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Fans Are Mad About Egregious 2021 Grammy Snubs For Harry Styles, Fiona Apple, And Women In Rap

Getty Image As is tradition, there are complaints about the list of Grammy nominations and some are justified. …

The full list of nominees for the 2021 Grammys was announced starting at noon ET this morning, which means the inevitable criticisms of the list began at approximately 12:01 p.m. ET this morning. One important piece of information to remember during these trying times, though, is the eligibility window: Only works released between September 1, 2019 and August 31, 2020 are eligible to be nominated at the 63rd Annual Grammy Awards. Even with that in mind, however, there were some head-scratching omissions this year.

The most immediately obvious and profoundly confusing is The Weeknd not earning a single nomination for After Hours, “Blinding Lights,” and other related works. Both the album and single topped the charts (“Blinding Lights” actually just set a longevity record) and were critically beloved. It’s possible The Weeknd didn’t submit any of his work for consideration this year, but if he did, the confusion of fans on Twitter is justified.

Similarly, some people are wondering why Harry Styles’ Fine Line and Fiona Apple’s Fetch The Bolt Cutters, two of the year’s most acclaimed releases, didn’t earn Album Of The Year nods.

Meanwhile, hip-hop heads wondered why women didn’t have a significant presence in the rap categories: Of the 20 works nominated for Best Rap Performance, Best Melodic Rap Performance, Best Rap Album, and Best Rap Song, only two were by women, and they were both the Beyonce remix of Megan Thee Stallion’s “Savage.” On the bright side, though, women dominated the Best Rock Performance category.

Check out some tweets about other snubs below and find the full list of 2021 Grammy nominations here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Captain Iron and the Windrift Band put on a sci-fi pop show with new release “Ultra Sound”

Captain Iron / Windrift Band

Captain Iron / Windrift Band opens a vivid portal with “Ultra Sound,” a bold, creative dance-pop song that fully embraces cinematic storytelling. From the outset, the track establishes itself as more than just a catchy club-ready anthem, it’s a narrative-driven experience wrapped in glossy, futuristic production.

“Ultra Sound” is a great track because of its unique idea, a sexy fembot synth lures astronauts into a trap, then uses an ultrasonic tractor beam to steal their ship. It’s fun, a little strange, and very different from what you usually hear in pop music. This lets Captain Iron show off his unique lyrical style. The story feels like it’s moving forward with each beat, like it’s a movie.

It’s easy to see how “Ultra Sound” could grow even further with full-scale production or collaboration, since its foundation already offers plenty of possibilities. Captain Iron / Windrift Band gives us a song that is both fun and smart. “Ultra Sound” doesn’t just want people to dance, it wants to take them to a colorful, imaginative world where stories and sounds come together thrillingly.

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Séhkou turns pain into power with new release “Black Emotive”

Séhkou

Séhkou starts a very personal chapter with “Hebrews 5:7 (Black Emotive),” a powerful song from his Solus project that mixes music, poetry, and spiritual reflection. From the very first notes, it’s clear that this is more than just a song; it’s an experience.

Séhkou starts with a haunting spoken-word piece that sets a mood of deep thought and emotion. His voice is calm and measured, with a quiet intensity that pulls the listener in. As the song goes on, it turns into a structured verse, and you can feel a change, a movement from tension to release that feels planned and earned.

“Black Emotive” is about grief and endurance, it looks at the sacred space where emotions are not hidden but honored. The record channels a sense of supplication and resilience, turning personal struggle into something almost transcendent. The biblical reference of Hebrews 5:7 inspires this.

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