Music
T.A.P. unwraps the bursting melodic fiesta of the season with its latest single, “Beats of Christmas”
T.A.P. (The African Project), presents a lively Afro-Pop single, “Beats of Christmas.” This embodiment of the celebratory mood is characterized by an enjoyable melody that transcends borders. This track, orchestrated by the collaborative efforts of producer Akanni Temiyato, lays the foundation for a musical adventure expertly crafted by guitarist Udeme Akpan Ini, and the soulful vocals of featured singer Debbie Anthony are a testimony to the rich cultural exchange happening in the pulsating heart of Lagos.
The song’s dual-language approach merges African rhythms with nostalgic English lyrics to encapsulate the essence of the seasonal festivities, creating an exclusive dimension that resonates with a global audience. Penned by Cynthia Ann Sladek, the piece represents an invitation to dance, celebrate, and reflect on the memories and moods that accompany the holidays.
T.A.P.’s mission, founded by an American and an independent African artist, aims to amplify voices and provide opportunities, offering financial and collaborative support to up-and-coming African musicians. As such, Debbie Anthony’s vocals in “Beats of Christmas” are enchanting and paired with the rhythmic drive that immerses listeners in a world where celebration and nostalgia coexist harmoniously, taking center stage and becoming a commendable testament to the project’s noble cause.
The composition, recorded in a vibrant studio at Lagos, encapsulates the joyous spirit of the holiday season while also standing as a testament to the diverse and rich pool of talent fostered by The African Project (T.A.P.). The organization’s unwavering commitment to supporting emerging musicians from the African continent is evident in this collaborative effort. “Beats of Christmas” is a ringing endorsement of their dedication, introducing Debbie Anthony as an artist with immense potential and a bright future.
The track “Beats of Christmas” stands out amidst the plethora of sounds worldwide and will be a delightful addition to any playlist. Its immersive narrative and infectious rhythm are sure to captivate listeners. As T.A.P. continues to champion the promotion of African talent, the audiences are encouraged to embrace the experience, looking forward to more enthralling releases. Strap in with T.A.P.’s “Beats of Christmas,” an unforgettable celebration of Afro-Pop at its finest, nostalgia, and the joyful spirit of the holidays.
For more information about T.A.P., please visit [website].
CLICK HERE TO STREAM T.A.P.’s “Beats of Christmas“ on Spotify.
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Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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