Album Review
Wastelander’s New Album “What is Left of Me”
From the poetic folk-rock rundown that we encounter in “Get Older” to the more eclectic feel of “Room Full of Elephants,” the pastoral qualities found in “Broken Leg,” and simplistic melodicism of the rather rousing “Never Trust a Man,” there’s scarcely a moment in Wastelander’s new album What is Left of Me where veteran singer/songwriter Cooper Formant doesn’t sound completely at ease in the recording studio. It can be said that he’s turned in some quality work before now, I think that this latest effort might just be the most confident he’s ever sounded. Under the Wastelander moniker, Formant goes out of his way to reject the filler that many in his age group have come to lean on when crafting a new album, instead favoring a concept that gets back to the basics of folk-rock rhythms and haunting new school harmonies while still allowing himself to explore his depth as a songwriter and arranger. The aptly titled What is Left of Me covers a lot of ground both emotionally and artistically, and I think it’s this player’s most intriguing work to date.
The tempo is as expressive as any of the melodies are in “I Just Want to Be Your Friend (featuring Erin Rae),” the mildly restless “Figure it Out,” superbly paced “Caduceus” and the churning yet wistful “Be Where (also with Rae),” and from where I sit, I think it was important to make it as prominent a feature in What is Left of Me as it wound up being. There’s a great warmth to the fretwork we find throughout this tracklist, and honestly, had the rhythm not been given a little extra panache from Formant, I’m not sure that this record would feel as multidimensional and versatile as it does in this particular instance. Formant’s vocal is challenged for authority over the harmony in “Natural Light” and the similarly absorbing “Get it Right,” but even when the backing instrumentation is giving him a serious run for his money, I don’t believe there’s ever a moment in this LP where he isn’t sounding like the true star of the show from top to bottom. What is Left of Me sports a terrific production quality, but it’s clear to me that all twelve of its obstinate songs would likely sound just as charming in a stripped-down arrangement as they do here.
If what I’m hearing in this latest release from Cooper Formant is essentially just a taste of what he’s planning on filling this unfolding chapter in his career with, then I think it would be safe for his fans and critics to assume that he’s far from finished as a singer/songwriter. Formant has magnificent energy and enthusiasm in this album that is reminiscent of some of the best singers to pick up a guitar, and if he’s able to bring the same trademark tonality he’s injected songs like the title cut and “As You See” with here, I believe he’s going to see a lot more success on the mainstream side of the industry than he has in previous outings in bands like the Fluids. He’s not necessarily breaking any rules in What is Left of Me, but he’s signifying some outstanding consistency as an artist.
Christian Gardenhire
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Album Review
Couldn’t Be Happiers unleashes a harmonious ode to modern existence with its EP “Couple(t)s Side A”
Get ready to be enchanted as North Carolina’s folk-rock duo Couldn’t Be Happiers invites listeners into their universally resonant anthems by releasing their eagerly awaited EP masterpiece, “Couple(t)s Side A.” This ambitious and heartfelt six-track collection brimm with introspection, poetic storytelling, and bold sonic exploration. The timeless melodies EP showcases the duo’s signature blend of heart-on-sleeve authenticity and genre-defying artistry.
More than a clever title, “Couple(t)s Side A” celebrates Jodi Hildebran Lee (playing drums, vocals, harmonica) and Jordan Crosby Lee (guitar, vocals) both as a married couple and as fervent admirers of poetic couplets. Produced in collaboration with Doug Davis of Flytrap Music Production, the EP is a testament to the duo’s harmonious synergy that defines their partnership in music and life. Organized thematically into categories of romantic compositions, protest anthems, and folk narrative ballads, the EP interweaves a complex tapestry of emotion, resulting in a work that is both diverse and cohesive.
The EP evocatively begins with “Come Back Tomorrow,” a euphoric folk-rock brilliance brimming with optimism and hope. With assertive harmonies and striking lead vocals, the track embodies a poignant reflection on the resilience of love and community amidst the uncertainties of modern life. The title track, “When I Die,” follows with a soulful warmth that lays bare life’s imperfections through melancholic yet therapeutic tones.
Each subsequent track deepens the EP’s emotional and thematic complexity. “Plastic Bag Odyssey (I’ll Never Die)” delivers a skillfully crafted critique against societal ills, while “Tear It Down” electrifies with timeless folk-infused grooves and emotive instrumentation. The haunting “Devil’s Tramping Ground” pairs dynamic beats with a dreamlike atmosphere, exploring the euphoria of discovery. Closing the EP, “Pretty Polly” leaves an indelible mark with its hauntingly introspective folk narrative, with trembling vibrato and seamless narrative flow.
With robust instrumentation including sousaphone, melodica, accordion, and musical saw, “Couple(t)s Side A” captures the essence of the duo’s dynamic live performances while pushing the boundaries of their artistry. It’s a sonic odyssey that invites listeners into the intimate, heartfelt world of Couldn’t Be Happiers, blending classic folk vibes with modern, introspective charm.
This EP marks a significant milestone in the duo’s growing discography, highlighting their unique approach to songwriting and storytelling. As Couldn’t Be Happiers continues to evolve and innovate, “Couple(t)s Side A” firmly solidifies its place as an exciting rising voice in the folk-rock scene.
For more information about Couldn’t Be Happiers, please visit [website].
CLICK HERE TO STREAM Couldn’t Be Happiers’ EP “Couple(t)s Side A“ on Spotify.
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Album Review
Raised on Candy unveils sonic brilliance with its self-titled album that redefines rock’s nostalgia
Raised on Candy, the electrifying rock trio born from the creative pulse of the San Francisco Bay Area and New York Tri-State has unveiled its eponymous debut self-titled album. With a nod to the golden age of ’90s rock and the raw edge of post-punk and shoegaze, the album promises a transcendent journey that redefines modern rock’s emotional and melodic possibilities.
The 12-track opus marks a significant milestone for the band, featuring Joe Penna (vocals/guitar), Scotty Imp (drums/percussion), and Kevin Harris (bass/vocals). Produced by legendary engineer Steve Albini, “Raised on Candy” is rumored to be their final recorded project, adding an air of historical significance to this groundbreaking release.
The album commences with the invigorating track “Nishuane Park,” characterized by an energizing and euphoric melody alongside a compelling rhythm that underscores the evocative potential of rock music. This introductory song is promptly succeeded by the soul-baring “Lonely Bill,” imbued with melancholic undertones and introspective depth. Subsequent tracks such as “Midnight Creeper” and “Rococo” exemplify the band’s sonic versatility for weaving deftness and soulfulness with dynamic guitar and piano interplay to create rich musical pieces that resonate through a timeless lens of the listener’s emotional clarity.
“Raised on Candy” extends beyond a singular vision. The energetic vibrancy of “Like A Bird” juxtaposes with the nostalgic smoothness of “Maxing The Clink,” creating contrasting yet complementary auditory experiences. Furthermore, compositions such as “Reunion,” “The Ponderosa,” and “Big Game Hunter” engage in profound sonic exploration, eliciting deep emotional resonance. Other tracks include “Soft Metal“ and “Ora.” The album culminates with the hauntingly beautiful track “Whisper Me Your Wish,” which envelops listeners in a synthesis of introspection and melodic excellence.
Every track on “Raised on Candy” attests to the band’s meticulous craftsmanship and relentless pursuit of authentic artistic expression. From shimmering guitar melodies to poignant lyricism, the album traverses a vast emotional landscape, cementing the trio’s place as a powerful force in today’s music scene.
Raised on Candy’s self-titled album is a collection of musical expertise and a profoundly personal adventure through the band’s sonic evolution. It’s a must-listen for rock enthusiasts and anyone yearning for an authentic, introspective experience. “Raised on Candy” is poised to resonate with listeners, solidifying the band’s legacy as pioneers of a new rock renaissance.
For more information about Raised on Candy, please visit [website].
CLICK HERE TO STREAM Raised on Candy’s Album “Raised on Candy“ on Spotify.
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