Story

Sacha Baron Cohen Ran Down By Trump Supporters In “Borat 2” Outtake

Sacha Baron Cohen is a genius to some, an enemy to others, and an overall madman who puts himself in some risky situations. By now, you’ve either seen or heard about Borat 2 and some of the antics that took place. Some of it was previously reported throughout the year, such as the bit with Giuliani where he’s caught with his hands down his pants in a hotel room with Borat’s 15-year-old daughter.

Stephane L’hostis/Getty Images

On the latest episode of A Late Show With Stephen Colbert, Sacha Baron Cohen shared an exclusive outtake from what really went down when he performed at a right-wing rally in his new movie where he performed a song called the “WuHan Flu” as Borat, who’s disguised as Country Steve. What wasn’t shown in the film is Cohen getting called out by Trump supporters and getting rushed off the stage. Cohen, no stranger to confrontation, was already wearing a bulletproof jacket and saw one of the people at the rally reaching for their gun.

“The problem was that some of the militia groups that were in this rally had been antagonizing the Black Lives Matter protesters, so as revenge some of the Black Lives Matter protesters were coming over to confront them,” Cohen explained, claiming he had no idea what was going to happen. Apparently, a few BLM protesters went undercover to this rally like Cohen and all it took was one of them to notice.

“One of them went, ‘Oh my God, it’s Sacha Baron Cohen!” He continued. “Word got out that it was me, and then the organizers and a lot of people in the crowd got very angry. They tried to storm the stage. Luckily for me, I had hired the security, so it took them a while to actually storm the stage.”

The footage finds Sacha Baron Cohen booking it to his van before a crowd started to break the door open. Peep the video below with the Country Steve bit beginning around the 6-minute mark.

Tweet LinkedIn PinShares0

Story

RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok

Tweet LinkedIn PinShares0

Story

Kieran James Honors Memory with “Part of the Grind”

Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.