Music
Little Wretches Explore Themes Of Faith And Struggle On “Red Beets And Horseradish”
“Red Beets and Horseradish” is the new album from band, The Little Wretches. Named after a traditional Jewish side dish that is commonly served during Passover and Easter, the album is all about the suffering of the singer’s people as well as their history, all presented in the performer’s signature stripped down and raspy performance style. So, how does it all sound?
The very first song on the album, “Rise,” is a perfect summation of just what the album as a whole sounds like, and it’s a fitting opener track. It’s a folksy and joyful ballad, with hints of determination and positivity sprinkled all throughout its mix. Lyrically, the song is a message to the singer’s people to rise up together and harmonize, a strong message of unity.
Musically, most of the songs on “Red Beets and Horseradish” are sparse, though not lacking in spirit. In such a spiritually charged album, this makes sense, especially as each song calls for the listener to rally and join in joyous song. The second song on the album, “Lovingkindness,” exemplifies this, with harmonious harmonicas and an overall upbeat tone, with themes of enlightenment throughout.
Songs like “Palms & Crosses” and “Old Hundredth” ramp the tone up a little from the softer songs, though it never really pushes things too far, preferring to keep things mellow and happy. What does stay constant throughout all the songs however is the vocal performance on display, which is always solid, clear and full of emotion and passion. They’re a highlight of the album without question.
Some songs do rein back the happy tones, especially key songs like “It’s Raining,” which is a bit more biting and sad than the typical “Red Beets and Horseradish” song. They’re a nice change of pace, and make the album a much more fun listen overall. Some songs like “Old Lillian’s Story” also shift styles, framing the song more like a framed narrative being told as opposed to a typical song.
“Red Beets and Horseradishes” manages to keep your interest throughout its runtime with its small narrative shifts and fascinating touches, really capturing the listener’s attention effortlessly. While the subject matter may not exactly be for everyone, there’s no denying that it’s a well done album.
Overall, we recommend giving “Red Beets and Horseradish” a spin, especially if it’s something you’d be interested in. With solid instrumentation, good vocal performances, a fun narrative and engaging performances all around, it’s an album experience that you don’t want to miss.
–Jason Airy
Artist Spotlight
Boorook creates a hip-hop anthem for change on “Fight For Your Rights”
Boorook’s latest release, “Fight For Your Rights,” is both a song and a movement. The Indigenous people have a strong voice, and from the first beat, the song has a strong, urgent, and very human energy. “Fight For Your Rights” is an example of how conscious hip-hop can serve as art activism. The track is about unfair systems, and it’s clear that it supports the Black Lives Matter movement. Clarke’s performance is more than just a show, it’s a call to action that tells people to face hard truths and connect with the pulse of community and defiance.
Thomas Lorenzo’s live guitar adds an unexpected yet beautiful layer, giving the rhythm an emotional depth that makes it feel soulful. The track sounds real because it has real instruments and hip-hop beats. This shows how good Boorook is at mixing styles and still getting the message across.
People feel like they are part of a group when they listen to the song “Fight For Your Rights.” The lyrics are deep, and the music is good. It’s a song that makes people want to get together, think, and do something. Boorook doesn’t just play music; he makes people feel strong by turning every beat into a heartbeat for change.
Boorook’s new release reminds us that music can still be a powerful force for truth and change in a world where trends come and go. “Fight For Your Rights” is a call to action, an anthem, and proof that music can still bring us together, make us think, and motivate us.
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Artist Spotlight
Malammore unveils a new voice rising from portugal’s margins on new album “Aurora”
Malammore, whose real name is Sandro Feliciano, is a singer, songwriter, and producer from Lisbon, Portugal. “Aurora” is his first album. The album comes out on January 23 and tells the story of his life as a young Black man, his search for belonging, and his country’s cultural resistance. The lyrics talk about love, adoption, thoughts on humanity, and how the artist sees his role in the world. The concept for the album originated from a notebook containing poems, narratives, and my self-perception within this world. It’s a record of the Black experience in Portugal, of belonging and feeling alone, of love and loss.
Sandro, also known as Malammore, was born in 2005 and lived with the Portuguese State for two years until he was adopted in 2008, which was a big change in his life. One of the main ideas in Aurora is to turn the idea of a “black hole” into “the world’s white hole,” which shows a universe that erases identities. He challenges dominant narratives and changes how people see black bodies in society by filling it with the idea of blackness.
The album mixes hip-hop, rap, trap, and spoken word, which is not something that is usually done. Malammore gets the political tone of the project from people like Malcolm X, Muhammad Ali, Angela Davis, and Fela Kuti. No Icon (Rodrigo Fernandes) did the production, mixing, and mastering for the album at Lisbon Sound Society.
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