Music
Travis Scott’s Astroworld Festival Teases A 2021 Return, Confirming This Year’s Showcase Has Been Cancelled
Getty Image The 2021 show will serve as a follow up to 2019’s Astroworld Festival, which saw performances from Migos, Gucci Mane, Young Thug, and more. …
Music festivals have suffered a huge blow this year as a result of the coronavirus pandemic. Some have opted to push things back a year, hoping the world will be back to normal next year. Others have taken advantage of the internet and held virtual showcases for people quarantining. While Travis Scott’s Astroworld Festival did not announce an official cancellation or postponement, a tease from the platform’s official Instagram page revealed that the festival will not make its return this year. But it’ll be back.
“See you next year… at Astrofest can’t wait to turn the f*ck up!” the post read alongside a picture of an astronaut. The message was signed off by Scott, while the post itself featured a caption that boldly proclaimed “THE PARTY NEVER ENDS.” According to the platform’s Facebook page, the Astroworld Festival was locked in for a November 7 date before the pandemic hit. The 2019 Astroworld Festival was largely successful, with performances from Migos, Gucci Mane, Young Thug, Pharrell, Marilyn Manson, Megan Thee Stallion, Playboi Carti, DaBaby, Rosalia, Young Dolph, and of course, Scott himself.
Scott has kept busy this year despite just a handful of musical releases. The Houston has spent most of the year working on his branding as he’s partnered with Fortnite, McDonald’s, and PlayStation for various creative endeavors.
Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
The trapheaux gracefully glides over in new release “Marble Floors”
Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.
The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.
When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.
Connect with Trapheauxly on Spotify || Instagram || Soundcloud
Artist Spotlight
NIHLNØTHING unleashes increased tides on new release “ocean” Power
NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.
A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.
Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.
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