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Lenox Hills Brings The Energy On Epic Double Singles “Girls ‘Round Here” and “I Feel It Coming On”

Nashville based alternative rock quartet Lenox Hills welcomes the bombastic double release of two indie rock anthems, Girls ‘Round Here” and “I Feel It Coming On out now. Reminiscent of icons like COIN and The Arctic Monkeys, these two tracks – characterized by roaring choruses impossible to not sing along to – are bound to invigorate any party playlist. Steeped in a uniquely Lenox Hills sound and bursting at the seams with an infatuating charisma, the band continues to showcase the grunge-chic aesthetic they’ve achieved through their enticing synergy. The band has developed their sound over the course of years; having grown up together in the same neighborhood, these best friends are committed to evolving with each other as people and musicians. This double release is Lenox Hills’ first project since their 2020 ‘Names’ EP.  “Girls ‘Round Here and I Feel It Coming On irrefutably deliver the epicness that has become a key element of Lenox Hills’ artistic identity. 

These two tracks – while displaying a cohesive sound that compliments each other – demonstrate the broad range of Lenox Hills’ creative capabilities. On “Girls ‘Round Here,” rowdy verses driven by Kyle Swenson’s booming percussion get listeners grooving from the very start. This track tells the wistful story of a tender hope for love complicated by a clashing romance. Luke Mullin’s dreamy vocals cut through the boisterous percussion with ease, drawing in listeners with soulful lyricism dripping in melancholy. All encompassing electric guitar (Packy Mullin) and rich bass lines (Kameron Dunn) round out this energetic anthem. In “I Feel It Coming On,” twangy western-inspired fingerstyle guitar introduces this track before a subtle transition to a steady rock groove. Heartfelt and embellished with romantically poetic lyrics, this is the type of feverish love song people dream to have written about them. Prepare to have the particularly catchy, lively chorus of this track repeating in your head.

The band worked on these two singles – which come from the group of tracks compiled for their next project – over the last two years. Having begun the writing process for this project in 2019, after many months of refining and perfecting, the band has created a final product in 2021 that each member is proud of. This project came to life in collaboration with producer Logan Matheny, who has contributed to a variety of notable projects including Jack White, Judah & The Lion, Colony House, and Brittany Howard of Alabama Shakes. While the creative process presented its challenges to the Tennessee natives, they managed to capture the band’s essence through an undeniably Lenox Hills signature sound. Stream “Girls ‘Round Here” and “I Feel It Coming On” on all major streaming platforms out now.

Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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