Entertainment
#RHOP Reunion Trailer Shows Candiace Crying, ‘The Thirst Book’ & Shady Paternity Plot Allegations
The THREE part Real Housewives of Potomac Reunion is on the way and it marks the first time Candiace and Monique have been in the same room since their Cabernet combat. …
The THREE part Real Housewives of Potomac Reunion is on the way and it marks the first time Candiace and Monique have been in the same room since their Cabernet combat.
As previously reported the reunion is Portugal-themed and taped for 11 hours. The ladies wore various shades of yellow and rumors are swirling that Gizelle was “exposed” and put on blast by her castmates.
More on that in a moment…
In the reunion trailer, Candiace is seen once again folding a tissue to dry her tears as Karen claims that “words are weapons” and Ashley Darby flat out says that “Candiace provokes fights.” Candiace storms out of the reunion and is seen being comforted by her husband Chris Bassett.
Monique, however, might have the biggest moment of the reunion when she opens up a binder full of receipts.
What receipts you may ask? Good question.
Monique’s binder that Candiace calls a “thirst book” will allegedly expose that alleged shady plot against her, one that involved a nasty rumor that Monique cheated on her husband and her youngest son, Chase, isn’t his.
Monique previously claimed that Gizelle was adamant about having that rumor which was started by an ex-friend of Monique’s discussed on-camera. She also claimed that Candiace who she was friends with at the time knew the plot was being discussed and didn’t warn her.
With that in mind, it’s clear that at this reunion that Monique will not only be gunning for Candiace but for Gizelle as well. At one point she’ll even bring up those super messy Pastor Jamal Bryant secret child allegations that the New Birth Missionary Baptist Minister vehemently denied.
“Your Pastor boyfriend is slinging his big D all around Atlanta,” says Monique to Gizelle while clutching her binder.
Monique has reposted the trailer and she’s sending shade to some “lying tricks” and it’s pretty clear who the “lying tricks” she’s talking about are.
You can tune in to The three-part Real Housewives of Potomac reunion when it airs 12/13, 12/20, and 12/27 at 9/8 c on Bravo.
Will YOU be watching???
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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