Music
Fans Are Mad About Egregious 2021 Grammy Snubs For Harry Styles, Fiona Apple, And Women In Rap
Getty Image As is tradition, there are complaints about the list of Grammy nominations and some are justified. …


The full list of nominees for the 2021 Grammys was announced starting at noon ET this morning, which means the inevitable criticisms of the list began at approximately 12:01 p.m. ET this morning. One important piece of information to remember during these trying times, though, is the eligibility window: Only works released between September 1, 2019 and August 31, 2020 are eligible to be nominated at the 63rd Annual Grammy Awards. Even with that in mind, however, there were some head-scratching omissions this year.
The most immediately obvious and profoundly confusing is The Weeknd not earning a single nomination for After Hours, “Blinding Lights,” and other related works. Both the album and single topped the charts (“Blinding Lights” actually just set a longevity record) and were critically beloved. It’s possible The Weeknd didn’t submit any of his work for consideration this year, but if he did, the confusion of fans on Twitter is justified.
The Weeknd having the biggest song of the year and the best album was snub by the #GRAMMYs … pic.twitter.com/0yklLwaPjd
— mat (@stxxboy2) November 24, 2020
so you telling me the weeknd, abel, got snubbed for EVERY category for the grammys…. that doesn’t make any type of sense
pic.twitter.com/PppNdLd0Og
— mAwAhIb is a hot gurl 🙂 (@itsmawahib) November 24, 2020
the weeknd gave one of the best visuals, quality music and era from any artist this year and the grammys still snubbed him… pic.twitter.com/AvmfTW7QFb
— chu (@chuuzus) November 24, 2020
Similarly, some people are wondering why Harry Styles’ Fine Line and Fiona Apple’s Fetch The Bolt Cutters, two of the year’s most acclaimed releases, didn’t earn Album Of The Year nods.
HOW GRAMMYS GONNA SNUB HARRY AND THE WEEKND FOR AOTY??? THEY HAD SUCH A BIG YEAR???
— ęᴴ
(@SHESRAREAOTD) November 24, 2020
I haven't screamed like this all year.
I am so ridiculously proud of him and the #GRAMMYs can live on with me for another year….but not including him in the bigger categories is a snub.
Congratulations Harry Styles!
— Days of Young Harry #NbN4Harry (@Piki_DaysOfYH) November 24, 2020
The Grammys have always made less sense to me than the Golden Globes…but oh well. Still doesn’t make me less disappointed for Album of the Year snubs for Chromatica and Fiona Apple.
— Brian Whisenant (@brianwhisenant) November 24, 2020
Wow the #grammys are a big joke this year. Happy for @DUALIPA but the snubs on @theweeknd and Fiona Apple for @justinbieber ?!? Scooter Braun must be paying these fools because Yummy is garbage.
— fabri8788 / Jonathan Mattingly is a murderer (@fabri8788) November 24, 2020
Meanwhile, hip-hop heads wondered why women didn’t have a significant presence in the rap categories: Of the 20 works nominated for Best Rap Performance, Best Melodic Rap Performance, Best Rap Album, and Best Rap Song, only two were by women, and they were both the Beyonce remix of Megan Thee Stallion’s “Savage.” On the bright side, though, women dominated the Best Rock Performance category.
do the grammys know women rap too? https://t.co/dhITIlx3lM
— lowercaseg (@Saint_Martha) November 24, 2020
Why were there no women nominated in the #GRAMMYs Rap category besides Megan Thee Stallion & Beyoncé for ‘Savage’?
— Marques Stewart (@MarquesJStewart) November 24, 2020
All of the black women nominated for R&B/rap at this year’s #GRAMMYs
Beyoncé
Chloe x Halle
H.E.R.
Megan thee Stallion
Jhené Aiko.… that’s it I think.
— Taylor Gray (@officialtaygray) November 24, 2020
Check out some tweets about other snubs below and find the full list of 2021 Grammy nominations here.
(insert impressively classy and gracious but still recognizing of complete snub tweet here)
— el-p (@therealelp) November 24, 2020
0 nominations for run the jewels…
0 nominations for mac miller??
AND 0 NOMINATIONS FOR THE WEEKND?!?! pic.twitter.com/rNIDBmLJsC
— The Best Pizza Connoisseur ➐ (@thedeepdishking) November 24, 2020
lady gaga got only 2 grammys nominations despite having a critically acclaimed album & one of the biggest songs of the year. the weeknd, blackpink & selena all have 0 nominations despite being some of the biggest acts of the year but justin has 5 with a critically panned album?
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— LG 〄 (@EnigmaticGaga) November 24, 2020
Lady Gaga has been nominated for "Snub Of The Year" at the 2021 #Grammys.
Congratulations! pic.twitter.com/lN5CY07ioh
— Marios | L.G (@Gagas_Sonn) November 24, 2020
The Chicks aren't nominated for any Grammys??? pic.twitter.com/tEgkDF8JTF
— Matt Stopera (@mattstopera) November 24, 2020
and the chicks got zero nomination. like wtf, gaslighter is such a beautiful. well written, well produced. ghad. still gaslighter and chromatica are my albums of the year
— moon carat ⨟ (@shanpatrickoko) November 24, 2020
@thechicks were robbed and I am upset.
— Ang
(@angieee_isabel) November 24, 2020
The Weekend & Summer Walker were for sure robbed. #GRAMMYnoms
— Kesha Brooks (@Xclusivekesh) November 24, 2020
No Kehlani, summer walker or weekend? #GRAMMYs
— Eugene Smilez on Everything (@EugeneSmilez) November 24, 2020
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
“Solstice Sun” by Nick Byrne beautifully illuminates the soul of seasonal tides

In his third collaboration with producer Jake Robbins, Nick Byrne presents “Solstice Sun,” an intricately lush yet emotionally crafted indie-folk single that effectively marries the cinematic rhythm of nature with the emotional tides that accompany it. Partnering with fellow songwriter Tom Symmonds, this Buckinghamshire-based artist offers a metaphoric tapestry that goes beyond mere aesthetics, delivering an evocative auditory experience reminiscent of a sepia-toned postcard capturing the fleeting essence of summer, directed at anyone who has ever felt the bittersweet nature of seasonal transitions.
The composition features a dynamically evolving arrangement that incorporates synth bass, vintage drum samples, and finely articulated fingerstyle guitar, layered meticulously to preserve clarity while avoiding sonic clutter. It opens with a bright, shimmering alt-pop aesthetic that reflects the last golden days of summer before giving way to a more introspective autumnal chill. As Byrne’s understated vocal delivery unfolds, the track conjures a “sepia daydream” characterized by both nostalgia and bare emotion, establishing an enchanting vibe that feels simultaneously intimate and expansive.
One notable aspect of “Solstice Sun” is how Byrne employs natural imagery as an emotional metaphor, rendered with fluidity rather than confrontation. At its core, “Solstice Sun” conveys a gentle yet potent affirmation that opportunities for renewal and glimpses of light can resurface after periods of significant despair. Echoes of hope are seamlessly woven into the song’s thematic fabric, creating a delicate contrast that exists alongside an underlying sense of melancholy.
The collaboration between Byrne and Symmonds exemplifies a distinct artistic synergy, where Tom’s ambient synth work beautifully complements Nick’s earthy acoustic instrumentation, evoking a rich soundscape that instantly appeals to fans familiar with artists such as Novo Amor and Keaton Henson. This fusion is further enriched by a nuanced representation of Byrne’s Chilean heritage, introducing cultural elements that add complexity and authenticity to the overall sound.
“Solstice Sun” thoughtfully explores the emotional implications of seasonal transitions, examining how these changes influence the cycle of human experiences. This track deserves a place in curated playlists, offering reassurance to audiences that even during moments of introspection and solitude, they can find comfort in their intimate connection to nature and in the meaningful relationships they have with others and themselves. It is ideally suited for twilight strolls, early sunsets, and those special occasions when one’s heart yearns for emotional alignment and clarity.
For more information about Nick Byrne, please visit [website].
CLICK HERE TO STREAM Nick Byrne’s “Solstice Sun“ on Spotify.
CONNECT WITH Nick Byrne | Instagram | TikTok | Facebook |
Hip-Hop
Laf822 hits all the right notes with “400 love songs”

When Laf822 says, “this one’s for the lovers,” he’s speaking from the heart. His new single, “400 love songs,” featuring Sweetcandy!, is a smooth track that captures the feeling of cruising on a warm summer day. It delivers on its promise of being a fantastic love song. What makes “400 love songs” truly special is not just its romantic vibe, but how it combines attitude and genuine emotion. Laf822 joins you and your partner on a journey, creating the ideal soundtrack for a relaxing day filled with music and affection.
This song celebrates real connections over flashy gestures, it’s about the love you build every day. The song has a perfect rhythm, with production that feels effortless and not overly complicated. Laf822 knows just when to let the music shine on its own. His confident delivery and storytelling ability pull you in without trying too hard. He simply lets the moment unfold, and it has a lot to say. The title “400 love songs” makes a statement about the many ways love can be expressed. Whether you’re starting a new romance or have been together for years, this track feels like it’s meant for every love story.
This is a song to listen to and one to really feel. It encourages you to lower the windows, relax, and enjoy time with your special someone. That’s the beauty of Laf822’s latest work, it’s an experience. If you’re searching for the perfect song to enjoy while spending the day with your favorite person, “400 love songs” could be just what you need. It’s smooth, heartfelt, and undeniably Laf822.
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