Straight out of the ambition-filled trenches of real-life grind and grind some more, “No Deal,” the new joint from Petrobaby Trizzy, is a proud statement about self-worth, determination, and strength. In the song, Trizzy takes you through the emotional landscapes of his pursuit, exposing his heart and mind in ways that directly represent the unmistakable goal-driven nature of his quest.

“No Deal” has a steady drive that reflects Trizzy’s inner workhorse. The production sets the tone for gritty, grounded, and subtly melodic. Trizzy’s voice cuts through the rhythm, like a siren pulling on the heart of anyone chasing their dreams with all they’ve got. His vocal stance is direct, unabashedly walking the tightrope between openness and strength. Each bar is a statement, and each line reflects someone who knows what it’s like to be underestimated and who’s no longer making compromises. At heart, “No Deal” is a metaphor for artistic integrity. Trizzy’s voice reverberates with the frustration and hope of a rising artist making a name for himself in an industry that far too often allows raw, unfiltered talent to go unnoticed. It’s the kind of track that demands respect and doesn’t beg for your attention.

This release is a chapter in Trizzy’s personal and professional development. The objective is to reach the ears of those who understand the grind, who know the hunger, who are here to share, who are here to support, and who are here to help guide the way somewhat. Trizzy is about building links, one actual listener at a time. “No Deal” is an anthem for fans of authenticity and those on his journey fighting for visibility. “No Deal” by Petrobaby Trizzy is a state of mind. And if this single hints at what’s in store, he’s getting going.

Alas de Liona starts off her highly praised first album, “Gravity of Gold,” with a track as raw and emotional-laden as the metal it’s dedicated to. “19.3,” a reference to gold’s specific gravity, is a poetic plan of attack for the song’s emotional heft and glittering sheen, as its opening track, “19.3,” vibes out what to expect from a project that’s introspective, soul-stirring and unafraid to probe the messy details of love.

Riding on glittering indie-pop sounds and de Liona’s trademark breathy vocals, “19.3” is like a slow emotional purge. It’s a love song, but not of the rose-tinted variety. This is love bared to the bite, complicated, eternal, and quietly challenging. It’s about not letting go of somebody, even as the reasons to do so begin to pile up. There’s a hurt in the melody, but it’s lovely in the way that only authentic music ever can be.

The production, by Rod Jones at Post Electric Studios in Leith, is unassuming but widescreen. Every piece, from the ethereal keys to the spectral light reverb, feels purposeful and featherlight, creating the cushion that lets de Liona’s voice drift like desert dust on a twilight breeze. You can almost sense her Mojave roots resonating through the track, even as Owens’ creative foundation was reinvented in the ancient streets of Edinburgh, where her inner spirit began to take flight.

Like the gold “19.3” alludes to, it has weight but not flash, substance but not pretense. Unsurprisingly, while the album falls into the hands of an offbeat selection of tastemakers ranging from The Line Of Best Fit to BBC Scotland Radio, its success has been inevitable. With this track, Alas de Liona sets aside a place within indie-pop as she decorates it with emotional honesty and poetic precision.