Entertainment
Juice WRLD Solidifies His Immortality On “Can’t Die”
At the tender age of just 21-years-old, Juice WRLD left the physical realm on Dec. 9, 2019, but left his fans and music enthusiasts alike a plethora of hidden gems in the form his artistry. With the recent release of his posthumous album, Legends Never Die (2020), his devoted fellowship has earned the opportunity to mourn the loss of the Chicago-bred musician but one track stands out eerily above the rest. The nineteenth track on the twenty-one song LP entitled, “Can’t Die” somewhat appears to be a manifestation of the events that took place at Chicago’s Midway Airport that led to his untimely demise late last year.
The song produced by Morgan O’Connor and DY Krazy remains instrumentally similar to the majority of the tracks on the album experimenting with distorted guitar riffs, thunderous 808 basslines, and heavily programmed drum sequencing. However, contextually where the song hits home for many who’ve celebrated their immortality only to fall short to the reality of humanity. In the second verse, the “Wishing Well” rapper croons about those around him warning about possibly overdosing from partaking in various dangerous substances. Unfortunately, his lyrics creepily were manifested and the masses won’t be able to see the young artist grow into the world-renowned megastar he could have been.
However, with his art here for the culture to appreciate for years to come, maybe Juice WRLD is immortal after all. Check out Juice WRLD’s “Can’t Die” album cut in the video link provided below.
Quotable Lyrics
Cross my heart, hope to survive
That I’ma be the last rich nigga alive
They tell me that I’m finna OD in no time
I told ’em I’ll do it on my time, not your time
Got my heart in a hellhole, it’s on fire
But I won’t let myself get trapped in here this time, time
Time will stop (Time stops), time will stop (Time, time stops)
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
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Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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