Album Review
Taydem Shoesmith Lives Up to the Hype with Upcoming Single “This, That”
The current state of the music industry is a kaleidoscope of genres and styles. There’s something for everyone. But in this eclectic panorama of sound, jazz, a genre historically rich in emotion and complexity, often gets overlooked. It’s a niche genre, enjoyed by a select audience. But here’s the deal. We’ve been introduced to a singer-songwriter who’s challenging that niche status – Taydem Shoesmith.
Taydem hails from Iowa and with her new single “This, That”, she’s pushing the boundaries of what jazz can be. Her work is robust, layered, and carries a certain sophistication that’s characteristic of the best jazz pieces. But there’s a twist. She’s seamlessly blending traditional jazz with a modern streak, making it accessible to the 21st-century listener.
The result is a stunning single that’s got everyone’s attention. Taydem Shoesmith’s “This, That” promises to be a melodious journey into the world of jazz. It’s not just a song, but an experience. An experience that takes you on a ride through melody and lyrics, punctuated by Taydem’s enchanting vocals.
The song unfurls like a story. It’s sophisticated and timeless, yet relatable. The instrumental arrangement creates a mellow atmosphere and sets the stage for Taydem’s introspective lyrics.
The opening notes are soothing, enveloping the listener in a cozy cocoon of melody. As the song progresses, the instrumental elements rise and fall seamlessly, creating an engaging soundscape that keeps you hooked. Despite its laid-back tone, the song maintains a sense of playfulness that’s absolutely delightful. It’s a treat for the ears, and a testament to Taydem’s musical prowess.
Taydem Shoesmith is a true vocalist. Her voice is the life of the track, gliding effortlessly over the instrumental backdrop. It’s controlled yet emotive, a rare combination that adds depth to the song’s narrative.
So does it live up to the hype? Absolutely. “This, That” is a triumph for Taydem Shoesmith. It showcases her prowess as a songwriter, a singer, and an artist who’s redefining jazz.
She’s set to drop “This, That” on November 5th, 2023. You’ll want to mark your calendars. It promises to be a treat for fans and newcomers to the genre alike.
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Album Review
David Jame$ Drops a Genre-Blending Banger with “Country Trap Party Feat Jamie Ray”
David Jame$‘s new song, “Country Trap Party” feat Jamie Ray. It’s a lively mix of trap and country music that will get you in the party mood. The song has a catchy beat that combines the best of both genres and will make you want to dance all night long.
The song blends modern trap beats with classic country sounds to create something new and exciting. David Jame$’s smooth voice and memorable choruses make this song really stand out.
“Country Trap Party” is a song that describes a fun and rebellious night out. Whether you’re driving through the countryside or hanging out at a local bar, this song is perfect for any party that lasts all night.
Album Review
“Pulling Up the Covers” by Richard Lynch: A Heartfelt Tribute to Country’s Timeless Tunes
Year Released: 2024
Genre: Traditional Country
Duration: 44:22
Label: Fence Row Records/MTS
Producer: Richard Lynch
Engineer: Beaird Music Group, Nashville
On “Pulling Up the Covers,” Richard Lynch doesn’t just revisit country classics; he breathes new life into them. This album is a carefully curated collection of 14 tracks, each a nostalgic nod to the golden age of country music. Lynch’s seasoned baritone and authentic delivery make this album not just a tribute, but a personal love letter to the genre that has shaped his life and career.
The LP opens with “Rest Your Love on Me,” a cover of the tender ballad penned by Barry Gibb and made famous by Conway Twitty. Lynch’s rendition is intimate and warm, his voice wrapping around the lyrics with a sincerity that feels both timeless and deeply personal. This sets the tone for an album steeped in reverence for the original works while allowing Lynch’s unique touch to shine through.
Tracks like “Out Of Hand” and “Ridin’ My Thumb to Mexico” carry the listener through stories of love, loss, and the open road—staples of traditional country storytelling. Lynch’s interpretations are faithful yet fresh, his vocals conveying a deep connection to the material. “I’m the Only Hell My Mama Ever Raised” brings a playful, rebellious energy, while “If We Make it Through December” offers a poignant reminder of the struggles and hopes that define the human experience.
The production on *”Pulling Up the Covers”* is as classic as the songs themselves. The arrangements are crisp and uncluttered, allowing Lynch’s voice to take center stage, supported by the rich, warm sounds of traditional country instrumentation. The choice to keep the production simple and authentic enhances the emotional impact of each track, making the album feel like a cozy return to country’s roots.
Similar Albums:
1. George Strait – “Pure Country”
2. Alan Jackson – “Under the Influence”
3. Randy Travis – “Influences Vol. 1: The Man I Am”
4. Conway Twitty – “Even Now”
5. Vern Gosdin – “Chiseled in Stone”
For those looking to explore deeper into the essence of traditional country with a more complex narrative structure, give Willie Nelson’s “Red Headed Stranger” a listen. This concept album is a masterclass in storytelling, with every song adding layers to a deeply compelling tale.
Verdict: 95/100
“Pulling Up the Covers” is a warm, heartfelt tribute to the songs that made country music great. Richard Lynch’s deep respect for the genre shines through every note, making this album a must-listen for traditional country fans and a touching homage to the legends who paved the way.
–Jana Krazinski
