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Kyrie Irving Discusses The Kyrie 6, Tells Critics: “Don’t Play With Me”

Kyrie Irving spoke with his sister Asia on Instagram Live, Sunday, to discuss the two colorways for the Kyrie 6 that she designed. Irving also reaffirmed his passion for basketball, telling his critics, “don’t play with me.”

Kyrie IrvingAl Bello / Getty Images

After Asia speaks about the inspiration for her color coming from the empowerment of women, Irving speaks about his basketball career.

“It’s about on the court, look at my resume, look at the classics, look at my art,” he says. “I created it for going on 10-plus years now. Don’t play with me. Don’t play with what I do on a day in and day out basis to provide and go out there and create.”

Irving has placed a major emphasis on seeking justice for Breonna Taylor and women of color as a whole. He recently produced the program #SayHerName: Breonna Taylor.

“It’s a very sensitive time and it’s very important to speak out on behalf of all our Black Queens,” Irving said, according to Heavy. “It’s my responsibility to be an acknowledgment of all the things that I can do to elevate what’s happening and how I can make change; whether that is utilizing my voice or whether if it is being there and being present. But it’s very important for me because I have a young daughter. She’s four years old and I’m raising her in this climate, in this society right now, and to hear news like this that is going on and females’ names are getting lost in the shuffle.”

[Via]

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Marsha Bartenetti reinvents in her own style “New York Minute”

Marsha Bartenetti

Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.

The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.

“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.

Connect with Marsha Bartenetti on Spotify || Facebook

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