listeners to embrace resilience and acknowledge the intricate fragility of love, resonating with those who have experienced the turmoil of fading connections.

“Far Away“ marks a significant shift toward introspection, featuring a soulful arrangement that radiates vulnerability. This track weaves a poetic and sonically rich tapestry, guiding listeners through a landscape of self-awareness and emotional clarity. Its evocative delivery pays heartfelt tribute to the insights gained from breaches of trust, offering solace to those who have found clarity on life’s unpredictable adventure.

Closing the album is “Ink and Color,” an elegantly crafted piece that leaves a lasting impression. This track seamlessly blends haunting rhythms with poignant storytelling about faded memories, combining catchy beats and expressive piano chords. The poetic lyricism and deep emotional resonance of “Ink and Color” reflect on the shadows of superficial love and attraction, ultimately shaping our identities.

Throughout “Used to Be,” each composition demonstrates meticulous melodic brilliance, with Artificial Incline showcasing its artistry through intricate beats, lush arrangements, and unmistakable authenticity. As they continue establishing their presence in the contemporary music scene, this album reinforces their emergence as a formidable musical force. “Used to Be” is valuable to the artist’s evolving discography, appealing to audiophiles and fans of innovative, genre-defying narratives. The emotionally resonant themes woven throughout these tracks engage a diverse global audience, marking this release as an essential listening experience not to be overlooked.

CLICK HERE TO STREAM Artificial Incline’s Album “Used to Be“ on Spotify.
CONNECT WITH Artificial Incline | Instagram |

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Album Review

The Vlade unveils a mesmerizing indie pop-rock revelation in his recent album, “Bring Me To The Light”

Emerging from Vancouver, Canada, the dynamic indie pop-rock sensation known as The Vlade has officially launched his latest musical endeavor, “Bring Me to the Light.” This impressive ten-track album constitutes a significant artistic achievement that transcends conventional musical boundaries, exploring themes such as love, illumination, and the diverse spectrum of human emotions. The Vlade’s distinctive style incorporates nuanced storytelling and exceptional lyricism, showcasing his remarkable talent for crafting immersive auditory experiences further enhanced by his soaring vocal performances and intricate instrumental soundscapes that evoke hope, vulnerability, and melancholy.

At the core of “Bring Me to the Light” lies the eponymous title track, an impactful pop-rock anthem that effectively lays the thematic foundation for an unforgettable introduction. This track sets the tone for the album’s dynamic exploration of euphoric melodies combined with introspective lyrics that encourage the struggle to be illuminated by the adventure of love, which permeates the work. Notably, this track has garnered significant resonance among audiences in Ukraine, highlighting its extensive emotional appeal.

Following this energetic introduction, “I Do Not Want to Lie“ presents a soulful yet melancholic perspective that delicately examines life’s imperfections, uniting reflective lyricism with an authentic sonic aesthetic. Conversely, “Train to Delhi” evokes an enchanting tribute to classic soul-pop with jazz sensibilities, seamlessly merging the artist’s soulful journey through Delhi with a thought-provoking rhythmic narrative highlighting his artistic versatility.

In “I Do Not Want Your Love,” The Vlade articulates a complex ambivalence toward romantic commitment, utilizing emotive guitar motifs interwoven with a rhythmic bass line and piano harmonies to create an engaging soundscape. Conversely, “It Is Not the End” embodies a sense of optimism, generating a dreamlike ambiance through its catchy beats and entrancing organ strums. Thus, it imparts an uplifting sense of discovery that propels the album’s momentum.

Adding further depth to the compilation, “The Owls” (Bulgarian lyrics) encapsulates a smooth sophistication, exploring nostalgia in unexpected contexts through its flowing melody and tingling sound. Tracks such as “Brand New Day,” “Into Eternity,” and “The Lizard King“ contribute to the album’s hauntingly poetic sonic experience, each revealing distinct aspects of The Vlade’s artistic brilliance.

The album concludes on a poignant note with “When/Life” (Bulgarian lyrics), which leaves a lasting impression characterized by trembling vibrato and a deeply heartfelt interpretation. Every composition within “Bring Me to the Light” exhibits notable melodic and harmonic craftsmanship, guiding listeners through a deeply personal yet universally relatable narrative.

With meticulous attention to detail and a fervent commitment to artistic production, The Vlade’s unique songwriting trajectory solidifies his reputation as an indispensable voice and transformative force within the indie music landscape. His ability to create immersive auditory experiences fosters a profound connection with listeners, rendering this album an essential addition to any playlist for individuals seeking music that resonates at a deeper emotional level. As “Bring Me to the Light” continues to gain acclaim, it further highlights The Vlade’s dedication to pioneering innovative and boundary-defying music.

For more information about The Vlade, please visit [website].
CLICK HERE TO STREAM The Vlade’s Album “Bring Me To The Light“ on Spotify.
CONNECT WITH The Vlade | Instagram |