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Travis Scott’s Astroworld Festival Teases A 2021 Return, Confirming This Year’s Showcase Has Been Cancelled

Getty Image The 2021 show will serve as a follow up to 2019’s Astroworld Festival, which saw performances from Migos, Gucci Mane, Young Thug, and more. …

Music festivals have suffered a huge blow this year as a result of the coronavirus pandemic. Some have opted to push things back a year, hoping the world will be back to normal next year. Others have taken advantage of the internet and held virtual showcases for people quarantining. While Travis Scott’s Astroworld Festival did not announce an official cancellation or postponement, a tease from the platform’s official Instagram page revealed that the festival will not make its return this year. But it’ll be back.

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THE PARTY NEVER ENDS

A post shared by ASTROWORLD FEST (@astroworldfest) on

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“See you next year… at Astrofest can’t wait to turn the f*ck up!” the post read alongside a picture of an astronaut. The message was signed off by Scott, while the post itself featured a caption that boldly proclaimed “THE PARTY NEVER ENDS.” According to the platform’s Facebook page, the Astroworld Festival was locked in for a November 7 date before the pandemic hit. The 2019 Astroworld Festival was largely successful, with performances from Migos, Gucci Mane, Young Thug, Pharrell, Marilyn Manson, Megan Thee Stallion, Playboi Carti, DaBaby, Rosalia, Young Dolph, and of course, Scott himself.

Scott has kept busy this year despite just a handful of musical releases. The Houston has spent most of the year working on his branding as he’s partnered with Fortnite, McDonald’s, and PlayStation for various creative endeavors.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Electronic

Amerakin Overdose strikes a nerve with “Nothing Remains”

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Amerakin Overdose is here with their engaging new single, “Nothing Remains,” a track that’s dark but still destined to make it to the airwaves and establish domination in modern alternative heavy music. Written by producer/guitarist Jonny, who also contributes lead vocals and a guitar solo, the emotionally charged “Nothing Remains” is rife with heavy riffs, haunting melodies, and raw fervor that hits hard. “Nothing Remains” wastes no time declaring a mood. Production is sharp yet raw in all the right places, enveloping listeners in a veil of fog, despair, and defiance.

It’s a sound and style that sounds like it could rumble through the underground clubs just as well as the rock station airwaves, turning out of any easy lane with a style that’s heavy. Stepping out from behind the board and into the vocal booth, Jonny adds an entirely new dimension to the band’s sound. And when you think the atmosphere can’t get any thicker, his guitar solo erupts into emotive speaking without words. What makes “Nothing Remains” hurt more than most is its undeniable equilibrium. There’s a range through the lyrics and arrangement, but it never feels hopeless. Instead, the band appears to be staring into the abyss with gritted teeth and clenched fists.

The single gives us our first taste of what Amerakin Overdose has been brewing in the studio for their next album, and if this track is any indication, “Nothing Remains” proclaims that the band is changing, but not without retaining the raw power and edge that got them to the dance. Amerakin Overdose is not only back, but they’re smarter, darker, and more unforgiving than ever. And if “Nothing Remains” is what’s left, it’s enough to burn the world down and build from its ashes.

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Artist Spotlight

Javar Parker Returns with Empowering Anthem ‘OCEAN STYLE’

Javar Parker

Javar Parker’s latest single, “OCEAN STYLE,” dives deep beneath the surface to deliver a message that’s as powerful as it is poignant. While its title evokes serenity, this track emerges from a storm, born out of Parker’s need to process the turbulence following last year’s elections and the unsettling divisions that rippled through the nation.

Rather than retreat into silence, Parker leans into his purpose as an artist: using music as a vessel for engagement, empowerment, and unity. From the opening notes, “OCEAN STYLE” pulls you in with fluid, wave-like melodies that set the tone for reflection and resilience. The track feels cinematic, an anthem for those navigating the undercurrents of systemic barriers, cultural struggles, and societal inequities.

What makes “OCEAN STYLE” stand out is its authenticity. Parker frames this track as an open letter to Black women, an acknowledgment of their strength, and a rallying cry for recognition. Yet, in true Parker fashion, its message is expansive, resonating far beyond one community. Anyone who’s ever felt unseen or unheard will find a piece of their own story between its verses.

Parker doesn’t shy away from the weight of the moment, but he balances urgency with hope, threading his words through an uplifting soundscape that feels like sunrise after a long, stormy night. The production is sleek yet soulful, with layered textures, rhythmic percussion, and waves of harmonies that echo resilience at every turn.

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In a world where art often feels disposable, “OCEAN STYLE” reminds us that music can still be a lifeline, a force for connection, empathy, and change. Parker crafts narratives that challenge and comfort in equal measure.

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