Music
People Can’t Believe That The Weeknd Didn’t Receive Any Grammy Nominations
Getty Image Fans think the singer was snubbed of an award for his widely celebrated album ‘After Hours.’ …
While there are a number of music awards ceremonies in a given year, none are as closely followed as the Grammys. That’s why fans were in an uproar on Tuesday after seeing that The Weeknd had not been nominated for a single 2021 Grammy Award despite his album After Hours being one of the most commercially successful records of the year.
The Weeknd was awarded for his album at nearly every other music awards ceremony this year so many of the singer’s listeners were surprised to learn that After Hours was snubbed for a Grammy nomination. After the full list of nominations was unveiled, fans flooded Twitter with their disappointment.
I’m also not understanding how tf YUMMY by Justin Bieber got nominated for best solo performance over blinding lights by The Weeknd ??? Abel sounds exactly like himself when he sings AND he puts on an entire show with costume and everything !!! pic.twitter.com/gRNuUqKYwA
— torieᴴ (@HESOG0LDEN) November 24, 2020
the weeknd gave one of the best visuals, quality music and era from any artist this year and the grammys still snubbed him… pic.twitter.com/AvmfTW7QFb
— chu (@chuuzus) November 24, 2020
noah cyrus being nominated this year but not the weeknd or rina sawayama pic.twitter.com/qt5JOT3DvA
— mauricio (@futurefolkIore) November 24, 2020
so you telling me the weeknd, abel, got snubbed for EVERY category for the grammys…. that doesn’t make any type of sense pic.twitter.com/PppNdLd0Og
— mAwAhIb is a hot gurl 🙂 (@itsmawahib) November 24, 2020
THIS IS FOR THE WEEKND pic.twitter.com/Viz79aaFVX
— taeil's bitch³³☆ (@taeilsballs) November 24, 2020
i’m happy about taylor, BUT i’m so sad about the weeknd, like finally a good male artist who reinvents himself serving vocals and concepts, dropping one of the biggest global smash hit of this year and for what?
— swiffer struggle tweets (@swifferstruggle) November 24, 2020
Kid Cudi also agreed that The Weeknd deserved a nomination.
Abel was robbed man this shits weak
— The Chosen One (@KidCudi) November 24, 2020
Despite fans’ disappointment, the Recording Academy interim president Harvey Mason Jr. stood by the Grammy nominations in an interview with Billboard. When asked about The Weeknd not being nominated, he responded, “For The Weeknd, in every year you only have a certain amount of people you can nominate for each category,” he said.
The Weeknd’s snub is particularly surprising seeing how successful After Hours was upon its release. Just this week, the singer broke Post Malone’s previous record for the most time spent in the top 10 of Billboard‘s Hot 100 chart, as “Blinding Lights” has appeared in that range for an impressive 40 weeks total. The feat arrived just after the singer had set the record for the most weeks spent in the top five spots of the Hot 100.
See how fans reacted to The Weeknd not receiving any Grammy nominations above.
After Hours is out now via Republic. Get it here.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
CLICK HERE TO STREAM Sadie Brown’s “Counterfeit“ on Spotify.
CONNECT WITH Sadie Brown | Instagram |
Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
CLICK HERE TO STREAM Tom Minor’s “Is Everything Okay?“ on Spotify.
CONNECT WITH Tom Minor | Facebook |
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