Entertainment
Pure Comedy: Diddy Documents His Pool-Diving Practice And Reminds Us Of Another Awkward Rap Star
Diddy posts funny video of himself trying to learn how to dive into a pool …
For as much as rappers sing about beaches and exotic vacations, you’d think they’d be better around water…
Source: KMazur / Getty
Such is not the case and the proof is in the diving practice. Yesterday, Sean Combs took to Instagram to post a few videos of himself practicing how to dive into a pool. It’s bad, boy. So bad that we’ve watched it at LEAST fifty-leven times this morning and we’re still laughing.
God bless this brotha for trying to learn a new skill and for doing it in front of everybody but also LMFAOOOOOO.
Sean’s poolside hijinks reminded many social media users that his brother-from-another-mother, fellow hip-hop icon, and logographic namesake Jay-Z is also not very adept at land-to-water interfacing.
One thing we will say about Shawn and Sean is that they are very self-aware for men who have spent a greater part of the last 25 years bragging about their various talents and abilities. It may have flown over some heads that Jay-Z rapped about his swimming insecurity on the song “713” from The Carters joint album Everything Is Love, via Genius:
“My first time in the ocean went exactly as you’d expect, Meanwhile you goin’ hard, jumpin’ off the top deck, A leap of faith, I knew I was up next”
If you can’t respect that, your whole perspective is wack.
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Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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