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Album Review

Review of Pam Ross’ “When Therapy Fails” LP

Pam Ross’ debut album, “When Therapy Fails,” represents a vibrant foray into the music world with a compelling blend of rock, Americana, and country. This debut from the Fuquay Varina-based artist, affectionately enveloped in what has been termed “PamMusic,” strikes a resonant chord through its fusion of earnest lyricism and robust musicality.

The Sound

The album is framed by Pam’s dynamic vocal abilities that effortlessly transition from fiery rock anthems to tender country ballads. Her voice, characterized by its raw emotional depth, serves as the linchpin holding the varied styles together. The instrumentation across the album, particularly the guitar work, is robust and purposeful, complementing her storytelling prowess.

Track Highlights

  1. “Fire In the Hole” starts the album with a rousing energy that’s both infectious and reflective of Pam’s known stage presence. The track sets a high bar with its spirited guitar riffs and anthemic chorus.
  2. “Falling off the Merry Go Round” showcases Pam’s lyrical skills, weaving a poignant narrative about life’s unpredictability and the pain of letting go.
  3. The chart-topping single, “Better Than a Good Thing,” encapsulates the album’s theme of finding joy and resolution amidst personal turmoil. The song’s catchy hook and heartfelt lyrics undoubtedly contributed to its success.

Lyrics and Themes

The album’s title, “When Therapy Fails,” hints at the deeply introspective nature of its content. Each song serves as a vignette, exploring themes of resilience, personal struggle, and the redemptive power of music. The lyrics are both clever and impactful, with songs like “Cornflakes and Beer” using everyday imagery to discuss deeper emotional truths.

Overall Impression

“When Therapy Fails” is an accomplished debut that firmly establishes Pam Ross as a significant new voice in her genre fusion. The album not only navigates the complexities of personal adversity but does so with an infectious zest and genuine artistry. Its blend of genres, compelling lyrics, and Pam’s vocal prowess make for a memorable musical journey.

In conclusion, Pam Ross’ “When Therapy Fails” is a robust introduction to her artistic vision, filled with tracks that are likely to resonate with a broad audience while earning her a spot among the notable newcomers in the indie music scene.

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Recommendations and Playlist

For those drawn to Pam Ross’ style and themes, I recommend checking out the album “Midwest Farmer’s Daughter” by Margo Price. It shares a similar authentic narrative style and musical blend.

Here’s a playlist themed around resilience and renewal, inspired by the vibe of Pam Ross’ “When Therapy Fails.” This collection blends rock, Americana, and country, featuring songs that echo themes of overcoming and personal growth.

“Resilience & Renewal” Playlist

  1. Margo Price – “Hands of Time”
  2. Brandi Carlile – “The Story”
  3. Jason Isbell – “Something to Love”
  4. Chris Stapleton – “Starting Over”
  5. Lucinda Williams – “Car Wheels on a Gravel Road”
  6. Patty Griffin – “Heavenly Day”
  7. Kacey Musgraves – “Rainbow”
  8. Sturgill Simpson – “Keep It Between the Lines”
  9. The Highwomen – “Redesigning Women”
  10. John Prine – “I Remember Everything”
  11. Miranda Lambert – “Bluebird”
  12. Ryan Adams – “Come Pick Me Up”
  13. Sheryl Crow – “Redemption Day”
  14. Gillian Welch – “Everything Is Free”
  15. Bob Dylan – “Not Dark Yet”
  16. The Avett Brothers – “No Hard Feelings”
  17. Willie Nelson – “Ride Me Back Home”
  18. Emmylou Harris – “The Road”
  19. Tom Petty – “I Forgive It All”
  20. Ray LaMontagne – “Such A Simple Thing”

These tracks not only reflect the journey through struggles and the pursuit of peace but also complement the rich musical textures and emotional depth found in “When Therapy Fails.” Enjoy the music and the messages woven throughout this carefully curated playlist!

–Jamie Jones

Album Review

Saint Escape sets the past on fire with latest release “Look At What You Made”

Saint Escape

Saint Escape isn’t here to reconcile the past, they’re here to torch it. Now, with the release of their new single “Look At What You Made,” Saint Escape have unleashed a punishing, nu-metal-infused anthem that just sounds like an equal measure of reckoning and release. It is loud, confrontational, and honest, exactly what a purging rock record should be.

Produced and mixed by Joe Rickard, Starset, Three Days Grace, Breaking Benjamin, the track delivers a tight punch that fuses wild aggression and arena-sized power. “Look At What You Made” doesn’t stop. Rickard’s slick production redoubles Saint Escape’s raw edge rather than sanding it down, and the song takes on a huge, modern rock sound without losing its bite.

“Look At What You Made” is a primal response to toxic authority figures, the kind who kept order through fear, misinformation, and control, and knew where best to leave emotional scars. On “Look At What You Made,” the anger boiling beneath the surface becomes something purposeful, an anthem for anyone who’s been moulded by manipulation and left in its wake. The effect is communal shake-off, a determination not to be shaped by the past.

And lead vocalist Matt Cox provides a threatening, buffed clean vocal performance, of sorts as well, one that’s heavy with anger and determination. There is rage here, but also clarity, a sense that this is less about revenge than about reclaiming autonomy. As Cox puts it, the song is a purge, a reminder that the future belongs to those willing to to take it back. “Look At What You Made” is a testament to strength and newfound independence, it’s further evidence that Saint Escape are bleeding their past into something louder, stranger, and harder to ignore.

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Album Review

Big O redefines artistic evolution with “When it’s Not Said, But Done” album

Big O

Big O’s “When it’s Not Said, But Done” is a whisper of transformation narrated through rhythm, texture, and space. Across its fifteen tracks, spanning just under forty-seven minutes, Big O sacrifices flash for feeling and ego for essence.

The production feels like an artist who has finally quit chasing something external and is instead listening inward. The flow of the album is methodical but organic, with each track leading into the other as if they were diary entries. On “Free Spirit,” Big O creates a soundscape that embodies freedom in action, with rhythms that propel you forward. It’s one of those rare songs that can be at once contemplative and propulsive, with a slow revelation. And also, “New Found Joy” is an anthem for rebirth.

Big O’s production vision here is sweeping and cinematic, but also intimate. The presence of live musicians gives an organic texture. Jeronimo G’s xylophone on track nine tolls like an intimate conversation, while IB Delight’s saxophone on track ten blows satisfying warmth and longing into the mix. These collaborative moments are the crucial parts of Big O’s unfolding language.

Every choice, from the minimal artwork by Andriyan Robby to the in-house mixing and mastering by Big O himself, is consistent with the album’s spirit of transformational thought. In “When it’s Not Said, But Done,” Big O has created a statement on silent courage. It is an album for those who know that, in reality, real change does not need to be shouted from the mountaintops, but only heard, felt, and lived.

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