Music

9 EPs Released in 2020 You Can’t Miss

Let’s admit it: there is so much going on in the music industry it’s hard to catch up with all the releases! It happens to all of us that we miss the drop of an outstanding single or album, and that is why we listed the 9 EP released in 2020 that you simply can’t miss! From hip-hop to pop an indie, we picked the most outstanding collection you have to add to your Spotify!

9 EPs Released in 2020 You Can’t Miss

1- JPEGMAFIA – EP!

The nine-track record is a compilation of fan-favorite singles the New York rapper released throughout 2020, including the razor-sharp remix of “BALD!” with Denzel Curry, “CUTIE PIE!,” “BODYGUARD!” and a new mix of “THE BENDS!” He also delivers a brand new single entitled “SUPER TUESDAY!” that arrives with a throwback sample that serves as a sonic backdrop for his quotable bars.

2- Shygirl – ALIAS

The South East London singer’s latest EP is a glittering portal into the future that offers up brief glimpses into a glamorously dirty life. In the remarkably unsexy year of 2020, you wouldn’t expect an artist to evoke the glowing grime of a club so exactly, but Shygirl manages to do it with her latest EP, ALIAS

3- Dua Saleh – ROSETTA

Released on the 12th of June 2020, the EP ROSETTA is named (in tribute) after and inspired by famed gospel singer and queer musical precursor of “rock and roll” Sister Rosetta Tharpe. Saleh’s record follows their black-lives-matter protest song bodycast, and builds further on their exploration of blackness, queerness, love and belonging.

4- Dirty Projectors – Flight Tower

Dirty Projectors are once again a group effort. Their new EP is helmed by singer Felicia Douglass, whose smooth voice is an antidote to Dave Longstreth’s ceaselessly complicated arrangements. Across four tracks, frontman Dave Longstreth and his collaborators grasp at defined boundaries and solid forms, drawing on the freed-up sensibility of 2018’s Lamp Lit Prose to present long-held affectations with renewed immediacy.

5- Isola – EP 1

The Las Vegas musician Ivana Carrescia has adopted a few different names over the years, including Eddi Front and Gioia. Her latest project is Isola, another collaboration with Godmode producer Nick Sylvester, and it’s filled with intoxicatingly smooth dance wriggles. There’s still some semblance to the intimate spectral folk music she was making in her earliest iteration, but this time her whispers are prone to breaking out in a spasm of noise, involuntary ecstasy as she moves further toward the realm of the dancefloor.

6- BriGuel – TBD

The ever-evolving artist duo BriGuel return with a new EP titled TBD, a genre borderless project building bridges between rap, dream-pop, and deep progressive house. Miguel Gluckstern serves melodic hip hop and his signature bilingual conscious rap, while Brianne Berkson creates an unmatchable energy thanks to her smooth and lush contemporary R&B vocals.

7- Bob Vylan – We Live Here

Bob Vylan delivered a huge political statement filled with anger and passion. We Live Here is a see-saw mix of UK trap/grime, punk, and rap rock, every second of it dripping in righteous rage. You. Must. Listen.

8- Priceless Scott – Pressure Makes Diamonds

Central Florida-bred rising rap queen Priceless Scott, sets the bar high by blending with utmost sophistication her powerful flow with flawlessly produced soundscapes on Pressure Makes Diamonds, her latest EP. The beauty of the r&b and rap melodies she crafts paired with her gracefully powerful flow are the perfect way to convey her messages and vibes to listeners, and Pressure Makes Diamonds sets a solid foundation for what’s coming next.

9- Wye Oak – No Horizon

After a smattering of singles released going back to late last year and Jenn Wasner’s recently released Flock of Dimes solo EP, Wye Oak emerges with a different approach altogether on the No Horizon EP. Here, Wasner and longtime musical partner Andy Stack team up with the Brooklyn Youth Chorus. The Chorus have certainly earned their indie cred with the likes of Bon Iver and The National, but have also rubbed shoulders with musical royalty of the likes of Barbara Streisand and Sir Elton John. And they bring a regal flair to Wye Oak’s repertoire as well.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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