Indie

Kimberly Morgan York is Back With New EP

If you grew up, like me, cutting your musical teeth on Nashville’s long-lost classic sound, Kimberly Morgan York’s music will hit your sweet spot.

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It isn’t a painfully self-conscious pastiche. I never hear York treating the style like a butterfly pinned under glass, beautiful but untouchable, but instead, she breathes newfound life into the form and gives it peerless relevance. The four songs on York’s new EP Devil Songs and Other Such Nonsense fully embrace their pedigree. Kimberly Morgan York isn’t bashful about flying her flag high as a purveyor of the classic Nashville sound and makes it sound fresh for modern listeners.

The Kentucky-born singer/songwriter has this flowing through her DNA. I hear it during her outstanding five-star cover of Terri Gibbs’ “Somebody’s Knockin’”. It’s a bit surprising to me that someone hasn’t attempted resuscitating life into this stylish early 80’s hit because it has an approach well-suited for the modern country landscape as well as remaining faithful to the genre’s core values. York’s performance strikes a perfect balance between paying tribute to the original and blazing her own path with the song.

“The Devil’s in Durango” mixes abundant classic country song imagery into the track’s lyrics alongside York’s personal heartache. The latter isn’t conveyed without a measure of sweetness accompanying its painful flavor. York has an instinctive feel for these sorts of songs, she knows exactly how much to push and when to back off, and tailors her voice in a perfect marriage with the song’s arrangement.

She gets to be much more playful with the song “The Devil Works All Year Long”. There’s a bit of “down home wisdom” packed into this tune, but it’s never remotely heavy-handed and the kick out the footlights pace of the song makes it an ideal live number in waiting for York. She pumps plenty of verve into her vocal performance and the matching steel guitar runs scattered throughout the song answering her singing each step of the way. It’s an excellent choice for this EP release.

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“Other Such Nonsense”, the EP’s nominal title song, doesn’t reveal its message or intentions outright. You must pay attention. York rewards the listener’s attentiveness, I believe, with one of the most individualistic nods to the traditional country I’ve heard in years, and her steadfast refusal to pull her punches with either the singing or lyrics deserves ample kudos. It’s a perfect song to end this brief collection as well.

If this stuff is passe, let’s be grateful that Kimberly Morgan York never received that memo.

Instead, she sweeps and rolls through these four songs with singular confidence and obvious joy in her chosen art. York doesn’t treat the EP format as a throwaway and addresses herself to each of these four songs as if Devil Songs and Other Such Nonsense, a literal description of the release’s cuts, were a much longer work. It’s an entertaining and illuminating journey that you’ll want to take more than once. I know I did and do and that each pass through these songs proves well worth the time.

Kelly McKinnon

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Artist Spotlight

Adrie ft. Rulo evokes the groove-soaked rhythmic vibe with her debut single “Bring Back the Light”

Adrie’s thought-provoking vibe, “Bring Back the Light,” establishes a sonically vivid kaleidoscope that encapsulates vitality and skillfully merges energetic Afrobeat rhythms and funk-oriented guitar melodies with the soulful combination of English and Spanish lyrics. The debut single from her upcoming concept album bursts forth as a significant representation of artistic innovation. The audacious collaboration with Chilean artist Rulo, recognized for his proficiency in Latin funk and hip-hop roots, infuses the track with a layer of vibrant authenticity.

The song’s heartbeat is firmly rooted in Afrobeat, establishing a dynamic rhythm that engages listeners from the outset. The funk guitar elements interlace throughout the composition, contributing a timeless energy. Additionally, the bilingual lyrics transition seamlessly between English and Spanish, reflecting Adrie’s diverse cultural heritage. This linguistic interplay underscores the overarching theme of the track: the complex relationship between light and darkness on both societal and personal levels.

Drawing inspiration from the surreal narrative of the television series ‘Twin Peaks,’ Adrie and Rulo explore the equilibrium between fear and hope. The lyrics are imbued with emotional depth, articulating Adrie’s battle with anxiety and her desire to foster positivity. Nevertheless, the overall composition rises above the melancholy theme, characterized by an uplifting rhythm and celebratory tone, encouraging listeners to engage intellectually, contemplate profoundly, and participate physically through dance.

“Bring Back the Light” aims to illuminate these pressing issues and inspire proactive engagement. It is a poignant reminder that even amidst personal or societal challenges, there’s a rhythm in life to celebrate and a spark waiting to be ignited. This represents Adrie at her most creative, and with Rulo’s distinctive flair, the outcome is a dance-floor anthem characterized by both heartfelt and meaningful. Listeners are invited to increase the volume and allow the music to uplift and brighten their spirits.

CLICK HERE TO STREAM Adrie’s “Bring Back the Light“ on Spotify.
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Album Review

“Big Colored Lights” EP Premier by Katie Curley delivers a sonic snow globe of heartfelt holiday memories

Brooklyn-based singer-songwriter Katie Curley brings a fresh glow to the holiday season with her new EP, “Big Colored Lights.” This spellbinding collection comprises seven original tracks that seamlessly integrate Curley’s honky-tonk personal sensibilities with sophisticated sonic artistry, characterized by her gift for evocative storytelling. Recorded at Cowboy Technical Services under the skillful production expertise of Eric “Roscoe” Ambel (known for his work with Sarah Borges and the Bottle Rockets), the EP is a testament to Curley’s decade-long commitment to creating one Christmas-inspired song yearly. The resultant work offers a kaleidoscope of nostalgia, resilience, and the transformative power of music that extends beyond conventional holiday cheer.

“Big Colored Lights” invites listeners on an emotional odyssey, commencing with the poignant opener, “Christmastime Therapy,” which artfully navigates the bittersweet realities of family gatherings complemented by Curley’s crystalline vocals. The expressive piano work accompaniment by Rob Clores sets the stage for a heartfelt meditation on holiday complexities.

Subsequently, the soulful track “Closing In On December“ follows, featuring Mark Spencer’s pedal steel, which infuses the song with a timeless warmth. Meanwhile, the title track, “Big Colored Lights,” paints a vivid tribute to Curley’s childhood memories of her grandfather’s dazzling holiday decorations in the woods of Washington.

Curley’s versatility is evident in “A Very Texas Christmas,” a modern take on classic holiday melodies that blends emotive guitar strumming with rhythmic piano chords. “Extra Happy Holidays“ delivers a buoyant exploration of new relationships, celebrating the optimism intrinsic to joyful festivities.

Infusing a touch of country flair, “Shotgun Wedding In Bethlehem“ reimagines the nativity narrative, enhanced by the gorgeous angelic harmonies from fellow artists Drina Seay and Shanelle Jenkins. The EP closes on a high note with “New Year’s Too,” a soul-stirring duet with powerhouse vocalist Lizzie Edwards that profoundly impacts the listener.

Katie Curley’s “Big Colored Lights” transcends the limitations of typical holiday tunes, offering deep reflections on shifting landscapes, cherished traditions, and the unyielding pursuit of light in life’s darker moments. Supported by her core band, including her husband Brendan Curley on guitar, Max Newland on bass, and Kenny Soule on drums, the EP resonates with authenticity and warmth. This EP is essential listening for those seeking revelatory holiday charm with meaningful and uplifting music that promises to light up the heart and soul. Set to become a treasured addition to festive playlists, “Big Colored Lights” solidifies Katie Curley’s emerging status as an enchanting voice within Brooklyn’s music scene.

For more information about Katie Curley, please visit [website].
CLICK HERE TO STREAM Katie Curley’s EP “Big Colored Lights“ on Spotify.
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