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Rodent Complaints Rise As NYC Restaurants Reopen, Rat Hunters Respond

As restaurants are reopening to allow outdoor seating in New York City, rats are returning to feast on the trash they leave behind, causing experts to expect a rise in rat attacks on outdoor diners.

NYC Rats, Restaurants, CoronavirusSean Gallup / Getty Images

Urban rodentologist Dr. Bobby Corrigan says he’s seen drastic changes in rodent behavior in his own condominium: “You wouldn’t believe what’s going on outside my condominium, it’s kind of crazy I hear screaming rats down in the street,” Corrigan told Gothamist.

He says friends have been calling him to warn him about the rats. He described one call saying, “’I’m watching rats, I never seen them play in the park before, they’re wrestling, they’re playing it looks like they’re happy.’ I said, trust me, they’re not playing, somebody is going to be killed shortly and eaten!”

“Any mammals, if you take the food away you’re going to have abnormal behavior show up really quick,” Corrigan said.

New Yorker Elias Schewel told NY1 that he takes his dog out rat hunting. “We are not providing a service,” Schewel says. “We are doing it for fun.”

“It’s actually been a great pleasure of mine watching [Sundrop] learn how to make a kill,” Schewel continued. “It’s like whack-a-mole.”

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Marsha Bartenetti reinvents in her own style “New York Minute”

Marsha Bartenetti

Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.

The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.

“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.

Connect with Marsha Bartenetti on Spotify || Facebook

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