Music
Travis Scott’s Astroworld Festival Teases A 2021 Return, Confirming This Year’s Showcase Has Been Cancelled
Getty Image The 2021 show will serve as a follow up to 2019’s Astroworld Festival, which saw performances from Migos, Gucci Mane, Young Thug, and more. …

Music festivals have suffered a huge blow this year as a result of the coronavirus pandemic. Some have opted to push things back a year, hoping the world will be back to normal next year. Others have taken advantage of the internet and held virtual showcases for people quarantining. While Travis Scott’s Astroworld Festival did not announce an official cancellation or postponement, a tease from the platform’s official Instagram page revealed that the festival will not make its return this year. But it’ll be back.
“See you next year… at Astrofest can’t wait to turn the f*ck up!” the post read alongside a picture of an astronaut. The message was signed off by Scott, while the post itself featured a caption that boldly proclaimed “THE PARTY NEVER ENDS.” According to the platform’s Facebook page, the Astroworld Festival was locked in for a November 7 date before the pandemic hit. The 2019 Astroworld Festival was largely successful, with performances from Migos, Gucci Mane, Young Thug, Pharrell, Marilyn Manson, Megan Thee Stallion, Playboi Carti, DaBaby, Rosalia, Young Dolph, and of course, Scott himself.
Scott has kept busy this year despite just a handful of musical releases. The Houston has spent most of the year working on his branding as he’s partnered with Fortnite, McDonald’s, and PlayStation for various creative endeavors.
Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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