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[Op-Ed] Hip Hop Democracy and the Future of Our Freedom

by Kyle T. Mays, Ph.D. In the wake of the election of president-elect Joe Biden and the incoming Vice President, Kamala Harris, who will be the first Black and Southeast Asian…

[Op-Ed] Hip Hop Democracy and the Future of Our Freedom

by Kyle T. Mays, Ph.D.

In the wake of the election of president-elect Joe Biden and the incoming Vice President, Kamala Harris, who will be the first Black and Southeast Asian woman, millions of people were happy that President Donald Trump will no longer be in the White House. People partied in the streets. Although we should be ecstatic, we still have work to do.

People can be joyful in this moment of important change, but we should proceed cautiously. Black male Hip Hop artists like Lil Wayne, Ice Cube, and 50 Cent aligned themselves publicly with Trump. It was a huge mistake on their part. It didn’t matter, because Biden won the electoral college, and earned the most votes ever, at more than 75 million. Yet, Trump earned the second-most ever, at nearly 71 million. Some Republicans voted for Biden but did not vote Democratic in state elections.

We can argue all we want about the nuances of who voted for him and why, but to me, it is clear: Donald Trump was an outward white supremacist in office, and voting for him because of “conservative values” won’t cut it.  This is not good for the 2024 election. We still have work to do. After all, unless Trump is charged with criminal charges, he could run again and could get just about the same number of votes. The Hip Hop community can play an important role.

Hip Hop Nation has always been political. From its inception, rappers and taggers used their voice and visual expressions to tell stories about the condition of poor, working-class Black and Latinx communities. Before Hip Hop engaged in mainstream politics, they were in the streets placing their tattered ballots on the walls of dilapidated New York City buildings and daring society to push them to the edge. Hip Hop’s elements aren’t just cultural production. Drawing on a historical blueprint laid out by organizers like Fannie Lou Hamer and the Student Nonviolent Coordinating Committee, parts of Hip Hop Nation has been deeply committed to community organizing. They have encouraged young people to vote but also to be involved in their communities every day, not just every four years.

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The Hip Hop community, especially at the grassroots level, has a lot of work to do over the next several years to avoid a letdown. We can’t rely on the voices of Hip-Hop billionaires and millionaires who may not represent the interests of those they claim to represent. For almost twenty years the Hip Hop community has sought to engage young people in voting with the Vote or Die campaign, Rock the Vote, and Respect My Vote campaigns. Those have been important in encouraging young people to vote. However, we don’t need to create a new political party to “represent” Black people. A study of the 1972 Black Political Convention held in Gary, Indiana would reveal a lot about how diverse Black politics truly are. Black youth are engaged in politics on the ground, and one of the best ways to help is to donate money and other resources to the causes that they actually want.

We must persist in our struggle for our freedom. There are grassroots organizations at the local level that have continued the work of social change. Many organizations continue the struggle to make Black Lives Matter every day. Assata’s Daughters, based in Chicago, is a Black woman, femme, and gender non-conforming group that continues the work of Black liberation, inspired by the activism of Assata Shakur. Shakur has been in exile in Cuba for decades, remains on the FBI’s Most Wanted list, and is the godmother of the late, Tupac Shakur. Other groups include the Aadizookaan, a Black and Indigenous artistic collective in Detroit. They combine Hip Hop culture and Indigenous storytelling techniques to encourage young people to decolonize their neighborhoods and continue the work of making sure that Black and Indigenous Lives matter in Detroit and beyond. Another organization is 1Hood, led by rapper Jasiri X, who educate young people through creative arts. There are hundreds of organizations that could use more resources to do the work in their local communities.

Hip Hop royalty could, as some are likely already doing, donate money and resources to these types of grassroots organizations. They can de-platform their brands and uplift those groups who really need the assistance. But the question, of course, is who is in their ear?

In some ways, it doesn’t matter what the elites in our communities do. As long as those on the ground continue to struggle, we will get our freedom. Voting is important, but without constant on the ground struggle, political education, and working against the forces that impact us, like police brutality and extreme poverty, the electing of Biden and Harris won’t matter. We still have work to do.

Kyle T. Mays, Ph.D., is an Assistant Professor of African American Studies, American Indian Studies, and History at UCLA. He is the author of Hip Hop Beats, Indigenous Rhymes: Modernity and Hip Hop in Indigenous North America (SUNY Press, 2018) and is finishing up a book titled, An Afro-Indigenous History of the United States (Beacon Press, forthcoming, November 2021)

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The post [Op-Ed] Hip Hop Democracy and the Future of Our Freedom appeared first on The Source.

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1 Comment

1 Comment

  1. Guest

    October 9, 2023 at 3:18 pm

    “Op-Ed: Hip Hop Democracy and the Future of Our Freedom” by Kyle T. Mays, Ph.D., is a thought-provoking exploration of the intersection between politics, race, and hip-hop culture. It provides an insightful analysis of the impact of the recent election on the Black and Southeast Asian communities, and the role hip-hop plays in political expression and activism. This piece is a must-read for anyone interested in understanding the nuances of racial politics and the power of music in shaping social discourse.

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Celebrity

Lil Durk Co Defendants OTF Dede and David Lindsey Seek Acquittal and New Trial

OTF Dede and David Lindsey are fighting their recent stalking convictions as the legal process in Lil Durk’s case continues to play out.

Lil Durk was facing five charges, two of them murder-for-hire related and three of them stalking related, while the two co-defendants were convicted on three counts of stalking in the same case. Durk was just cleared of all charges in that case a couple of weeks ago, but Dede and Lindsey didn’t get the same result.

The latest legal twist adds another chapter to a case that has remained tightly connected to Lil Durk’s ongoing legal troubles. Durk was acquitted in the initial murder-for-hire case, but his larger legal battle is far from over.

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For Dede and Lindsey, the immediate issue is their stalking convictions and whether the court will grant either of the new requests filed. The couple’s pleas carry long prison sentences, and the pending motions are especially important for their attorneys.
The court has not ruled on the Rule 29 and Rule 33 motions, leaving the next phase of litigation uncertain.

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Lil Durk, meanwhile, is set to appear in court on November 4 for a bond hearing. His trial in the VICAR case was scheduled for the next few weeks, but it is likely to be delayed.

Separate legal proceedings are now moving forward in the cases of Durk, Dede, and Lindsey, who remain active. Dede and Lindsey’s latest filings ensure that the group’s legal saga continues even after Durk’s acquittal in the original case.

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Celebrity

Meek Mill steps back from his ongoing feud with DJ Akademiks,

Meek Mill and DJ Akademiks’ ongoing social media beef has taken another turn, with Meek seemingly getting the last word.

The two have been feuding for around a decade, and their tensions have become closely tied to the fallout from Meek’s beef with Drake. Following Akademiks taking Drake’s side in the public feud, Meek clearly didn’t want to be featured on Akademiks’ page. Since then, they have exchanged occasional messages and renewed disagreements.

The latest chapter heated up around the Lil Durk trial. Meek Mill called out Akademiks for his coverage and commentary on the case, saying he had become a bad influence on the culture.

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Akademiks fired back hard, and the beef snowballed into a back and forth of threats between the two. At one point, Meek asked for Akademiks’ address, while Akademiks showed off an arsenal of machine guns and rifles. The confrontation had been really serious before apparently cooling off in recent days.

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The message is the latest chapter in a long-running feud that has flared up several times over the past decade. This latest back-and-forth could be Meek’s attempt to close the door on the feud, but given the history between the two, tensions can flare up fast.
So far, it looks like Meek is putting a line under his part of the conversation. Only time will tell whether Akademiks responds.

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