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Westside Gunn’s Griselda & Eminem’s Shady Records: A Complete History

It’s hard to imagine a time when Westside Gunn was a relative unknown in the rap game, considering the Griselda empire has evolved into a household name. In reality, Gunn has been steadily grinding since the early two-thousands, before plying his trade in the Buffalo underground circuit with his long-running Hitler Wears Hermes mixtape series. Between his own output and that of his brother Conway, who was also honing his own skillset, their discography was quickly building — as was their reputation as artists on the rise.

In March of 2017, it was announced that Westside Gunn and Conway would be joining Shady Records, with Eminem  praising the duo in an official statement. “The style and energy of Griselda Records, Gunn and Conway are infectious,” praised Em. “We can’t wait to put them on the platform they have earned and deserve.” The news came as somewhat of a surprise, as Gunn and Conway marked the label’s first signings since the assembling of Shady 2.0, a lineup that included Slaughterhouse and Yelawolf. Curious fans immediately began diving into both West and Conway’s extensive back catalogs, with many experiencing their first brush with the grimy and established Griselda sound.

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Westside Gunn Eminem Shady Records

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A few days after the big news, Westside Gunn, Conway, and Benny The Butcher sat down with Sway Calloway for an extensive conversation. The excitement was palpable. Westside Gunn seemed particularly thrilled by the partnership, revealing that Paul Rosenberg played a pivotal role in facilitating the process. As Gunn explains, he was initially looking to be represented by Rosenberg’s Goliath Management. “Paul was like ‘you know what, fuck the management, I got something better for ya’ll,” reflects Gunn. “I wasn’t even expecting it, cause I was working hard for a few years to make it happen.”

It’s likely that Gunn’s 2016 album Flygod played a role in cementing the Buffalo rapper as one to watch. Not to mention the mutual friends bridging the gap. Goliath Management artist Danny Brown held it down with a Flygod guest appearance, and Gunn had already established a working relationship with Em’s DJ — the legendary Alchemist. In any case, the future seemed bright. “I went and got the biggest bottle of Remy they had at the liquor store,” laughs Conway, in the same Sway interview. “El Camino rolled us a couple of celebratory things and we did it that way.”

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Over three years have passed since the signing of Westside Gunn and Conway. Much has changed in the interim. Both rappers are pretty much stars, respected across the game and critically acclaimed with every release. Alongside Benny The Butcher, who did not sign with Em’s label (he claims he was still “rapping locally” at the time), they released their first Shady Records album in 2019’s What Would Chinegun Do, which featured the crew’s first collaboration with Eminem. At the end of August, Westside Gunn delivered his first official Shady Records album Who Made The Sunshine. Conway’s anticipated Shady drop God Don’t Make Mistakes is still awaiting release. Musically, the crew’s stock has never been higher. Yet every now and then, there appears to be slight friction between Westside Gunn and Shady Records, with the main issue seeming to stem from the promotional side of things.

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That’s not to paint a wholly negative picture, as there have been many harmonious instances between Westside Gunn and Shady Records. Speaking with HNHH in April of 2018, Gunn described the process of working with the label as dope. “Eminem was always Conway’s favorite rapper,” explains Gunn. “He literally knows all of his projects. You can put him on the spot, he can rhyme the rhyme. He’s an Eminem fan. It’s really a dream come true for him — you get drafted to the Bulls after Jordan being your favorite player ever. Marshall has always been dope to me. I was always the Nas, Rae, Ghost, Prodigy, the street raw shit. But I always respected Marshall for the bars. That lyrically, he was one of the best. I can never take that away from him…It’s dope man, they supporting everything we got going on. Big up to the Shady staff.”

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In that same month, Gunn elaborated on his own personal dynamic with Em during an interview with REVOLT TV. “Every time we see each other, he leaves with a smile,” reflects West. “I leave with a smile. We’re not together all the time. He has his life, I have mine. We’re grown men… I respect people and when I see you, I’ll see you.”

In October of 2017, not far removed from the signing of Compton rapper Boogie, Eminem’s newfangled Shady Records roster stepped up to spit some bars in the BET Digital Cypher, a clip that has since gone on to garner well over a million views on YouTube. Conway also landed his first Eminem collaboration with “Bang,” a cut originally recorded for his Shady Records debut. While the affiliation helped raise awareness for the Griselda trifecta, it wasn’t without a few jarring setbacks. For one, the influx of Stans, which ultimately led to Conway openly voicing his frustration. “They’re a bunch of nerds and Stans that don’t understand me or relate to what I bring to the table,” explained Conway, noting that many only appeared interested in Eminem.

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Though some opted to interpret his words as disrespectful, Conway made it abundantly clear that it was all love between him and Slim Shady. “Me and my big bro Eminem got that “BANG” produced by Daringer and Beat Butcha available everywhere now!” he captioned, alongside a triumphant pic of him, Alchemist, and Eminem. “We got more shit in store for y’all too!!” In hindsight, it’s likely he was referring to What Would Chinegun Do, the 2019 Griselda album released courtesy of Shady and Interscope. The acclaimed project featured a remix of “Bang” with Westside Gunn and Benny The Butcher, as well as a rare verse from 50 Cent, fueling the Shady vibes with his presence. In spite of the album’s success, however, its post-release handling appeared to be the catalyst for some unexpected negativity, exposing some wrinkles in the seemingly harmonious partnership.

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In June of 2020, when Griselda was nominated for a BET thanks to their work on What Would Chinegun Do, Westside Gunn took a moment to call out Shady Records for perceived negligence. “I wonder do @ShadyRecords know we’re nominated for a BET AWARD tonight,” he wrote, tagging the label in a challenging show of dominance. Gunn’s tweet swiftly made headlines, sparking a narrative that Griselda was growing unhappy with Shady Records, or at the very least, disappointed. Luckily, that didn’t hamper the release of Gunn’s Shady debut Who Made The Sunshine, which landed at the beginning of October. This time, the Shady Records Instagram page made a point of spotlighting the project, reserving plenty of space to promote Gunn’s experimental effort. But Eminem himself did not use his own personal page to promote the album, a fact not lost on the ever-watchful Westside Gunn.

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After one of Em’s followers called out the rapper for neglecting to promote Westside Gunn’s Who Made The Sunshine — on a post celebrating The Alchemist’s The Food VillainGunn himself seemed particularly amused by the situation. He proceeded to pen a telling response, his emojis speaking volumes: three crying-laughter emojis followed by three “shhhh” emojis. Clearly, he has a few issues with the way Shady Records — and Eminem, for that matter — have been promoting Griselda, an entity that has made plenty of waves on their own merit. It’s difficult to get a sense of Gunn’s expectations of the partnership, as the majority of his commentary has been made on social media; conversely, neither Eminem nor Paul Rosenberg has appeared particularly fazed on the Shady end.

At this rate, one has to wonder what will happen after the release of Conway’s own Shady Records debut God Don’t Make Mistakes, an album that has been widely touted as one of the year’s most anticipated drops. It should be interesting to see the promotional rollout that ensues, and whether it appears to satisfy Westside Gunn’s criteria for approval. Either way, regardless of where you stand on the partnership, it’s hard to argue that the Griselda/Shady era has culminated in some truly incredible music, and should be celebrated accordingly. While all is said and done, we’re looking at a run that gave us What Would Chinegun Do, Who Made The Sunshine, and soon to be God Don’t Make Mistakes. All things considered, that’s enough to leave a positive impression overall, no matter what the future holds.

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What do you think of the Griselda and Shady Records partnership? Was Em’s label ultimately a good fit for Westside Gunn and Conway The Machine? And lastly, are you satisfied with the music that has come of it so far?

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Pete Miller Explores Duality on “The Dazzling Kimberly”

Pete Miller’s ‘The Dazzling Kimberly’ is a profound exploration of the intricacies of human emotion and the complexity of our relationships. Through its narrative, the song delves deep into the heart of love, loss, and the paths we choose in life. The protagonist’s journey of self-reflection and contemplation, sparked by the enigmatic Kimberly, serves as a mirror to our own experiences with love and the often painful lessons that come with it.

“The Dazzling Kimberly” is a poignant song that narrates the story of two twins embroiled in conflict, who are brought together and eventually reconciled by their interactions with a mystical figure named Kimberly. This song, with its rich narrative and allusions, particularly to the biblical story of Jacob and Esau, offers a layered exploration of themes such as rivalry, redemption, and the ephemeral nature of life and relationships.

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The song opens with a vivid depiction of one twin’s sense of guilt and moral ambiguity, contrasting his own cunning with his twin’s straightforward approach. This internal conflict sets the stage for the entrance of Kimberly, a figure whose very existence seems otherworldly, serving as a catalyst for change and reflection in the twins’ lives.

Kimberly, characterized by her wisdom and almost supernatural presence, challenges the narrator to reconsider his values, suggesting that victories won through cunning lack the essence of true love and fulfillment. Her influence is profound, guiding the twins towards a reconciliation that seemed impossible before her intervention.

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The chorus of the song encapsulates the narrator’s deep yearning and the transformative impact Kimberly has had on his life. It questions the value of freedom and the significance of their bond, highlighting the impermanence of life through the metaphor of fading air and shifting sands.

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The resolution of the twins’ conflict, prompted by Kimberly’s disappearance (or passing), symbolizes a newfound maturity and understanding. The once-contentious land becomes a symbol of their shared heritage and reconciliation, underscoring the message that love and unity are more valuable than any material possession or victory.

The allusion to Jacob and Esau provides a biblical backdrop to this tale of rivalry and reconciliation, enriching the narrative with layers of meaning and moral questioning. Just as Jacob and Esau reconcile after years of conflict, so do the twins, guided by the ethereal and loving presence of Kimberly.

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The song’s melancholic yet hopeful tone captures the duality of human experience—the longing for what was and the hope for what could be. The moods and themes you’ve described, from melancholy and contemplation to love, regret, and redemption, underscore the universal struggle with fate and the desire for moral clarity and closure.

For further thematic exploration, the works of Leonard Cohen, particularly for their spiritual and existential undertones, or the poetic narratives of Bob Dylan, might resonate with the themes of “The Dazzling Kimberly.” Both artists adeptly weave complex human emotions with broader philosophical and spiritual questions, much like Pete Miller does in this song.

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–Ralph Grossman

 

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Yung Miami Unveils Exciting “Yams” Era in a Dazzling Comeback Trail, Are You Ready for the Yams Revolution

Yung Miami

Yung Miami Unveils Exciting “Yams” Era in a Dazzling Comeback Trail, Are You Ready for the Yams Revolution

 

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The dynamic duo of City Girls, Yung Miami and JT, is gearing up for a remarkable transformation in 2024. While Yung Miami soared on the business front with her acclaimed podcast last year, the musical aspect faced a setback. Their album RAW didn’t quite hit the mark with sales, leaving fans and critics unimpressed. However, the tides are turning for JT and Yung Miami individually, especially with Yung Miami dropping the fire track “Sideways” over the weekend.

But that’s not all – Yung Miami is set to embrace a whole new era, and she teased it back in January with a cryptic tweet. “Welcome to the ‘Yams Era.’ I’m so excited for this era of my life; we’re about to have some FUN!!!” Fans are still decoding the meaning behind “Yams,” with some speculating it’s a play on how to pronounce Miami or exploring unique definitions on Urban Dictionary.

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Regardless, Yung Miami seems to be fully embracing her roots and infusing it into everything she does. A month after hinting at this fresh approach, she dropped a tantalizing “Yams” trailer on Instagram. In the video, she discusses her comeback while showcasing glimpses of studio sessions and teasing a stylish ginger hairstyle. Yung Miami declared, “Welcome to the YAMs Era! The Yams Era is my Prime time! In the Yams, we do ginger hair…focus on ourselves…& get money! Yams is the new lingo… To my fans, The YAMS…this is the new us. Drop a 🍠 if you’re ready!”

Support poured in from fellow artists like JT, Saweetie, and more, flooding her comments with yam emojis and encouragement for this exciting new chapter.

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What’s your take on Yung Miami’s “Yams Era” trailer? What could it signify – a new album, a mindset shift, or a different musical approach? Who’s poised for a bigger solo year, Yung Miami or JT, and why? Share your thoughts in the comments below, and don’t miss a beat with Honk Magazine for all the latest on Yung Miami. Stay tuned for everything buzzing in the music world! 🎶✨

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