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Premiere: Kitt Wakeley Unveils 2nd Collaboration With Joe Satriani Recorded At Abbey Road Studios – “Forgive Me”

Songwriter-composer Kitt Wakeley announces the release of his latest composition, “Forgive Me,” featuring Joe Satriani. Off his upcoming album Symphony of Sinners and Saints, this is the second single featuring Joe Satriani and the third from the album, following-up on “Conflicted,” and “Sinners And Saints.” The album was  recorded at Abbey Roads Studios with the participation of the London Philharmonic and London Voices. Apart from Joe Satriani, Symphony of Sinners and Saints will include featured artists Andy Timmons, Paige Harwell, Brent Berry and Ryan Miller. 

“Forgive Me” is a profound composition that transports the listener into Wakeley’s orchestral rock universe, distilling  an ethereal and solemn feel throughout, while beautifully translating into sounds the coexistence of beauty and tragedy. With complex feelings arising when life’s dichotomy is finally transcended, Kitt Wakeley builds on his past successes as one of the first artists to mesh rock music with massive orchestras and choirs, initiating a movement that keeps gaining momentum with each year passing. 

He shares, “It was interesting to see the yin and yang of two genre’s colliding. More interesting was performing live. The prim and proper orchestral players interacting with the rock musicians was a sociological case study. Everyone got along great and had an appreciation for what the others did. That’s where I initially came up with the concept of “Sinners and Saints”. Eventually, it made sense to create the vernacular “Symphony of Sinners and Saints”.

 

After topping the Hard Rock Digital Song Sales with “Conflicted” featuring Joe Satriani, the first song released from the upcoming album, Kitt Wakeley is sure to break some more records with “Forgive Me.” Listeners will have to be patient to hear Satriani’s exceptional solo, imagined by Wakeley to act as the climatic finish of the composition. 

 

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Artist Spotlight

“Don’t Go Jo” by Rich Chambers delivers a retro-infused anthemic vibe

Rich Chambers

Rich Chambers continues demonstrating his artistic prowess with his latest single, “Don’t Go Jo.” This sophisticated fusion of authentic creativity and meticulous craftsmanship exemplifies Chambers’s do-it-yourself ethos. Taking on the roles of recording engineer, mixer, and master, Chambers stands out in today’s heavily produced pop music landscape. Its irresistibly catchy chorus captures immediate attention and remains imprinted in the listener’s memory beyond the track’s conclusion.

The inspiration for “Don’t Go Jo” emerged during a tranquil nocturnal moment, leading to a spontaneous surge of creativity that significantly influenced the song’s old-school lyrical narrative. Rich Chambers employs a skillful combination of vintage recording techniques with contemporary production methodologies, resulting in a nostalgic and forward-thinking sound. This track adeptly connects the allure of retro aesthetics with modern sensibilities, inviting listeners to engage in a musical experience that feels both timeless and pertinent.

Based in Vancouver, Canada, Rich Chambers has established himself as a formidable voice in the melodic pop and rock genres, as evidenced by his artistic vision and commitment to crafting memorable compositions. Every aspect of “Don’t Go Jo,” from its compelling melody to its pristine production quality, underscores his devotion to the art of music. The track is an intimate expression of creativity and a tribute to music’s potential to engage and inspire.

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Rich’s noteworthy release transcends mere entertainment, offering a profoundly resonant experience characterized by a dynamic yet emotionally impactful production. This track is unequivocally a masterclass in a feel-good rock-infused pop piece with an exceptional melodic appeal, likely to secure a spot in the playlists of discerning audiences who value the craftsmanship in music. Thus, it marks a significant milestone in Rich’s artistic trajectory, inviting you to hit replay repeatedly.

 

For more information about Rich Chambers, please visit [website]. 
CLICK HERE TO STREAM Rich Chambers’ Don’t Go Jo on Spotify.
CONNECT WITH Rich Chambers | Instagram | Twitter | TikTok | Facebook |

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Artist Spotlight

Remy Ma’s Onstage Moment Has Fans Speculating About Papoose and Claressa Shields Drama

HonkMagazine

Remy Ma is not one to shy away from what’s on her mind, and her recent performance was a testament to that. The Bronx rap legend joined forces with Trey Songz and Connie Diiamond for a high-energy performance of their “Ghetto & Ratchet (Remix)” on Thursday night. But it wasn’t only the high-energy delivery that was making mouths move in the crowd, it was one specific lyric that has the internet buzzing. Remy Ma says in the OG song, “Fk wantin’ ya na, I take him.” * But she added a little more bite to her latest performance, audaciously changing it up to, “If I want ya n**a, I’ll take him.” *

The energy instantly shifted in the room as soon as those words slipped from her lips, and fans were left wondering. Rumors and speculation about infidelity have surrounded it for months as the couple’s relationship came under public scrutiny. Although nothing has been officially confirmed, the tension has been impossible to miss. And now, with this lyric change, plenty of fans are convinced Remy Ma is doing just that. The reactions poured in on social media. Some fans were quick to read between the lines, interpreting the lyric as an obvious shot.

“Y’all know that was the line in that song right 👀,” wrote one user, while others directly questioned the intention of the performance. On the contrary, there are also some who couldn’t help but root her on, praising the confidence and fearlessness that Remy Ma displayed on stage. However, the biggest takeaway, perhaps, is that Remy Ma is still committed to her brash persona. Be it back through barb-laden lyrics or just the commanding way she runs a crowd, she knows how to seize a moment. Remy Ma ain’t losing her status as one of hip-hop’s wildest mouths.

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