Music
Fans Are Mad About Egregious 2021 Grammy Snubs For Harry Styles, Fiona Apple, And Women In Rap
Getty Image As is tradition, there are complaints about the list of Grammy nominations and some are justified. …


The full list of nominees for the 2021 Grammys was announced starting at noon ET this morning, which means the inevitable criticisms of the list began at approximately 12:01 p.m. ET this morning. One important piece of information to remember during these trying times, though, is the eligibility window: Only works released between September 1, 2019 and August 31, 2020 are eligible to be nominated at the 63rd Annual Grammy Awards. Even with that in mind, however, there were some head-scratching omissions this year.
The most immediately obvious and profoundly confusing is The Weeknd not earning a single nomination for After Hours, “Blinding Lights,” and other related works. Both the album and single topped the charts (“Blinding Lights” actually just set a longevity record) and were critically beloved. It’s possible The Weeknd didn’t submit any of his work for consideration this year, but if he did, the confusion of fans on Twitter is justified.
The Weeknd having the biggest song of the year and the best album was snub by the #GRAMMYs … pic.twitter.com/0yklLwaPjd
— mat (@stxxboy2) November 24, 2020
so you telling me the weeknd, abel, got snubbed for EVERY category for the grammys…. that doesn’t make any type of sense
pic.twitter.com/PppNdLd0Og
— mAwAhIb is a hot gurl 🙂 (@itsmawahib) November 24, 2020
the weeknd gave one of the best visuals, quality music and era from any artist this year and the grammys still snubbed him… pic.twitter.com/AvmfTW7QFb
— chu (@chuuzus) November 24, 2020
Similarly, some people are wondering why Harry Styles’ Fine Line and Fiona Apple’s Fetch The Bolt Cutters, two of the year’s most acclaimed releases, didn’t earn Album Of The Year nods.
HOW GRAMMYS GONNA SNUB HARRY AND THE WEEKND FOR AOTY??? THEY HAD SUCH A BIG YEAR???
— ęᴴ
(@SHESRAREAOTD) November 24, 2020
I haven't screamed like this all year.
I am so ridiculously proud of him and the #GRAMMYs can live on with me for another year….but not including him in the bigger categories is a snub.
Congratulations Harry Styles!
— Days of Young Harry #NbN4Harry (@Piki_DaysOfYH) November 24, 2020
The Grammys have always made less sense to me than the Golden Globes…but oh well. Still doesn’t make me less disappointed for Album of the Year snubs for Chromatica and Fiona Apple.
— Brian Whisenant (@brianwhisenant) November 24, 2020
Wow the #grammys are a big joke this year. Happy for @DUALIPA but the snubs on @theweeknd and Fiona Apple for @justinbieber ?!? Scooter Braun must be paying these fools because Yummy is garbage.
— fabri8788 / Jonathan Mattingly is a murderer (@fabri8788) November 24, 2020
Meanwhile, hip-hop heads wondered why women didn’t have a significant presence in the rap categories: Of the 20 works nominated for Best Rap Performance, Best Melodic Rap Performance, Best Rap Album, and Best Rap Song, only two were by women, and they were both the Beyonce remix of Megan Thee Stallion’s “Savage.” On the bright side, though, women dominated the Best Rock Performance category.
do the grammys know women rap too? https://t.co/dhITIlx3lM
— lowercaseg (@Saint_Martha) November 24, 2020
Why were there no women nominated in the #GRAMMYs Rap category besides Megan Thee Stallion & Beyoncé for ‘Savage’?
— Marques Stewart (@MarquesJStewart) November 24, 2020
All of the black women nominated for R&B/rap at this year’s #GRAMMYs
Beyoncé
Chloe x Halle
H.E.R.
Megan thee Stallion
Jhené Aiko.… that’s it I think.
— Taylor Gray (@officialtaygray) November 24, 2020
Check out some tweets about other snubs below and find the full list of 2021 Grammy nominations here.
(insert impressively classy and gracious but still recognizing of complete snub tweet here)
— el-p (@therealelp) November 24, 2020
0 nominations for run the jewels…
0 nominations for mac miller??
AND 0 NOMINATIONS FOR THE WEEKND?!?! pic.twitter.com/rNIDBmLJsC
— The Best Pizza Connoisseur ➐ (@thedeepdishking) November 24, 2020
lady gaga got only 2 grammys nominations despite having a critically acclaimed album & one of the biggest songs of the year. the weeknd, blackpink & selena all have 0 nominations despite being some of the biggest acts of the year but justin has 5 with a critically panned album?
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— LG 〄 (@EnigmaticGaga) November 24, 2020
Lady Gaga has been nominated for "Snub Of The Year" at the 2021 #Grammys.
Congratulations! pic.twitter.com/lN5CY07ioh
— Marios | L.G (@Gagas_Sonn) November 24, 2020
The Chicks aren't nominated for any Grammys??? pic.twitter.com/tEgkDF8JTF
— Matt Stopera (@mattstopera) November 24, 2020
and the chicks got zero nomination. like wtf, gaslighter is such a beautiful. well written, well produced. ghad. still gaslighter and chromatica are my albums of the year
— moon carat ⨟ (@shanpatrickoko) November 24, 2020
@thechicks were robbed and I am upset.
— Ang
(@angieee_isabel) November 24, 2020
The Weekend & Summer Walker were for sure robbed. #GRAMMYnoms
— Kesha Brooks (@Xclusivekesh) November 24, 2020
No Kehlani, summer walker or weekend? #GRAMMYs
— Eugene Smilez on Everything (@EugeneSmilez) November 24, 2020
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Album Review
Artificial Incline unveils its emotionally charged new album premiere, “Used to Be”

The premiere of Artificial Incline’s latest album, “Used to Be,” enriches the musical landscape of Strathmore, Canada. This four-track masterpiece explores the complexities of romantic relationships, emotional resilience, and self-identity, offering a cathartic listening experience that transcends genre boundaries. The album showcases sophisticated lyrical craftsmanship while adhering to classic pop sensibilities, marking a significant evolution in Artificial Incline’s journey as an artist and songwriter.
Thematically, “Used to Be” draws inspiration from personal experiences of relationship discord, delving into topics such as infidelity, betrayal, emotional volatility, and verbal conflicts, all while seeking healing. Artificial Incline utilizes music to process trauma and achieve transformative catharsis. Reflecting on their artistic growth, they emphasize that “good things take time,” a sentiment echoed throughout the album’s dynamic and evocative tracks.
Opening with “King Without a Crown,” which explores existential loneliness alongside the quest for self-actualization. This classic pop anthem highlights the tension of navigating a life or ambition where recognition remains elusive. It captures the haunting reality of feeling lost while striving for greatness, embodying the paradox of “living the nightmare as a king without a crown.” Through enchanting vocal performances, Artificial Incline vividly conveys both regret and aspiration.
The title track, “Used to Be,” follows and provides a passionate, candid portrayal of yearning for clarity within failing relationships. Its stirring melodies and melancholic undertones reflect on past emotional frameworks, advocating for compassion and understanding during difficult times. This piece encourages listeners to embrace resilience and acknowledge the intricate fragility of love, resonating with those who have experienced the turmoil of fading connections.
“Far Away“ marks a significant shift toward introspection, featuring a soulful arrangement that radiates vulnerability. This track weaves a poetic and sonically rich tapestry, guiding listeners through a landscape of self-awareness and emotional clarity. Its evocative delivery pays heartfelt tribute to the insights gained from breaches of trust, offering solace to those who have found clarity on life’s unpredictable adventure.
Closing the album is “Ink and Color,” an elegantly crafted piece that leaves a lasting impression. This track seamlessly blends haunting rhythms with poignant storytelling about faded memories, combining catchy beats and expressive piano chords. The poetic lyricism and deep emotional resonance of “Ink and Color” reflect on the shadows of superficial love and attraction, ultimately shaping our identities.
Throughout “Used to Be,” each composition demonstrates meticulous melodic brilliance, with Artificial Incline showcasing its artistry through intricate beats, lush arrangements, and unmistakable authenticity. As they continue establishing their presence in the contemporary music scene, this album reinforces their emergence as a formidable musical force. “Used to Be” is valuable to the artist’s evolving discography, appealing to audiophiles and fans of innovative, genre-defying narratives. The emotionally resonant themes woven throughout these tracks engage a diverse global audience, marking this release as an essential listening experience not to be overlooked.
CLICK HERE TO STREAM Artificial Incline’s Album “Used to Be“ on Spotify.
CONNECT WITH Artificial Incline | Instagram |
Artist Spotlight
Offset Shuts Down Dr. Cheyenne Bryant’s DM Allegations with Receipts

Offset is not interested in the drama that comes from trying to gain attention. After Dr. Cheyenne Bryant mentioned in an interview that the Migos rapper had sent her a direct message on social media, Offset quickly clarified the misunderstanding. While Bryant seemed to suggest there was something flirty about their interaction, Offset shared proof to show the truth. In a comment on a popular site, he dismissed the claims as “Clout smh,” referring to the term used when people seek fame or attention by making sensational statements.
To further clarify, he posted a screenshot of their actual conversation, which clearly showed that he approached Bryant with a professional intent, wanting to discuss business matters rather than anything romantic. The public reaction was swift, with many fans criticizing Bryant for making what they felt was an unnecessary claim. One user pointed out that even if the message was presented out of context, it was inappropriate for her to disclose details about a potential business relationship. Others noted that it was obvious Offset was not trying to flirt but rather was interested in having a straightforward conversation.
This incident highlights how quickly stories can change online, especially for celebrities. Offset’s straightforward response made it clear that he won’t let anyone misrepresent him. He handled the situation with poise, and his comment, “Clout smh,” effectively put an end to the speculation. Fans appreciated how Offset managed the situation calmly and honestly, proving that sticking to the truth can often be the best approach in the face of drama. As Offset moves forward in his career and personal life, this incident is just another minor hurdle. It shows that he remains in control of his story and reputation.
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