Album Review

Taydem Shoesmith Lives Up to the Hype with Upcoming Single “This, That”

The current state of the music industry is a kaleidoscope of genres and styles. There’s something for everyone. But in this eclectic panorama of sound, jazz, a genre historically rich in emotion and complexity, often gets overlooked. It’s a niche genre, enjoyed by a select audience. But here’s the deal. We’ve been introduced to a singer-songwriter who’s challenging that niche status – Taydem Shoesmith.

Taydem hails from Iowa and with her new single “This, That”, she’s pushing the boundaries of what jazz can be. Her work is robust, layered, and carries a certain sophistication that’s characteristic of the best jazz pieces. But there’s a twist. She’s seamlessly blending traditional jazz with a modern streak, making it accessible to the 21st-century listener.

The result is a stunning single that’s got everyone’s attention. Taydem Shoesmith’s “This, That” promises to be a melodious journey into the world of jazz. It’s not just a song, but an experience. An experience that takes you on a ride through melody and lyrics, punctuated by Taydem’s enchanting vocals.

The song unfurls like a story. It’s sophisticated and timeless, yet relatable. The instrumental arrangement creates a mellow atmosphere and sets the stage for Taydem’s introspective lyrics.

The opening notes are soothing, enveloping the listener in a cozy cocoon of melody. As the song progresses, the instrumental elements rise and fall seamlessly, creating an engaging soundscape that keeps you hooked. Despite its laid-back tone, the song maintains a sense of playfulness that’s absolutely delightful. It’s a treat for the ears, and a testament to Taydem’s musical prowess.

Taydem Shoesmith is a true vocalist. Her voice is the life of the track, gliding effortlessly over the instrumental backdrop. It’s controlled yet emotive, a rare combination that adds depth to the song’s narrative.

So does it live up to the hype? Absolutely. “This, That” is a triumph for Taydem Shoesmith. It showcases her prowess as a songwriter, a singer, and an artist who’s redefining jazz.

She’s set to drop “This, That” on November 5th, 2023. You’ll want to mark your calendars. It promises to be a treat for fans and newcomers to the genre alike.

Related Topics:jazz taydem shoesmith that this

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The opening track, “Barry Water,” sets out the theme of origin and unspoiled energy, while “LikWid (Big Fish)” dives into the depths of identity and survival. “Precipitation” is a change under pressure, and “Cherry Cola” is a reflection that balances life’s sweetness with reality. “Streams” has an emotional flow and direction, and “Drownin’” has a weight of struggle and internal conflict.

“Hydration (Reign)” provides strength and renewal, then “Drippin (Soakin Poems)” shows creativity flowing through lived experience. “Potions” addresses transformation as self-crafting, and “Swimmin’” addresses endurance in the face of adversity. “Holy Water” gives a feeling of cleansing and Spiritual introspection, while “Like Lava for Water” balances heat, pressure, and transformation in movement.

The final part of the album, “Dark Agua,” continues the story with an exploration of self-awareness in the shadows, and “Wine” closes out the album as the pinnacle of transformation. The album includes guest appearances from Blu, Fashawn, L.O.U., P-Rawb, Big Tone, G-HOLY, Frannie EL, and Shari and is a body of work about becoming who you were always meant to be.

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Album Review

C’batch returns with “C’batch – The Vault 2 Soul/R&B/Pop/ Rock/Reggae,” a multi-genre story of emotion and identity

C’batch is back with a bang with a powerful new project titled “C’batch – The Vault 2 Soul/R&B/Pop/ Rock/Reggae,” a 20-track album that expands his archive series with a bold mixture of genres and emotional storytelling. It runs through soul, R&B, pop, rock, and reggae, and creates a large musical space that is personal and expressive.

The album opens up a space for reflection and openness, with “Will This Be the Last Time?” hinting at uncertainty and emotional finality, creating a reflective tone for the project. “Giving You All My Love” is a song of devotion, with warm melodies and an emotional center, while “The Word Is Out (Will I Get Over You?)” is a pop sound with soulful introspection delving into inner conflict.

“Found What’s Right for Me” is about clarity and self-discovery in a more tender emotional space, and “Hey Victoria” is a more direct human connection moment. “Call on Me” brings in an element of reach and emotional dependence, while “Round & Round” echoes repetitive thoughts and patterns in relationships. “Next Time (I Won’t Be Falling)” is a promise of emotional strength and growth. “All Things Are Possible” is positive and open to change, and “Can I Hold On?” is mature with openness and emotional tension.

The album ends with “Mi Wan Yu Fi) Rock Dat Pum Pum,” a reggae track that brings with it a dose of rhythm, energy, and cultural flavor. This project is about going back to different parts, and each song is a moment, a feeling, or a question that still resonates. “C’batch – The Vault 2 Soul/R&B/Pop/ Rock/Reggae” is an unbound expression, fueled by emotional truth and genre freedom.

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