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Artist Spotlight

Ross Victory is a singer/songwriter turned award-winning author of the books Views from the Cockpit: The Journey of a Son and Panorama: The Missing Chapter from Southern California.

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As the son of public servants, a missionary father and a law enforcement mother, exploration and service were built into his foundation having travelled to over thirty countries and volunteered with homelessness causes to teen suicide prevention.

 

Ross spent his early years collecting Pilot pens, notepads, singing and interviewing himself in a tape recorder. With an acute awareness for his young age, he was eager to point out hypocrisies and character inconsistencies in children and adults through English assignments. He provoked reactions from teachers with writing that could bite, wink, and smile. Though some of his writing was provocative for a third grader and led to concerned phone calls, adults looked forward to what Ross would write or say next.

 

He gravitated to writing music lyrics and producing beats on Sonar Cakewalk to cope with isolation he felt in his childhood from feeling different. In high school, he impressed his classmates and teachers when he wrote and recorded a song about a nine-year-old girl who died from gang violence. At fifteen years old, Ross submitted the song to a songwriting competition. Competing against a sea of experienced adult songwriters, Ross was awarded the distinction of Runner Up. This validation was formative for Ross at his young age; it gave him the sense that he was on to something, and it was worth developing.

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Ross wrote and submitted these songs and stories to online competitions for feedback, which helped him find his direction, style, and voice. In 2007, Ross entered a Myspace singing competition for a chance to be featured on the Step Up 2 The Streets Music Soundtrack produced by Atlantic Records; Ross reached the Top 5 male finalists. Ross describes himself as a writer first, songwriter second, and a singer last. Editors and songwriting judges have described Ross’ writing as ‘never lacking soul’ with the ability to anger or soothe–but always descriptive and transparent.

 

While pursuing a Marketing degree from Cal State LA, Ross interned in the Sales & Marketing team at Power 106 radio station in Los Angeles. The internship led to an opportunity at ASCAP (Performing Rights Organization), where he worked with the process of music publishing and obtained hands-on experience with songwriting and licensing.

 

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Unable to land a dream job in the industry, Ross moved to South Korea to work as an English as a Second Language teacher. After many years of teaching phonics to advanced-level English, he began to work in Operations Management in international schools. These roles married Ross’ love for language, international travel, and Marketing together in a unique way.

 

After the back to back death of his brother and father, Ross was faced with profound grief which pushed him down a road of deep self-reflection about life and his personal legacy. With laser focus and new-found understanding, Ross combines his creative passions and practical work experience to inspire and entertain readers and listeners with his books and music in a way that feels fresh and sincere.

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Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses is warmer, whereas Aptøsrs’ “Questionnaires is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

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The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

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Artist Spotlight

LAST ALEX! balances precision and pulse on the electrifying track “Plus 1”

LAST ALEX!

LAST ALEX!, a Chicago-based artist and producer, comes out with “Plus 1,” a high-energy release that combines technical prowess with an undeniable melodic instinct.

LAST ALEX! puts both craftsmanship and creativity on display here. The song’s strength lies in its balance, in detailed execution without sacrificing feeling, and in complexity without losing momentum.

LAST ALEX! doesn’t fully lean into the cold technique or loose emotion, but finds the sweet spot where skill and soul meet. This yields a polished, vibrant, and musically confident track.

Connect with LAST ALEX! on Spotify

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