Music
Dude Low Finds His Vice An A “Bottle” With New Single
French indie pop artist Dude Low is releasing his jazz-inspired single “Bottle” on February 24. The new single sharply contrasts the artist’s previous release, “Amnesia,” which heavily leaned into synth pop elements. However, a steady trait throughout Dude Low’s music is an undeniable softness of the chords and an incredible sense of depth through jazz influences.
“Bottle” is available on all major streaming platforms on February 24.
“Bottle” touches on his infatuation with parties – which commonly include bottles of liquor – that brought him into an delusional lifestyle. Dude Low talks about the addictiveness of partying, “Why paradise is always a mirage,” he sings. “Once you taste it, you’re stuck in it.” The song calls attention to how drinking, partying, or doing drugs create illusions for people searching for a vice. Like in many of his songs, Dude Low effortlessly merges serious discussions with wildly interesting soundscapes.
Dude Low, the modern proletarian, is back for 10 tracks with rich sounds that explore his wandering Ego trip. From his headquarters (Rennes), he calls for a journey after a year of solitary therapy, far from his tribe: humans. Neither too political, nor too fatalistic, Dude Low spits on what annoys him without claiming to know the solution. Through beats that rub up against hip hop, the artist wants to be uncompromising by creating his own artisanal mix ready to swing his left hook in the unbearable gloom of routine, or by enhancing it with a melancholic caress. Who said romance was dead? Not Dude Low. Life is like a Wes Anderson movie, it all depends on how you perceive it. Gathering momentum from a run of shows in France, Dude Low has wrapped up recording sessions in anticipation of his upcoming album Ego Trip on Fogwood Records due to be released April 2022.
Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
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