Indie

Sean Lippin transforms betrayal into a hit with “Frenemies”

There’s a unique sting that comes from realizing your so-called best friend might be your biggest saboteur. Sean Lippin is here to transform that gut punch into a catchy anthem with his new single, “Frenemies.” The soaring guitar solos and energetic pop-folk vibes give the song emotional depth without being preachy. While it’s undoubtedly a breakup song, it addresses friendships that should have ended long ago explicitly.

With jangly guitars and a sense of irony, Lippin creates a tune that feels like a warm hug, albeit one delivered with a side-eye and a dose of truth. Drawing inspiration from the melodic charm of Vampire Weekend, the raw honesty of Neutral Milk Hotel, and a touch of Tom Petty’s straightforward attitude, “Frenemies” is both cathartic and catchy.

“Frenemies” tells the story of a friendship unraveling at the seams, but rather than expressing rage, Lippin simply smirks. “We’ve all had that friend,” he sings, “referring to the one who can’t stop talking about themselves while simultaneously stabbing you in the back.” This relatable, sharp perspective is what makes “Frenemies” resonate so well; it doesn’t wallow in self-pity.

Instead, Lippin flips the narrative with upbeat production and cleverly biting lyrics that make you want to roll your eyes and dance at the same time. Whether you’re playing it on your way out of a bad hangout or reflecting on your frenemy, “Frenemies” serves as a feel-good farewell with just the right amount of sass.

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With “Silhouette,” Bam Rigby captures the spirit of resilience

Progress is often met with resistance, and Bam Rigby’s new single, “Silhouette,” is a truthful and heartfelt reflection of that reality. A recording out of New York City, it mashes the upbeat sound of indie pop with the rougher sound of indie rock to make perseverance a fun listen while reminding us that every little step counts, even when you’re not sure where you’re going.

“Silhouette” has a lot of momentum with a propulsive rhythm and plenty of live instrumentation. There’s a certain warmth to the song because it was recorded on analog, and every guitar, drum, and harmony has character. The production gives the music a timelessness that feels both familiar and new.

Rigby’s voice works well in the arrangement, offering a blend of quiet contemplation and steady resolve. The song builds with rising background harmonies that gradually ease the emotional burden, reflecting the persistence at the heart of its narrative. What you get is a song that admits to struggle but does not succumb to it, that chooses hope and resilience in the midst of defeat.

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“Silhouette” is a statement about the quiet determination you need to stay the course when distractions and setbacks threaten to throw you off course. The first release from his upcoming debut album, “Sometimes I Forget to Breathe,” this release introduces us to an artist who believes in real musicianship and meaningful storytelling, and leaves us with plenty of reasons to look forward to what comes next.

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