Music
The Curse of K.K. Hammond Announces Special Halloween Pre-Sale For New Album “Death Roll Blues”

K.K. Hammond is recognized as the “Queen of Horror Blues” music. Her 2023 album release, “Death Roll Blues” goes on Pre-Sale this Monday, October 31st, 2022 -Halloween.
The Curse of K.K. Hammond is an innovative slide guitarist, singer and songwriter who is interpreting Blues music from her own unique perspective. With a love for all things dark, she takes influence from Blues icons such as Skip James, Robert Johnson, Son House, Charlie Patton and Leadbelly, and combines it with her personal musical style and lyrics, thus creatively transforming the Blues genre into her own unique sound, known as “Horror Blues.”
Hammond explains her sound: “It must never be forgotten than Blues music traditionally arose out of some very hard times for African American people and has touched upon some dark subject matters historically. Of course, the early folklore surrounding musicians such as Tommy Johnson and Robert Johnson selling their souls to the devil certainly paved the way for the combination of blues and horror themes too. My lyrics tend to be pretty dark and unsettling at times, and I felt this was the perfect springboard to launch myself into making horror themed music videos to best deliver them.”
Her highly anticipated new album “Death Roll Blues” is scheduled for release on March 31, 2023. In order to celebrate the spooky season in its full force, K.K. Hammond has announced a special Halloween pre-sale for the album, thus giving listeners an opportunity to get a look at the album before the official launch date. For those who purchase the album in advance, the title track will be available as an “Instant Gratification” track.
K.K’s single “The Ballad of Lampshade Ed” (featuring David & the Devil, a fellow bluesman who can claim Jason Momoa as a fan) was extremely well received by listeners and fans hitting the Number 1 spot on the UK itunes Blues chart upon its release.
Watch “The Ballad of Lampshade Ed” at https://www.youtube.com/watch?v=728dBijgYhk.
K.K has some excellent industry support including regular plays on the BBC radio 2 Blues Show with Cerys Matthews and Huey Morgan, and on the award-winning “Blue Show” with Gary Grainger. She is also regularly played on the “Balling the Jack Blues show” hosted by Joe Cushley, as well as a multitude of other blues radio stations and podcasts worldwide.
More details about The Curse of K.K. Hammond, along with the Halloween pre-sale, can be seen at http://www.thecurseofkkhammond.com .
Music
Elevator Operator Urges Us to Tune Inward with Soulful New Single “Listen”

“Listen” (Elevator Operator) is a refreshing and much-needed pause in the new album by Elevator Operator. The song is now available to stream on Spotify and is a delicately wrought meditation on the fact that sometimes the only voice that truly matters is the one inside our own heads.
“Listen’s” descriptions are simply chill, practically weightless, with softly layered textures, light instrumentation, and an instant calm that feels like a gentle breeze. Don’t get too comfortable; Elevator Operator has also ensured this track will evolve. As the song climbs, it takes flight with an uplifting, soaring, cathartic, invigorating chorus. The dynamic surprises you to the best extent, inviting a no-holds-barred emotional response.
The episode’s core is an inward journey; “Listen” is about looking in. It’s a musical nudge to slow down, filter out the external static, and reacquaint ourselves with that easily ignored inner voice. Elevator Operator doesn’t scream its message at you; it leads you to it gently, laying along the way through lyrics and a performance that feels profoundly intimate, even while being profoundly of the world.
The power is subtle in how the song builds musically and emotionally. The verses fall like murmuring reveries, while the chorus explodes into the kind of epiphany you never knew you were looking for. This feeling of being an elevator operator masterfully mediates the sound as though needing to have the listener hear, feel, and be empowered.
Production-wise, “Listen” also has a crisp and natural sound. Earley meticulously places each layer, from the mellow opening notes to the whirling chorus, making this a soundscape that feels immersive without ever being enveloping. It’s clear that Elevator Operator has a keen ear for dynamics, allowing every instant to breathe precisely the way that it needs to.
At a time when external distractions may be louder than ever, “Listen” comes as balm, and a call to action. More than just a great song, Elevator Operator has just given us an experience, one that stays with you well past the last notes.
Music
ANSW333R Turns Pain into Poetry on New Single “Atrophy”

New single “Atrophy” simmers in all the right places. With “Atrophy,” ANSW333R brings listeners into a raw place where pain is embraced. From its first haunting notes, the track blooms like a wound, beckoning you into a place that’s as personal as it is universal. ANSW333R provides no easy answers, just an opening for vulnerability, a space to have the hurt and let it become ugly and beautiful.
The song progresses with a kind of slow burn, every beat feeling deliberate and laden with intention. It’s apparent that the feelings behind “Atrophy” are not only layered within the lyrics but interwoven within the sound of the music. Every second of the track sounds like a confession, a relinquishing of pain’s truths without rushing to resolution or cliche uplift.
What makes “Atrophy” especially resonant is how wide-eyed ANSW333R captures pain rather than drowning in it. The song observes. It takes up its position amid heartbreak and implosion and allows the silence between the lines to get some of the talking done. The rest of the production follows suit, stripped back just enough to let ANSW333R’s fragile voice take the lead, opening the door to a territory most of us work so hard to skirt around: the gentle, soft collapse within.
There are no easy answers in “Atrophy” by ANSWER333R, just honesty. And sometimes, that’s the only answer we need. “Atrophy” reminds us that pain is not something to get over but something to move through, try to understand, and make art out of. Currently, ANSW333R is granting us permission to sit with ours.
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