Mainstage
Paris Pick strikes a tender nerve with “Same Page”
Paris Pick is back, and this time, she’s trading yacht-pop’s sun-drenched exuberance for something more quietly soul-stirring. Her third single, “Same Page,” from the forthcoming album “Third Time’s A Charm,” set to be released via Neon Moon Records, represents a graceful pivot toward openness.
Co-produced by Jordy Walker, “Same Page” is a slow burning anthem that radiates with retro charm while feeling entirely modern. The production is warm and clean, like a soft spotlight illuminating a confessional moment. Paris Pick’s voice, always charismatic, adopts a more contemplative tone in this track, delicately laced with bittersweet realization.
“Same Page,” written by Paris Pick, explores the experience of drifting apart from someone you still care for, a heartbreakingly relatable theme. The lyrics resonate like unspoken thoughts, which is where the song’s magic lies. There’s no drama or harsh negativity; instead, it evokes the gentle ache of two hearts that are no longer in sync.
It’s refreshing to hear an artist known for infectious energy embrace stillness without losing their signature glow. “Same Page” showcases Pick’s growing maturity as a songwriter and confirms what many have already suspected: she’s not just a feel-good artist; she’s a feel-deep one too. If this emotional depth guides “Third Time’s A Charm,” we can expect an album that cuts deeper than ever before.
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Artist Spotlight
Malammore unveils a new voice rising from portugal’s margins on new album “Aurora”
Malammore, whose real name is Sandro Feliciano, is a singer, songwriter, and producer from Lisbon, Portugal. “Aurora” is his first album. The album comes out on January 23 and tells the story of his life as a young Black man, his search for belonging, and his country’s cultural resistance. The lyrics talk about love, adoption, thoughts on humanity, and how the artist sees his role in the world. The concept for the album originated from a notebook containing poems, narratives, and my self-perception within this world. It’s a record of the Black experience in Portugal, of belonging and feeling alone, of love and loss.
Sandro, also known as Malammore, was born in 2005 and lived with the Portuguese State for two years until he was adopted in 2008, which was a big change in his life. One of the main ideas in Aurora is to turn the idea of a “black hole” into “the world’s white hole,” which shows a universe that erases identities. He challenges dominant narratives and changes how people see black bodies in society by filling it with the idea of blackness.
The album mixes hip-hop, rap, trap, and spoken word, which is not something that is usually done. Malammore gets the political tone of the project from people like Malcolm X, Muhammad Ali, Angela Davis, and Fela Kuti. No Icon (Rodrigo Fernandes) did the production, mixing, and mastering for the album at Lisbon Sound Society.
Mainstage
Ant Thomaz creates when cultures collide and joy leads the Way on “Good Times Roll”
Ant Thomaz starts a bold new chapter with his new single, “Good Times Roll.” It’s a rhythm-based celebration that leads up to his first solo album. The track is a perfect example of community, movement, and global connectivity. It has a sound that is both big and very personal.
The track centers on the concept of a “Scottish Mardi Gras,” exuding vitality from its opening beat. Thomaz assembled a diverse group of musicians and asked each to bring their own cultural background and musical style to the performance. The result is a lively mix of influences that brings together elements of Louisiana Mardi Gras traditions, Bollywood energy, South African beats, and Celtic subtleties into a joyful whole. The track doesn’t sound crowded; instead, it resonates, letting each influence build on the one before it and creating a groove that feels natural and alive.
“Good Times Roll,” which he co-produced with longtime collaborator Chris Gordon, took almost a year to perfect. The track has more than 60 mixes, which shows how much Thomaz cares about making people feel something instead of just making a sound. The result is a composition that exudes warmth, dynamism, and expansiveness, an invitation to commemorate, contemplate, and reestablish connections.
The track’s lyrics explore how to find peace amid chaos and how to navigate life’s ups and downs with clarity and balance. It means new beginnings and personal growth, and it gives people comfort and motivation. “Good Times Roll” is more than just entertainment; it brings people together and shows that when people share happiness, it can be a powerful force.
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